Theater Plays

He was known as the Wildman more than 100 years ago, terrorizing lumberjacks and farmers who complained that their lives were at stake. The American Indians, depending on their tribe, had many names for the Creature: Sasahevas, Sasquatch, Bukwas (wild man of the woods), See'atco (one who runs and hides). What would Native American Indians have to gain from falsifying the existence of a Beast?

Ben Riller is the most successful producer on Broadway, but his newest production is in danger of closing before it opens. In his stressed-out condition, Ben is hearing the voice of his long-dead father, and they're having a running argument about life, love, and other people's money.

Quarantine is an adaptation for the theater by E. Thomalen of Albert Camus' The Plague translated by Stuart Gilbert. It is a play in four acts and begins with the observation of rats dying, ending with "freedom" because of the lifting of the quarantine. Not everyone finds freedom to his liking. The characters capture the angst, boredom, grief, heroism, spiritual questioning, villainy, courage and longing brought on by the quarantine and the plague.

Christopher Lee: A One-Person Play by Michael B. Druxman (Lee’s one-time publicist), joins the actor in 1976, as he is about to depart his home in England for the United States. It is his hope that, in America, he will be able to abandon the horror genre, and find a greater variety of roles.

Charles Paris has landed a dual role in a lavish West End musical: onstage as a bit player, offstage as an undercover sleuth. The production's nervous backers fear that someone is trying to kill the play. The ultimate showstopper would be to eliminate the star.

Are you ready to embark on a journey through the remarkable achievements of African American men and women who have left an indelible mark on America and the world? “TEAR DOWN THE WALLS" is not just a play; it's a captivating exploration of the profound contributions made by African Americans across a spectrum of fields. From science to politics, law to sports, and the arts to entertainment, this production shines a spotlight on their outstanding accomplishments. Prepare to be moved by the touching portrayal of the struggles and triumphs that have shaped African American history. From the...

Book 3, Summer Blues, continues Norma Elliott’s journey with a season full of laughter, heartfelt moments, and life lessons shared through her secret journal. From dashing through the sprinkler with self-tanning mishaps to navigating the challenges of growing up, entering a singing contest, and more, this summer is brimming with unforgettable adventures. With wit and warmth, Victoria Simcox invites readers into Norma’s world, illustrating that God’s love embraces us in every moment—flaws and all. Through the laughter, missteps, and life lessons, His grace proves to be the most ...

Ida Lupino was a trail-blazer. Not only was she one of the most vibrant Hollywood actresses of the 1940s and 1950s, but she was also only the second woman to become a member of the Director's Guild. Michael B. Druxman's one-woman play, Ida: The Last Lupino, joins Ida in 1983 when she is living alone in her decaying Brentwood home as a virtual hermit, lamenting the break-up of her marriage with Howard Duff. Ida: The Last Lupino is a vivid, often witty, portrait of a woman who conquered a man's world.

There are 83 copies of the First Folio in a vault beneath Capitol Hill - the world's largest collection. Well over 150 Indian movies are based on Shakespeare's plays - more than in any other nation. If current trends continue, there will soon be more high school students reading The Merchant of Venice in Mandarin Chinese than in early modern English. Why did this happen, and how? Ranging ambitiously across four continents and 400 years, Worlds Elsewhere is an eye-opening account of how Shakespeare went global.

An award winning Drama from SmartPass. Unabridged with guided description to set the scene and fill in visual moments.

These remarkable letters represent a wealth of as-yet-undiscovered knowledge about Shakespeare's relationships, personality, and career as he carved out his place in the chaotic world of 16th-century London. Whether you are a Shakespeare scholar, merely a fan, or even if you have never read any of his works, the stories of the The Lost Letters will enthrall you with their fascinating and true tale.

An award winning Drama from SmartPass. Unabridged with guided description to set the scene and fill in visual moments.

An undercover vampire, a prophetic park bench, an audience on stage, a mixed-up fairy tale, a bad hand, a little gibberish, some self care, a dental obsession, and the end of the world are some of the things you will encounter in this fourth collection of ten-minute plays. Most are designed to be produced with just a few actors, a few props, and within one or two simple settings. They are easy to perform or fun to just read.

When you think of Jason Robards, you also think of Eugene O’Neill and the tragic, hard-drinking characters he created in The Iceman Cometh, Long Day’s Journey Into Night, Hughie and The Moon for the Misbegotten. Robards, the son of a failed actor, Jason Robards Sr., discovered O’Neill’s plays when he was in the Navy during WW2. After the war, without his father’s encouragement, he pursued his own acting career, but it was 11 years and two failed marriages before he finally achieved success.

This stage play is about the struggle of the main character, Ricard, who has recently been arrested for driving under the influence (DUI) of alcohol. The play chronicles his personal struggle to deal with how he became an alcoholic and how to repair his life. It focuses on his values, how to identify their role in his life, and how he can shed alcohol as a value. As he begins to understand what is important in his life, he begins the trek from his distorted value structure to what is important in life.

When a staged murder at a mystery dinner playhouse turns into a real poisoning death‚ recently retired detective Gabe Tremont is called back to solve the crime and discovers the playhouse director‚ the cast and a spy from a competing theater all have reasons to want the murdered man dead.

Ben is having a difficult week. After five whole years of “drinking from Mommy’s boobies”, he suddenly has to step aside for his new baby sister, Beatrice, who may or may not be human. Mommy says he has to “support her appearance no matter how humiliating it is for us as family”, but that’s hard to do when your sister has branches for arms and legs.

Yvonne De Carlo, Michael B. Druxman’s one-woman play, is set in 1974 when the actress is at an emotional crossroads. As she contemplates divorcing her husband of 18 years, she remembers the events that have brought her to this point in her life, beginning with a fatherless childhood in Vancouver, BC, and a destitute mother intent on making her daughter a ballet star. She further reminisces about the many men who have passed through her life, including romances with the likes of Howard Hughes and Aly Khan.

Four metaphysical One Act Comedies for your reading pleasure and reflection. They are also easy to produce, small cast, minimal set. These plays have been staged and enthusiastically received by audiences. Small on production cost, big on creativity, energy, laughs, and insights on the human condition. The book includes: "The Amazing Invention" "The Final Moment" "The Archangel's Voyage" "Madman at the Wishing Well"

Every funeral is an unplanned occasion thrown together under terrible circumstances by people in shock and mourning. No one involved in burying the dead can fail to recognize their own mortality or confront the course their life has taken to date. In this full cast audio play about the death of a philandering family patriarch in a small town, characters reveal shocking secrets and struggle to decide if, when, and how they will ever see one another again. This moment marks the end of who each character is and allows us to understand who they will become.