Shakespeare Histories

REVIEWS "One of that select group of men of science who also have high literary gifts."—Wall Street Journal "...these meditations offer the best appreciation of the adventure and beauty of the scientific quest, and they will inspire the young to join the great unfinished work."—Science "This is another collection of the lovely and haunting essays by Loren Eiseley, the naturalist writer who has given us so many delightful moments with his books....If there is a scientist anywhere writing more poetic prose, and making more sense with it, I have not encountered him....Eiseley seeks to ...

The Age of Reason Begins brings together a fascinating network of stories in the discussion of the bumpy road toward the Enlightenment. This is the age of great monarchs and greater artists - on the one hand, Elizabeth I of England, Philip II of Spain, and Henry IV of France; on the other, Shakespeare, Cervantes, Montaigne, and Rembrandt. It also encompasses the heyday of Francis Bacon, Galileo, Giordano Bruno, and Descartes, the fathers of modern science and philosophy.

Widge is an orphan with a rare talent for shorthand. His fearsome master has just one demand: steal Shakespeare's play "Hamlet" - or else. Widge has no choice but to follow orders, so he works his way into the heart of the Globe Theatre, where Shakespeare's players perform. As full of twists and turns as a London alleyway, this entertaining novel is rich in period details, colorful characters, villainy, and drama.

Clever Doctor Lily Fairfax is the youngest don at Cambridge... beautiful, too. But does she understand the meaning of love? Leaving her sheltered academic life for a long summer in Tuscany, she finds passion... but is this love or lust? Can it endure? Can she give up everything she has worked for and achieved for a new and different life? Intelligent enough to analyse her own psyche, she still struggles to find the reality that her inner soul is searching for... the complete happiness that only true love can give? '‘Do you think we will be able to think of something to do?’ Charlie ...

Following his divorce, down-and-out writer and Mississippi exile Lee Durkee holed himself up in a Vermont fishing shack and fell prey to a decades-long obsession with Shakespearian portraiture. It began with a simple premise: despite the prevalence of popular portraits, no one really knows what Shakespeare looked like. That the Bard of Avon has gotten progressively handsomer in modern depictions seems only to reinforce this point.

1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen.

William Shakespeare found dozens of different ways to kill off his characters, and audiences today still enjoy the same reactions - shock, sadness, fear - that they did more than 400 years ago when these plays were first performed. But how realistic are these deaths, and did Shakespeare have the knowledge to back them up? Kathryn Harkup turns her discerning scientific eye to the Bard and the varied and creative ways his characters die.

William Shakespeare is one of the most recognizable names in the world. Regardless of country, language, age, or gender, people are familiar with the Bard’s work and his contributions to literature, theater, art, and music. His genius was so evident that he became famous and respected throughout England in his own lifetime, eventually earning the attention and patronage of the king himself.

Actor William Shaksper of Stratford had little education, never left England, and apparently owned no books. How could he have written the great plays and poetry attributed to him? Journalist Mark Anderson's biography offers tantalizing proof that Edward de Vere, 17th Earl of Oxford, courtier, spendthrift, scholar, traveler, soldier, scoundrel, and writer, was the real "Shakespeare".

DO YOU ABSOLUTELY LOVE CATS?? -- Did you know they played a huge role in British history? Like to know more...? This funny, informative book has tons of fun stories and fascinating trivia that cat lovers can't get enough of... It tells you EVERYTHING you might like to know about how cats shaped British history and culture... DID YOU KNOW? -- Winston Churchill sneaked his cats smoked salmon under the table at state dinners? -- Margaret Thatcher bought her cat sardines in Moscow – during the Cold War? -- The Queen loved to draw cats as a child, but her allergies make her avoid them now? -- ...

