Television Memoir

A groundbreaking look at the history of transgender representation in TV and film, by an of-the-moment and in-demand culture reporter. Narrated by Tre'vell Anderson, WE SEE EACH OTHER is a personal history of trans visibility since the beginning of moving images. A literary reckoning, it unearths a transcestry that's long existed in plain sight and in the shadows of history's annals, and further contextualizes our present moment of increased representation.

In 1968 a group of young people took over a derelict trouser factory in a rundown part of Leeds and set about producing programmes that were to define the British television world of the late 20th century. These included the investigative documentary series First Tuesday, Darling Buds of May, Whickers World, Don't Ask Me, and Heartbeat. At the same time they attracted, indeed often created, stars of international fame such as James Mason, Catherine Zeta Jones, Alan Whicker, David Jason, Magnus Pike, and David Frost.

This is the story of Jerry Bryant, who has spent his life showcasing the biggest rock stars before anyone else could.

In 2021, Texas Country Reporter celebrates its fiftieth season on the air. Broadcast every week on stations across Texas, it focuses on "ordinary people doing extraordinary things." In this memoir, Phillips tells his own story, from his early days as a reporter and his initial pitch for the show while a student at SMU to his ongoing work at the longest-running independently produced television show in American television history.

「テレビの裏でうごめく仕事」　テレビ局員が映しだす、業界の栄枯盛衰――枕営業ってありますか？　今、テレビ業界の闇、そしてテレビプロデューサーの裏の顔が世間の注目を集めている。私は20余年にわたりテレビ局に勤務してきた。どこからどこまでが「表の顔」で、どこからどこまでが「裏の顔」なのかももはや判然としない。

Chris Licht was a “killer” at his day job as the executive producer in charge of running MSNBC’s must-watch politics and morning news show Morning Joe. A thirty-eight-year-old control freak who thrived in the high-octane world of media, he had spent years sacrificing relationships with family and friends in the fiercely driven pursuit of his career. But that was before a brain aneurysm nearly killed him. Suddenly humbled, Chris is forced to recognize the richness of the life he nearly lost and to reckon with his family and career.

In Gotta Get Theroux This, Louis takes the reader on a joyous journey from his anxiety-prone childhood to his unexpectedly successful career. Nervously accepting the BBC’s offer of his own series, he went on to create an award-winning documentary style that has seen him immersed in the weird worlds of paranoid US militias and secretive pro-wrestlers, get under the skin of celebrities like Max Clifford and Chris Eubank and tackle gang culture in San Quentin prison, all the time wondering whether the same qualities that make him good at documentaries might also make him bad at life.

The weird, wacky and wonderful betting exploits of an unconventional gambler who takes the biggest risk of his life to give up his day job and try to make a living on chance. The Gambler reveals the highs and lows, the joy and despair, and the sheer lunacy of someone willing to risk it all on the most outlandish outcomes, from betting on the winner of Eurovision and Strictly to whether a pair of pandas might mate.

Who almost turned down his iconic role on The Sopranos because he could not sing? Did Katharine Hepburn really build the Uris building? How did a simple handshake with President Kennedy almost end in disaster? In his debut memoir, Too Funny for Words, Jerry Adler reveals all for the first time! In his career as a theater director, producer, and actor that has spanned over seventy years, Adler has certainly had his fair share of laughs, and is ready to take listeners on a reminiscent journey of Hollywood tales past.

Most of us have no concept of what goes into creating a show, getting it on the air, and keeping it on. Perhaps we assume that the people in charge simply decide what amuses them at the moment, make those shows, stick them on, and wait to see if the public responds. Or maybe they just throw darts at a board? The truth, as with most things, is more complicated. In "Hello," Lied the Agent, Ian Gurvitz has produced a corrosively funny insider's look at what being a television writer is really all about.

Hailed by the New Yorker as "a crucial forebear of generations," award–winning director Joyce Chopra came of age in the 1950s, prior to the dawn of feminism, and long before the #MeToo movement. As a young woman, it seemed impossible that she might one day realize her dream of becoming a film director. In this engaging, candid memoir, award–winning director Joyce Chopra describes how she learned to navigate the deeply embedded sexism of the film industry, helping to pave the way for a generation of women filmmakers who would come after her.

