Theater Biographies

Before "Fred and Ginger" there was "Fred and Adele", a show-business partnership and cultural sensation like no other. In our celebrity-saturated era, it's hard to comprehend what a genuine phenomenon these two siblings from Omaha were. At the height of their success in the mid-1920s, the Astaires seemed to define the Jazz Age. They were Gershwin's music in motion, a fascinating pair who wove spellbinding rhythms in song and dance. In this book, the first comprehensive study of their theatrical career together, Kathleen Riley traces the Astaires' rise to fame from humble midwestern origins.

In the fall of 1943, armed with only his notebooks and pencils, Time and Life correspondent Robert L. Sherrod leapt from the safety of a landing craft and waded through neck-deep water and a hail of bullets to reach the shores of the Tarawa atoll with the US Marine Corps. Living shoulder to shoulder with the marines, Sherrod chronicled combat and the marines' day-to-day struggles as they leapfrogged across the Central Pacific, battling the Japanese on Tarawa, Saipan, Iwo Jima, and Okinawa.

Ed Lowry joined the vaudeville circuit in 1910 at the age of 14. He never achieved stardom equal to the likes of Fred Allen, Jack Benny, George Burns, Buster Keaton, or Eddie Cantor, and he never considered himself an "artiste". Instead, he saw himself as a hoofer and comic simply trying to make a living on the vaude scene. My Life in Vaudeville recounts Lowry's long career in entertainment from the viewpoint of a foot soldier with a big dream.

Sir Laurence Olivier, Lord Mountbatten, and Joyce Carey are just some of the voices heard paying tribute to the elegant star in this audio biography, which is linked by the broadcaster and critic Sheridan Morley.

Extracts from interviews with Coward himself, several of his songs and moments from his plays come together to form a fascinating picture of one of the 20th century's theatre greats.

A short life of Dickens which celebrates the impact of the theatre on his life and work. Two hundred years after his death, Dickens’s work is more popular than ever, in a variety of media, most of them undreamed of during his lifetime. Over the last few decades of intensive research, Dickens the man has become much better known to us and the sheer originality of his personality blazes forth as never before.

She was beautiful, talented, irascible, ruthless, vulnerable, and a true Hollywood legend. From abused child to dance-hall entertainer to silent-film actress, she went on to become one of Hollywood's screen goddesses with films such as Possessed opposite Clark Gable, with whom she began a torrid off-screen affair, Grand Hotel, and Mildred Pierce, her Academy Award-winning film.

Guys & Dolls...The Boyfriend...How to Succeed in Business Without Really Trying...Can-Can... These are just a few of the many Broadway shows produced by the legendary Cy Feuer, who, in partnership with the late Ernest H. Martin, brought to life many of America's most enduring musicals. Cy Feuer was at the center of these creations, as well as the films based on two of Broadway's most exceptional musicals, Cabaret and A Chorus Line. He was the man in charge, the one responsible for putting everything together, and - almost more important - for holding it together.

George Chakiris famously played the angry gang leader Bernardo in the film version of West Side Story (1961), for which he won an Oscar for best supporting actor. My West Side Story is an insider's look at how this theatrical and cinematic landmark evolved from a conversation in Jerome Robbins's Manhattan apartment between him, Arthur Laurents, and Leonard Bernstein to ten Oscars, three Golden Globes, two Tony Awards, and a Grammy.

Amanda Vaill, Jerome Robbins biographer and authority, drawing on the vast and closely held Robbins archives, has put together a selection of his writings, giving us a sense of his extraordinary range as a thinker and artist, as well as a surprising and revealing glimpse into the mind and heart of this towering cultural giant.

Lillian Hellman was a giant of 20th-century letters and a groundbreaking figure as one of the most successful female playwrights on Broadway. Yet the author of The Little Foxes and Toys in the Attic is today remembered more as a toxic, bitter survivor and literary fabulist, the woman of whom Mary McCarthy said, "Every word she writes is a lie, including 'and' and 'the.'" In A Difficult Woman, renowned historian Alice Kessler-Harris undertakes a feat few would dare to attempt: a reclamation of a combative, controversial woman who straddled so many political and cultural fault lines of her time.

No one does glamour, severity, girlish charm or tight-lipped witticism better than Dame Maggie Smith, one of Britain's best-loved actors. This new biography shines the stage lights on the life and career of a truly remarkable performer, one whose stage and screen career spans six decades. From her days as a West End star of comedy and revue, Dame Maggie's path would cross with those of the greatest actors, playwrights and directors of the era.

Christopher Lee: A One-Person Play by Michael B. Druxman (Lee’s one-time publicist), joins the actor in 1976, as he is about to depart his home in England for the United States. It is his hope that, in America, he will be able to abandon the horror genre, and find a greater variety of roles.

In Wendy and the Lost Boys best-selling author Julie Salamon explores the life of playwright Wendy Wasserstein's most expertly crafted character: herself. The first woman playwright to win a Tony Award, Wendy Wasserstein was a Broadway titan. But with her high- pitched giggle and unkempt curls, she projected an image of warmth and familiarity. Everyone knew Wendy Wasserstein. Or thought they did.

Albert Poland, legendary Broadway and Off-Broadway producer and general manager, presents Stages: A Theater Memoir.

The riveting story of the rivalry between the two most renowned actresses of the 19th century: legendary Sarah Bernhardt, whose eccentricity on and off the stage made her the original diva, and mystical Eleonora Duse, who broke all the rules to popularize the natural style of acting we celebrate today.

There has never been a show business book quite like The Show Won't Go On, the first comprehensive study of a bizarre phenomenon: performers who died onstage. From the comedy magician who dropped dead on live television to the amateur thespian who expired during a play called The Art of Murder, the book is a celebration of lives both famous and obscure, as well as a dramatic and accurate recounting of events leading to the moments they died "doing what they loved."

Most histories of the US Army in World War II view the Mediterranean Theater of Operations primarily as a deadly training ground for very green forces, where lessons learned on the beaches of Oran, in the hills of the Kasserine Pass area, and at the collapse of the Tunis bridgehead all contributed to later success in Western Europe. Steven Barry, however, contends that victory in the MTO would not have materialized without the leadership of battalion-level commanders. They operated at a high level, despite the lack of combat experience for themselves and their troops.

Noël Coward on theatre was as dazzling and entertaining as his masterful plays and lyrics. Here his ideas and opinions on the subject are brilliantly brought together in an extraordinary collection of commentary, lyrics, essays, and asides on everything having to do with the theatre and Coward's dazzling life in it.

Audrey Hepburn was not your usual movie star. She was the highest paid actress of her day, yet she never took a formal acting lesson. A child of war, and the daughter of a Fascist sympathizer, she spent her last years helping children of other wars. An Academy Award-winner for her first major film role (Roman Holiday), Hepburn continued her storybook career with such classic movies as Sabrina, Funny Face, The Nun's Story, Breakfast at Tiffany's, Charade, My Fair Lady and Wait until Dark. Her two marriages ended in divorce.

Mass violence committed by young people is now an epidemic. The reasons behind this escalating violence and the cultural forces that have impugned a generation is the subject of this important new book. The Spiral Notebook is full of interviews with Generation Z, a group dogged by big pharma and antidepressants and ADHD drugs, by a doomsday/apocalyptic mentality present since birth, and by an entertainment industry that has turned violence into parlor games.