Shakespeare Histories

Politics, power and the tragedy of war are played out in these sweeping histories that continue to surprise and entertain. Performed by an incredible array of the 20th century’s greatest actors, Marlowe alumni including Ian McKellen, Derek Jacobi, Prunella Scales, William Squire and Timothy West can be heard in these recordings.

A collection of BBC Radio 3's iconic Shakespeare productions: six tragedies with all star casts including Michael Sheen, Juliet Stevenson, Kenneth Cranham, Corin Redgrave, Ken Stott, Geraldine James, Bill Wallis, Siân Phillips and Sophie Dahl.

The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned.

This book, first published by Penguin in 1988, provides an excellent introduction to the world and action of Shakespeare's history plays. Part I examines the context for Shakespeare's history plays, including the a treatment of Elizabethan cosmology and its relevance to political order. Part 2 explores the 'Ricardian' plays, under the following headings: Mirrors of our Fickle State; Hawks and Handsaws: Modes and Genres of the Plays; This Blessed Plot: Husbandry and the Garden; Passing Brave to be a King: Richard II; This Royal Throne of Kings: Henry IV, parts 1 and 2; This Sceptred Isle: ...

William Shakespeare may have been the greatest playwright in the English language, but how does he measure up as a historian? In this brilliant comparison between the events and characters in Shakespeare's history plays and the actual events that inspired them, acclaimed historian John Julius Norwich examines the nine works that together amount to an epic masterpiece on England's most fascinating period.

All of the Shakespeare plays within the Argo Classics catalogue are performed by the Marlowe Dramatic Society and Professional Players. The Marlowe was founded in 1907 with a mission to focus on effective delivery of verse, respect the integrity of texts and rescue neglected plays by Shakespeare’s contemporaries and the less performed plays of Shakespeare himself. The Marlowe has performed annually at Cambridge Arts Theatre since its opening in 1936 and continues to produce some of the finest actors of their generations.

For sustained dramatic intrigue and sophistication of plot, William Shakespeare's sonnets are at least the equal of his greatest plays. Throughout the centuries since their first publication in 1609, critics, psychologists and curiosity-seekers alike have pondered the nature of the poet's relationships with the mysterious young man, "Mr. W.H.", and the "ill-coloured" Dark lady.

Award-winning author Stephen Greenblatt is one of the most influential literary thinkers in the world. An acclaimed interpreter of Shakespeare's works, his ideas have changed the way countless people approach the classics. Now Greenblatt's uniquely brilliant voice delivers a magnificent biography of the Bard himself.

What was life like for Shakespeare's first audiences? In a time of political and religious unrest and economic expansion, how did Elizabethan play-goers make sense of their changing world? What did the plays mean to the public when they were first performed? In this fascinating series, Neil MacGregor attempts to answer these questions by examining 20 objects from that turbulent period. There are grand objects such as a communion chalice, a Venetian goblet, and Dr Dee's mirror, as well as everyday items.

To graduate high school, Gabe must pass one final hurdle: Shakespeare. Gabe is no fan of poetry. His literary hero, Don Quixote, tilts at windmills. Now English lab sends him to Elizabethan England to experience Shakespeare and the Renaissance firsthand. Lesson one: William Shakespeare is a pen name. The real author is Edward de Vere, Earl of Oxford. Still, Gabe is surprised by an eight-year-old brat. Impervious to verse, instead he is drawn into the rich pageantry of Edward’s times. Annoyance grows into friendship while they share the real-life adventures that colored the earl’s ...

The 1590s were bleak years for England. The queen was old, the succession unclear, and the treasury empty after decades of war. Amid the rising tension, William Shakespeare published a pair of poems dedicated to the young Earl of Southampton: Venus and Adonis in 1593 and The Rape of Lucrece a year later. Although wildly popular during Shakespeare's lifetime, to modern readers both works are almost impenetrable. But in her enthralling new book, the Shakespearean scholar Clare Asquith reveals their hidden contents.

Shakespeare’s plays and poems remain as beloved in the twenty-first century as they were in the sixteenth. For all the years between us, the world he inhabited was much like our own—afflicted by political turmoil, divisiveness, war, extreme weather, recurrent plagues, the fouling of natural resources on which everyone relied, and discrimination against people who were different. The bard’s remedy for these troubles was to offer respite and inspiration to his audience through his writing.

Students with little or no prior experience of studying Shakespeare in depth will find very useful the summaries of the conclusions of recent research into theatrical conditions, conventions and concepts in the time of Shakespeare. After an overview of Shakespeare’s life and career, the book summarises Elizabethan attitudes to History and Politics, concepts of the cosmos, theological issues such as Free Will and the Fall of Man, and the tensions that ultimately destroyed consensus on these matters. Discussion of expectations of different types of plays then precedes detailed analysis of ...

An exciting and authoritative study guide to Richard II in its theatrical, cultural and political contexts. Professor Hattaway's study places Richard II within the contexts of Shakespeare's life and of the strenuous political debates that were taking place at the end of the reign of Elizabeth I. It offers a commentary upon the unfolding action of the play, stressing possible alternative readings of the text, and noting how directors have made particular decisions about these. It ends with two shorter linked chapters on aspects of the play's critical traditions and on selected stage ...

In Globe Catherine Arnold takes the listener on a tour of Shakespeare's London, looking at how they shaped each other. Acting turned into a trade, and troupes of touring players perfected their craft. Shakespeare's own company, the Chamberlain's Men, opened the Globe Playhouse on Bankside in 1599, creating a new focal point for the city.

William Shakespeare, the most celebrated poet in the English language, left behind nearly a million words of text, but his biography has long been a thicket of wild supposition arranged around scant facts. With a steady hand and his trademark wit, Bill Bryson sorts through this colorful muddle to reveal the man himself.

Britain's most esteemed scholar of 16th and 17th century literature, Frank Kermode is also a noted author and professor. In this Modern Library Chronicle, he uses the context of the Elizabethan Era to link each of Shakespeare's plays to their probable years of creation. By portraying the bard's England in terms of its society, economy, and arts, Kermode provides an invaluable guide to understanding Shakespeare?s works.

1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen.

In its long history, the English language has had many lawmakers - those who have tried to regulate or otherwise organize the way we speak. The Lexicographer's Dilemma poses a pair of questions: What does proper English mean? And who gets to say what's right? Our ideas of correct or proper English have a history, and today's debates over the state of the language - whether about Ebonics in schools, the unique use of language in a South Park episode, or split infinitives in the Times - make sense only in historical context.

Literature Insights are a series of superior study guides for discriminating students and their teachers. This book provides a basis for informed discussion of Richard III, one of Shakespeare’s most beautifully-crafted plays, and the issues it raises – which are as ominously relevant to politics and people now as they were when it was new. After a brief examination of ‘Jacobethan’ attitudes to history and politics, the first chapter summarises some key concepts: the sort of world people thought they were living in, the issues of freewill and predestination, and the supposed (and in ...