Theater Biographies

In Wendy and the Lost Boys best-selling author Julie Salamon explores the life of playwright Wendy Wasserstein's most expertly crafted character: herself. The first woman playwright to win a Tony Award, Wendy Wasserstein was a Broadway titan. But with her high- pitched giggle and unkempt curls, she projected an image of warmth and familiarity. Everyone knew Wendy Wasserstein. Or thought they did.

Ida Lupino was a trail-blazer. Not only was she one of the most vibrant Hollywood actresses of the 1940s and 1950s, but she was also only the second woman to become a member of the Director's Guild. Michael B. Druxman's one-woman play, Ida: The Last Lupino, joins Ida in 1983 when she is living alone in her decaying Brentwood home as a virtual hermit, lamenting the break-up of her marriage with Howard Duff. Ida: The Last Lupino is a vivid, often witty, portrait of a woman who conquered a man's world.

The inside story of San Francisco's burgeoning gay history and Hollywood's trials and tribulations. Marc Huestis' showbiz memoir is an entertaining and personal retelling of his coming out in the streets of San Francisco in the early ’70s, his relationship with Harvey Milk, his award-winning early AIDS documentary work, and 20 years of memorable experiences and behind the scenes secrets of screen icons - including Debbie Reynolds, John Waters, Patty Duke, and Tony Curtis - honored at his grand singular extravaganzas at the world-renowned Castro Theater.

First biography of the great actress in a brilliant interpretation of Danuta Stenka. One-hundred-two years of fascinating life, turbulent career, and dramatic turns in history. Gabriel Michalik paints a subtle portrait of the legend of the theatre and cinema, the people she met, and the era through which she lived with natural elegance, grace, and unusual cheerfulness, in spite of dramatic obstacles.

No one does glamour, severity, girlish charm or tight-lipped witticism better than Dame Maggie Smith, one of Britain's best-loved actors. This new biography shines the stage lights on the life and career of a truly remarkable performer, one whose stage and screen career spans six decades. From her days as a West End star of comedy and revue, Dame Maggie's path would cross with those of the greatest actors, playwrights and directors of the era.

Escucha de los labios de la propia pintora cómo el arte le salvó la vida. Tal vez su historia te inspire la próxima vez que te dé un ataque de risas anaranjadas o te encuentres soñando en rosado. ¡Pinta y deja volar tu imaginación!

This study of Hollywood's favorite "screwball" comedienne begins on the eve of her death. Following a successful war bonds tour, she awaits word in an Indianapolis hotel room to see if she's been successful in securing plane reservations for a flight back to Los Angeles. She's anxious to get home, because she suspects that her husband, Clark Gable, is cheating on her.

In Michael Rabin: America's Virtuoso Violinist, Anthony Feinstein tells the poignant story of the life and career of one of history's greatest violinists. As a child prodigy, Rabin had the classical music world at his feet. Notable successes included a coveted EMI contract, recording the soundtrack for an Elizabeth Taylor movie, and guest appearances on The Milton Berle Show and The Bell Telephone Hour.

The Sit Room brings you inside the secretive Situation Room of the White House, the most important deliberative room in the world, during the early 1990s when the author was one of the policymakers who framed the Clinton Administration's policy toward the bloody Balkans War. Drawing upon newly declassified documents and his own notes, David Scheffer, who later became America's first Ambassador-at-Large for War Crimes Issues, weaves the true story of how policy options were debated in the Sit Room among the highest national security officials.

Guys & Dolls...The Boyfriend...How to Succeed in Business Without Really Trying...Can-Can... These are just a few of the many Broadway shows produced by the legendary Cy Feuer, who, in partnership with the late Ernest H. Martin, brought to life many of America's most enduring musicals. Cy Feuer was at the center of these creations, as well as the films based on two of Broadway's most exceptional musicals, Cabaret and A Chorus Line. He was the man in charge, the one responsible for putting everything together, and - almost more important - for holding it together.

