Shakespeare Histories

Following his divorce, down-and-out writer and Mississippi exile Lee Durkee holed himself up in a Vermont fishing shack and fell prey to a decades-long obsession with Shakespearian portraiture. It began with a simple premise: despite the prevalence of popular portraits, no one really knows what Shakespeare looked like. That the Bard of Avon has gotten progressively handsomer in modern depictions seems only to reinforce this point.

Welcome to the George Inn near London Bridge; a cosy, wood-panelled, galleried coaching house a few minutes' walk from the Thames. Consider this: who else has made this their local over the last 600 years? Chaucer and his fellow pilgrims almost certainly drank in the George on their way to Canterbury. Shakespeare may have popped in from the nearby Globe, and we know that Dickens definitely did. Mail carriers changed their horses here, while sailors drank here before sailing.

Si quiere descubrir la cautivadora historia del Renacimiento, siga leyendo..."Renaissance" en francés significa "renacimiento", y es el nombre que se le da en Europa al período comprendido entre los siglos XIV y XVII, cuando hubo un marcado resurgimiento en el arte clásico, la educación, la filosofía, la arquitectura y las ciencias naturales. Una vez más, los antiguos territorios romanos adoptaron los escritos de los antiguos griegos y romanos, y la idea del humanismo. El renacimiento marca el final de la Edad Media y el comienzo de la larga marcha hacia la modernidad.

Have you ever seen a Shakespeare play and come away without fully understanding it? Or wished you had known the basis of the plot before seeing a play by Shakespeare? Are you studying Shakespeare? Would you like to increase your knowledge of the plays without reading the originals? Then these are the recordings for you!

Shakespeare's life, despite the scrutiny of generations of biographers and scholars, is still a thicket of myths and traditions, some preposterous, some conflicting, arranged around the few scant facts known about the Bard: from his birth in Stratford to the bequest of his second best bed to his wife when he died.

In Richard III’s Bodies from Medieval England to Modernity, Jeffrey Wilson tracks disability over 500 years, from Richard’s own manuscripts, early Tudor propaganda, and x-rays of sixteenth-century paintings through Shakespeare’s soliloquies, into Samuel Johnson’s editorial notes, the first play produced by an African American Theater company, Freudian psychoanalysis, and the rise of disability theater.

At the start of the 16th century, England was hardly involved in the wider world, and London remained a gloomy, introverted medieval city. Stephen Alford's evocative, original new audiobook brings to life the network of merchants, visionaries, crooks, and sailors who changed London and England forever. In a sudden explosion of energy, English ships were suddenly found all over the world - trading with Russia and the Levant, exploring Virginia and the Arctic, and fanning out across the Indian Ocean. The people who made this possible are as interesting as any of those at court.

In 1612, William Shakespeare gave evidence in a court case at Westminster; it is the only occasion on which his actual spoken words were recorded. The case seems routine - a dispute over an unpaid marriage dowry - but it opens an unexpected window into the dramatist's famously obscure life. Using the court testimony as a springboard, acclaimed nonfiction writer Charles Nicholl examines this fascinating period in Shakespeare's life.

In this witty, iconoclastic book, the bestselling author Fintan O’Toole examines four of Shakespeare’s most enduring tragedies: Hamlet, Macbeth, Othello and King Lear. He shows how their tragic heroes have been over-simplified and moulded to fit restrictive, conservative values, and restores the true heart and spirit of the classics.

The Plantagenets reigned over England longer than any other family - from Henry II to Richard III. Four kings were murdered, two came close to being deposed, and the last - and most notorious, Richard III - was killed in a battle by rebels. Shakespeare wrote plays about six of them, further entrenching them in the national myth. Based on major contemporary sources and recent research, acclaimed historian Desmond Seward provides the first accessible overview of the whole extraordinary dynasty.

In England in the Age of Shakespeare, Jeremy Black takes readers on a tour of life in the streets, homes, farms, churches, and palaces of the Bard’s era. Panning from play to audience and back again, Black shows how Shakespeare's plays would have been experienced and interpreted by those who paid to see them. From the dangers of travel to the indignities of everyday life in teeming London, Black explores the jokes, political and economic references, and small asides that Shakespeare’s audiences would have recognized.

One book above all others has transfixed connoisseurs for four centuries—a book sold for shillings in the streets of London, whisked to Manhattan for millions, and stored deep within the vaults of Tokyo. The book: William Shakespeare’s First Folio of 1623. Paul Collins, lover of odd books and author of the national bestseller Sixpence House, takes up the strange quest for this white whale of precious books.

Steven Adler examines the dynamic life and workings of the theatre company responsible for some of the world's most compelling performances and influential productions of the last 40 years, including Marat/Sade, A Midsummer Night's Dream, Les Misérables, Les Liaisons Dangereuses, and Nicholas Nickleby.

Unique insights into Shakespeare, from one of the world’s most revered theatre directors. Who was the man who wrote Shakespeare’s plays? Why does Shakespeare never go out of date? How should actors approach Shakespeare’s verse? In this short but immensely wise book, visionary theatre director Peter Brook debates the questions that are central to our understanding of Shakespeare, and revisits the plays he has directed with notable brilliance, including King Lear, Titus Andronicus, and, of course, A Midsummer Night’s Dream.

Sobre la figura de Shakespeare se sabe muy poco y se ha especulado mucho, probablemente demasiado. Con su habitual sabiduría, ironía y buen gusto, Bill Bryson prefiere explicarnos los hechos probados de la vida y la época de Shakespeare, y desmonta muchos de los mitos que lo rodean. Gracias a ello, este audiolibro es quizás la mejor manera de introducirse en el universo del genial dramaturgo inglés.

In this fast-paced introduction, Ros King sets out to remind us of the sheer beauty and sophistication that can make Shakespeare’s works a joy for any audience. Exploring his invention and wit, along with his uncanny characterisation, King argues archaic language should be no barrier to the modern reader. This guide summarises the Bard’s life and background, detailing his plays and poetry in such a way that they are made accessible enough for everyone to admire.

Drawing on her knowledge as director, actor, and teacher, Packer traces the chronological evolution of Shakespeare's female characters and examines Shakespeare's own journey and growth as a writer from feckless misogynist in his youth to committed lover in his middle years to unrepentant feminist in his final years.

Here are 154 poems performed by by the wonderful Sir John Gielgud in this Shakepseare collection of the Sonnets.

Shakespeare's sonnets deal with such themes as the passage of time, love, beauty, and mortality. All but two of the poems were first published in a 1609 quarto entitled Shake-Speares Sonnets: Never before imprinted.

It is generally accepted that the European Renaissance began in Italy. However, a historical transformation of similar magnitude also took place in northern Europe at the same time. This "Other Renaissance" was initially centered on the city of Bruges in Flanders (modern Belgium), but its influence was soon being felt in France, the German states, England, and even in Italy itself. Following a sequence of major figures, Paul Strathern tells the fascinating story of how this "Other Renaissance" played as significant a role as the Italian Renaissance in bringing our modern world into being.

Afterlives of Endor offers an analysis of the way early modern English literature addressed the period's anxieties about witchcraft and theatricality. What determined whether or not a demonologist imagined a trial as a spectacle? What underlying epistemological constraints governed such choices and what conceptions of witchcraft did these choices reveal? Pairing readings of demonological texts with canonical plays and poetry, Laura Levine examines such questions.