What happens when a 35-year-old average American woman spends one year following every piece of Oprah Winfrey's advice on how to "live your best life"? Robyn Okrant devoted 2008 to adhering to all of Oprah's suggestions and guidance delivered via her television show, her Web site, and her magazine. Living Oprah is a month-by-month account of that year.

For nearly fifty years, Dave Lopez covered every major story in the Southland. The veteran news reporter was a nightly presence in LA living rooms on KCBS Channel 2 for a remarkable 48-year career on camera. General managers and news directors came and went in the unforgiving world of major market TV news, but Dave outlasted more than twenty regime changes.

Jeff Dugan began his career in television as an ashtray holder for Forrest Tucker doing every possible job up to executive producer for the Discovery Channel. Dugan worked alongside some of the most powerful people in the world, from the pope to Oprah, and things rarely went smoothly. Ted Kennedy thought he was an assassin. And on the biggest series of his career, he almost killed his celebrity narrator on the first day of shooting. Ins & Outs is a humorous look behind the scenes of American television written by a guy who made it to the top despite the carnage he left behind.

Fran Drescher, iconic star and co-creator of The Nanny, shares her candid thoughts about the fall of Les Moonves, a surprising critique of her NBC show Indebted—and explains what she sees wrong with American “sick care.” Think you know Joan Collins? If your knowledge begins and ends with her run as Alexis Carrington on Dynasty in the Eighties, darling, you would be so very wrong. Emmy-winning actor, producer, and director Danny DeVito gets behind The Originals bar and serves up drink recipes, quarantine-friendly lymph system workouts, tips for not murdering co-star Jim Carrey, and more.

In this hilarious, frank, and affecting autobiography Ned Sherrin looks back on his life and career with inimitable wit and a good deal of wisdom.

The purpose of this insider's account is to provide an answer to all these questions and more. Andrew Marr's brilliant, and brilliantly funny, book is a guide to those of us who read newspapers, or who listen to and watch news bulletins but want to know more. Andrew Marr tells the story of modern journalism through his own experience.

A television producer and a pig farmer meet on a cruise, not knowing they will become business partners. Lisa marries the farmer with his million-dollar debt. The farm business collapses, and they explore other ventures, including becoming traveling carnies. Lisa and Keith's faith in God is the thread that binds them together despite failures. Facing setbacks with hope and determination, they rebuild their lives and eventually find success starting a window cleaning company.

How does an ordinary-colored-girl get her own talk show in 1973 covering Southern New England? Not by being a good girl. She wasn't always bad, she'd tell you. It wasn't until she met "him". The him was one of TV's most powerful behind-the-scenes star makers. If I Make You a Star: A Trailblazing Black TV Journalist’s Me Too Story by Theresa Brown is about love and hate, power and compromise, colorism, betrayal, mental illness, and moral injury. It's an insider's story of grooming, success, and the consequences of complicity taking place in the late '60s.

世界で初めて電子式テレビジョン実験に成功した高柳健次郎は、ブラウン管に「イ」の字を映し出し、テレビ実用化の道を切り開きました。技術者たちとの研究を通じて学んだ「チーム研究」の重要性や「十年、二十年先に役立つ技術を目指せ」という恩師の言葉、テレビジョンの研究を決意したきっかけなどを高柳健次郎本人が語ります。〔NHK教育テレビ「私の自叙伝~テレビ事始め~」1980年3月13日放送より〕-高柳健次郎(たかやなぎ けんじろう) 1899(明治32)年、静岡県生まれ。1924(大正13)年、浜松高等工業学校(現・静岡大学工学部)助教授に就任。「無線遠視法」(テレビジョン)の研究を開始。1926(大正15)年、電子式テレビジョン実験に成功。戦後、日本ビクターに入社し、テレビジョンの技術革新に尽力。1990(平成2)年、91歳で死去。テレビの父と呼ばれた。