Carey Perloff, Artistic Director of San Francisco's legendary American Conservatory Theater, pens a lively and revealing memoir of her 20-plus years at the helm and delivers a provocative and impassioned manifesto for the role of live theater in today's technology-infused world. Perloff's personal and professional journey - her life as a woman in a male-dominated profession, as a wife and mother, a playwright, director, producer, arts advocate, and citizen in a city erupting with enormous change.

As Captain Blood, Robin Hood, and the Sea Hawk, he was the "King of the Swashbucklers". As Errol Flynn, he was Hollywood's number one rogue. He was married three times, and also was the defendant in three rape trials. Indeed, it's fitting that his last major swashbuckling film cast him in the role of Don Juan. The play joins Flynn a few weeks before his premature death. Knowing that the end is near, he is in a New York airport, waiting to fly west to see his children for the last time.

All his life, journalist Walter Shapiro assumed that the outlandish stories about his great-uncle Freeman were exaggerated family lore; some cockamamie Jewish revenge fantasies dreamt up to entertain the kids and venerate their larger-than-life relative. Only when he started researching Freeman Bernstein's life did he realize that his family was actually holding back.

Clifton Webb was one of those rare motion picture actors who became a major box-office star when he was in his mid-50s. Indeed, his first sound movie was Laura (1944), and his role as Waldo Lydecker in that classic film noir earned him the first of three Oscar nominations. Four years later, Clifton Webb became a household name when he played Lynn Belvedere and poured a bowl of mush onto a baby's head in Sitting Pretty.

As a young schoolboy, David Essex dreamed of becoming a professional footballer and was signed up by his beloved West Ham United. But as a teenager, he developed a passion for music, which set him on a very different path, and ultimately led to superstardom. It wasn't, however, an easy start. Scraping a living on the edges of show business was a hard slog, and he endured many disappointments. Then, aged 23, he went along to an audition for a new musical called Godspell and won the role (Jesus) that shot him to fame.

Mass violence committed by young people is now an epidemic. The reasons behind this escalating violence and the cultural forces that have impugned a generation is the subject of this important new book. The Spiral Notebook is full of interviews with Generation Z, a group dogged by big pharma and antidepressants and ADHD drugs, by a doomsday/apocalyptic mentality present since birth, and by an entertainment industry that has turned violence into parlor games.

In keeping with The Rehearsal Club mission to “preserve its legacy,” a national network of former residents came together to tell their stories while living at The Rehearsal Club. Spanning four decades, 1940s-1970s, The Rehearsal Club “Cinderellas” (coined by TV Guide in the 1950s) captures New York City and Broadway history while charting the journey leading to The Rehearsal Club’s incorporation in 2019.

Orson Welles is a one-person play in two acts about the life and times of Orson Welles. Some say that Orson Welles was a genius, but he always denied that. He did give us Citizen Kane, considered by most critics to be the best film ever made, but after that, his career took one long downward plunge. The play finds Welles trying to find the financing for one of his film projects. It's a difficult task, since most of the Hollywood community considers him to be a "screwball".

Isy Suttie wakes up one day in her late 20s to discover that the deal she'd struck with her friends, to put off growing up for as long as possible, had been entirely in her head. Everyone around her is suddenly into mortgages, farmers' markets, and going off the pill rather than running naked into the sea or getting hammered in a country pub with 80-year-old men. After a particularly crushing breakup precipitated by Isy's gifting of a human-size papier-mâché penguin to her boyfriend, her dearest friend advises Isy not to worry: the next guy she meets will be The Actual One.

Dick Powell made a career of reinventing himself. Born in Arkansas, the young tenor played horn and banjo, and sang with various dance bands and orchestras in Pittsburgh and elsewhere before he was brought to Hollywood, where he sang opposite Ruby Keeler and others in such classic Busby Berkeley musicals as 42nd Street, Footlight Parade, Gold Diggers of 1935, and the Al Jolson film, Wonder Bar.