Social Horror

A stolen Desert Eagle, a weapon designed to protect warriors defending their nations, the official sidearm of the Israeli military, continues its fall from grace in LA misadventures.

Whether for entertainment, under the guise of medicine, or to propel consumerism, heinous acts are perpetrated daily on women’s bodies. In Body Horror: Capitalism, Fear, Misogyny, Jokes, award-winning journalist Anne Elizabeth Moore catalogs the global toll of capitalism on our physical autonomy. Weaving together unflinching research and surprising humor, these essays range from investigative—probing the Cambodian garment industry, the history of menstrual products, or the gender biases of patent law—to uncomfortably intimate.

This collection of supernatural tales includes "The Talking Corpse"; "The Hound of Goshen"; "The Ring"; "The Phantom Rider of Bush River"; "The Witch Cat"; "The Gray Man"; "Tsali, the Cherokee Brave"; "The Ghost of Litchfield"; "City of Death"; "Treasure Hunt"; "House of the Opening Door"; "The Ghosts of Hagley"; "Return from the Dead"; "Whistle While You Haunt"; "The Brown Mountain Lights"; "Alice of the Hermitage"; "The Night the Spirits Called"; and "Swamp Girl".

All of a sudden, the most ordinary things have taken on a sinister edge: a penny on a doormat. An odd man in a brown suit under a streetlamp. The persistent sound of an ax chopping in the middle of the night. He keeps telling himself that this is Seaham, a sleepy seaside town where nothing ever happens. Or at least nothing did, until his dad’s construction company opened up the cliff beneath the old—some say cursed—Langdon place.

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.

Whatever went inside did not survive, so beware of what's lurking about, don't poke around the cave and shout, especially when the sign reads, KEEP OUT!

Roberts writes stories from a wide variety of locations: "Night of the Hunt" in Hendersonville, North Carolina; "Return of the Bell Witch" in Adams, Tennessee; "The Shenandoah Stage" in New Market, Virginia; "Chain Gang Man" in Decatur, Alabama; "Fort Mountain" in Fort Mountain, Georgia; "Laura" in Campbellsville, Kentucky; and "The Coming of the Demon" in Middleway, West Virginia.

This collection features such stories as "Passenger Train Number 9"; "The Little People"; "The Phantom Rider of the Confederacy"; "The Demon of Wizard Clip"; "Room for One More"; "Tavern of Terror"; "The Surrency Ghost"; "The King's Messengers"; "The Haunted Gold Mine"; "The Singing River"; "The Gray Lady"; "Railroad Bill"; and "The Haunted Car".

Few events have sparked more legends and stories of the supernatural than America's Civil War. The accounts of gallantry and heroism have spread far and wide. Nancy Roberts grew up listening to her father's stories of the War Between the States, and she trekked over many battle sites with him during her childhood. After reading about General Joshua Chamberlain's supernatural experience at the Battle of Gettysburg, Roberts began to collect tales of the blue and gray and write them down.

Why would anyone want to watch horror movies? Why would Christians, in particular, bother with the genre? In Fear Not!, critic Josh Larsen makes the case that monster movies, creature features, slashers, and other fright films artfully reflect our deep worries in a way that resonates with the Christian experience. Combining critical observation and theological reflection, Larsen devotes each chapter to a different horror subgenre, connecting that subgenre to a commonly shared fear.

Last Halloween, Eleanor, Pip, and Otto narrowly escaped the clutches of the evil January Society and their leader. But life in the too-quiet Eden Eld isn’t safe just yet: According to the bargain they made with Mr. January, it’s now his sister’s turn to hunt the three of them. And her methods are a bit more...treacherous. When their friends and neighbors begin disappearing, abducted by strange, mud-drenched monsters, Eleanor and her two best friends must race to uncover their enemy’s secrets. If they fail, their families will be next.

Trapped in the clutches of a Zombie apocalypse, the City of Chicago, the murder capital of the U.S., unleashes the ultimate weapon, capitalism, by paying $1,000 for every Re-Killed Zombie brought to city hall, ushering in "The Great Zombie Gold Rush". Zombies never have a chance in a world where people realize 75 Zombies pays off their student loans, 40 Zombies buys them a Tesla, 5 Zombies wipes out their Visa debt...

Todo novelista se topa con historias que requieren otro formato, historias que viven un número concreto de latidos, que te noquean, sorprenden y se agazapan para golpear tus emociones. Más allá de ese número específico de latidos, el relato empieza a agonizar, se diluye en un mar de palabrería que se siente como relleno. Pierde su fuerza, el impacto del puñetazo. Estos cuentos tratan de ser justo eso: golpes, puñetazos en torno a la muerte, al amor y la locura. Disfrutadlos.

Diner food slinger, Maggie Dwyer didn’t intend to be an amateur sleuth. Who does? She’s simply looking forward to a life writing her first novel. Then again, what else is a girl to do when her grandmother dies and leaves her an all expenses paid mansion in Louisiana? Dream come true, right? Until she learns her grandmother died under suspicious circumstances. Until she learns her grandmother died while investigating a series of crimes that occurred at a delinquent boys’ home in a neighboring parish. Toss in a couple of roommates who will make the trek from the Northwest to the bayou ...

Gothic media moguls Meg Hafdahl and Kelly Florence, authors of The Science of Monsters and The Science of Women in Horror, and co-hosts of the Horror Rewind podcast present a guide to the Stephen King stories and characters we all know and love. Through interviews, literary and film analysis, and bone-chilling discoveries, The Science of Stephen King delves into the uniquely horrific Stephen King universe to uncover the science behind the legendary novels that have become an integral part of modern pop culture.

One of the world's most famous intellectual ghost stories, The Turn of the Screw is a haunting tale of suspected supernatural possession. A governess at a country house claims that Miles and Flora, two orphaned children in her care, are being controlled by spirits for some evil purpose. No one else can see the ghosts, and the children themselves are silent. Are they being dominated by spectral forces, or are they hiding something? Is the governess simply paranoid, or is something else going on?

In a world where technology reigns supreme, a seemingly innocuous device has become the harbinger of civil breakdown. What began as a marvel of modern convenience—a tool for communication, navigation, and entertainment—has transformed into an instrument of chaos, unraveling the fabric of society. As civilization teeters on the brink, individuals are gripped by a primal urge to broadcast their every action, no matter how depraved, to a captivated global audience. The Great Correction, an unforeseen cataclysm, sweeps across the planet, igniting a storm of violence and madness. Amid the ...

There is a famous cave located just outside of Spooksville. A lot of stories surround the dark place: scary ones as well as exciting ones. Adam decides to explore the cave with his friends, Watch, Sally, and Cindy. But the moment they go into the cave, the entrance closes behind them. They are trapped. In the dark. They walk deeper into the cave, frantically searching for a way out. The batteries in their flashlights begin to run low. Then they realize something is following them. Something that has been in the cave for a long time. Something big, black…and hungry.

This poem is short but not a lark, suddenly it hit me like a spark, I am the scary thing outside in the park, the haunting figure lurking in the dark.

This collection of short stories by author Andersen Prunty features "Room 19", a post-apocalyptic nightmare based on Nick Cave and the Bad Seeds' song "From Her to Eternity," appearing for the first time anywhere, and "Market Adjustment", about one man's battle with the wealthy, previously available only in a very limited edition. Also includes: "The Dust Season", "The Man With the Face Like a Bruise," "The Photographer," "The Night the Moon Made a Sound," and "The Funeralgoer."