Literature Insights are a series of superior study guides for discriminating students and their teachers. This book provides a basis for informed discussion of Richard III, one of Shakespeare’s most beautifully-crafted plays, and the issues it raises – which are as ominously relevant to politics and people now as they were when it was new. After a brief examination of ‘Jacobethan’ attitudes to history and politics, the first chapter summarises some key concepts: the sort of world people thought they were living in, the issues of freewill and predestination, and the supposed (and in ...

In brutally repressive sixteenth-century England, artists had been frightened into dull conventionality; foreigners were suspect; popular entertainment largely consisted of coarse spectacles, animal fights, and hangings. Into this crude world came an ambitious cobbler’s son with an uncanny ear for Latin poetry―a torment for most schoolboys, yet for a few, a secret portal to beauty, visionary imagination, transgressive desire, and dangerous skepticism.

An exciting and authoritative study guide to Richard II in its theatrical, cultural and political contexts. Professor Hattaway's study places Richard II within the contexts of Shakespeare's life and of the strenuous political debates that were taking place at the end of the reign of Elizabeth I. It offers a commentary upon the unfolding action of the play, stressing possible alternative readings of the text, and noting how directors have made particular decisions about these. It ends with two shorter linked chapters on aspects of the play's critical traditions and on selected stage ...

At the start of the 16th century, England was hardly involved in the wider world, and London remained a gloomy, introverted medieval city. Stephen Alford's evocative, original new audiobook brings to life the network of merchants, visionaries, crooks, and sailors who changed London and England forever. In a sudden explosion of energy, English ships were suddenly found all over the world - trading with Russia and the Levant, exploring Virginia and the Arctic, and fanning out across the Indian Ocean. The people who made this possible are as interesting as any of those at court.

Unique insights into Shakespeare, from one of the world’s most revered theatre directors. Who was the man who wrote Shakespeare’s plays? Why does Shakespeare never go out of date? How should actors approach Shakespeare’s verse? In this short but immensely wise book, visionary theatre director Peter Brook debates the questions that are central to our understanding of Shakespeare, and revisits the plays he has directed with notable brilliance, including King Lear, Titus Andronicus, and, of course, A Midsummer Night’s Dream.

Afterlives of Endor offers an analysis of the way early modern English literature addressed the period's anxieties about witchcraft and theatricality. What determined whether or not a demonologist imagined a trial as a spectacle? What underlying epistemological constraints governed such choices and what conceptions of witchcraft did these choices reveal? Pairing readings of demonological texts with canonical plays and poetry, Laura Levine examines such questions.

As the first important, book-length academic study in English of four of Shakespeare's major tragedies—Hamlet, Othello, King Lear, and Macbeth—Bradley's work both influenced and enabled modern Shakespearean literary criticism even as it engaged with, and often rebutted, conventional Romantic and Victorian interpretations of the plays and their author. Bradley's achievement has been widely praised for its philosophical and psychological insights and has never been out of print.

Do you want to learn more about William Shakespeare, but don’t have time to read/listen to huge, long biographies? Then let The History Journals take you on an hourly history tour of his life. Mention the name of William Shakespeare to students of English the whole world over, and you’ll run an entire gauntlet of reactions ranging from a glazed expression of complete indifference to abject misery and unmitigated terror.

Si quiere descubrir la cautivadora historia del Renacimiento, siga leyendo..."Renaissance" en francés significa "renacimiento", y es el nombre que se le da en Europa al período comprendido entre los siglos XIV y XVII, cuando hubo un marcado resurgimiento en el arte clásico, la educación, la filosofía, la arquitectura y las ciencias naturales. Una vez más, los antiguos territorios romanos adoptaron los escritos de los antiguos griegos y romanos, y la idea del humanismo. El renacimiento marca el final de la Edad Media y el comienzo de la larga marcha hacia la modernidad.

Have you ever seen a Shakespeare play and come away without fully understanding it? Or wished you had known the basis of the plot before seeing a play by Shakespeare? Are you studying Shakespeare? Would you like to increase your knowledge of the plays without reading the originals? Then these are the recordings for you!