Science Fiction Literary Criticism

An absolutely essential, not to be missed experience by specialist Edward J. Ruppelt for fans of ufology! This is the first work of any substance written about the fascinating subject of UFOs. Captain Edward J. Ruppelt was the first director of Project Blue Book, and the person who came up with the phrase UFO, Unidentified Flying Object. This work is a unique and comprehensive look at the Air Force's early attempts to investigate UFOs.

More than two centuries after his birth, Ralph Waldo Emerson remains one of the presiding spirits in American culture. Yet his reputation as the starry-eyed prophet of self-reliance has obscured a much more complicated figure who spent a lifetime wrestling with injustice, philosophy, art, desire, and suffering. James Marcus introduces listeners to this Emerson, a writer of self-interrogating genius whose visionary flights are always grounded in Yankee shrewdness.

This is a historical journey like no other - unlike every other book on the subject, Goddess with a Thousand Faces transcends geographical boundaries and breaks down cultural barriers. From Rangda in Bali, to Freyja in Iceland and more recognisable faces such as the Greek goddess Artemis, it is a work of true inclusion - listeners are invited to consider these dazzling goddesses as part of a cultural cannon of human femininity; regardless of race, sex, or gender. Goddess with a Thousand Faces asks us to interrogate our past through a fresh new lens.

As any fan of Jo Walton's Among Others might guess, Walton is both an inveterate reader of SF and fantasy, and a chronic rereader of books. In 2008, then-new science fiction mega-site Tor.com asked Walton to blog regularly about her rereading—about all kinds of older fantasy and SF, ranging from acknowledged classics, to guilty pleasures, to forgotten oddities and gems. These posts have consistently been among the most popular features of Tor. Now this volume presents a selection of the best of them, ranging from short essays to long reassessments of some of the field's most ambitious series.

Moby-Dick as Philosophy is at base a chapter-by-chapter commentary on Herman Melville’s Moby-Dick. The commentary form of the audiobook subserves a higher end, the presentation of an ideal of the type "philosopher". Superimposing portraits of Plato, Melville, and Nietzsche - the thinkers themselves, their ideas, and their lives - it generates a composite image from the overlaying and interblending of figures. At a higher level still, the audiobook is a meditation on the nature of philosophy and its relation to wisdom and the relation of creative artistry to both.

福沢諭吉の説くあるべき日本男子は「メシ」「フロ」「ネル」ではありえない。『一国の社会を維持して繁栄幸福を求めんとするには、その社会の公衆に公徳なかるべからず。その公徳をして堅固ならしめんとするには、根本を私徳の発育に取らざるべからず。』この視点に依って説かれる「男子論」なのである。襟を正して聞くべし。

Joan Didion es una de las cronistas fundamentales de la segunda mitad del siglo XX. En una edición a cargo de Claudio López de Lamadrid, Los que sueñan el sueño dorado reúne por primera vez en castellano una selección de artículos y ensayos de sus libros.

As Viv Groskop knows from personal experience, everything that has ever happened to a person has already happened in the Russian classics: from not being sure what to do with your life (Anna Karenina) to being hopelessly in love with someone who doesn't love you back (Turgenev's A Month in the Country). In this sort of literary self-help memoir, Groskop mines these and other works, as well as the lives of their celebrated creators and her own experiences as a student of Russian, to answer the question, "How should you live your life?"

David Sterling Brown offers nothing less here than a wholesale deconstruction of whiteness in Shakespeare's plays, arguing that the 'white other' was a racialized category already in formation during the Elizabethan era—and also one to which Shakespeare was himself a crucial contributor.

At once a requisite collector's guide and a pursuit of meaning within storytelling, The Essential Guide to Collecting Calvin and Hobbes also offers a critical appraisal of Bill Watterson, as well as a deep examination of the most obscure Calvin and Hobbes relic, the textbook Teaching with Calvin and Hobbes: "a miraculous artifact unlike any other collectible in the world."

Questions of what happens after death were vital in Shakespeare's time, as it is today. And, like today, the answers were by no means universally agreed upon. Exploring how particular texts and characters answer these questions, Shakespeare and the Afterlife showcases the vitality and originality of the author's language and thinking. We encounter characters with very personal visions of what awaits them after death, and these visions reveal new insights into these individuals' motivations and concerns as they navigate the world of the living.

Although humankind today can peer far deeper into the universe than ever before, we still find ourselves surrounded by the unknown and perhaps the unknowable. All great science fiction has used the human imagination to explore that realm beyond the known, just as theistic religions have done since long before the genre existed. As Hugo Award-winning author Robert Charles Wilson argues, the genre’s freewheeling speculation and systematic world-building make it a unique lens for understanding, examining, and assessing the truth claims of religions in general and Christianity in particular.

Rüdiger Safranski beschreibt die Epoche der Romantik und ihre Zeitgenossen, die für die Entfesselung des Genies stehen, für den Aufbruch und die Lust am Experiment...

「一身独立して一国独立す。」福沢諭吉の名言としてしられる『学問のすゝめ』の一文です。「独立自尊」のひとをつくる。「人類」に至大の幸福を得させる。そのために教育はあるのである。——新聞を創り、大学を創り･･啓蒙と教育に生涯を捧げた福沢諭吉の肉声を、ここで聞いてください。

Recuperando el título de un pequeño cuento con el que la puertorriqueña Rosario Ferré analizó la misoginia literaria en los años noventa, "El coloquio de las perras" pretende ser un homenaje a las escritoras hispanohablantes que sortearon todo tipo de obstáculos para hacer su literatura. Desde populares figuras como Elena Garro, Gabriela Mistral o Alejandra Pizarnik hasta otras más desconocidas como Alcira Soust Scaffo, Agustina González López o María Emilia Cornejo, la periodista y poeta Luna Miguel entabla una conversación llena de ladridos con una docena de mujeres...

In 1950, publisher Fawcett Books founded its Gold Medal imprint, inaugurating the reign of lesbian pulp fiction. These were the books that small-town lesbians and prurient men bought by the millions - cheap, easy to find in drugstores, and immediately recognizable by their lurid covers: often a hard-looking brunette standing over a scantily clad blonde, or a man gazing in tormented lust at a lovely, unobtainable lesbian. For women leading straight lives, here was confirmation that they were not alone.

Sweet, supportive, dependable, selfless. Long before she had children of her own, journalist Carrie Mullins knew how mothers should behave. But how? Where did these expectations come from—and, more importantly, are they serving the mothers whose lives they shape? Carrie's suspicion, later crystallized while raising two small children, was that our culture’s idealization of motherhood was not only painfully limiting but harmful, leaving women to cope with impossible standards—standards rarely created by mothers themselves.

1917. Virginia Woolf arrives at Asheham, on the Sussex Downs, immobilized by nervous exhaustion and creative block. 1930. Feeling jittery about her writing career, Sylvia Townsend Warner spots a modest workman’s cottage for sale on the Dorset coast. 1941. Rosamond Lehmann settles in a Berkshire village, seeking a lovers’ retreat, a refuge from war, and a means of becoming ‘a writer again’. Rural Hours tells the story of three very different women, each of whom moved to the country and were forever changed by it.

מה קורה כאשר פו הדוב פוגש את וודי אלן? מה עשתה אליס על הספה של פרויד? איך הצליח עמנואל קאנט לפגוש את מרילין מונרו? האם אנו מבזבזים זמן או שהזמן מבזבז אותנו? מהי משנתו הפילוסופית של ארנולד שוורצנגר? מהו הקשר בין "מטריקס" ל"ארץ הפלאות"? איך חוגגים מסיבת לא יומהולדת? לכמה אדמה זקוק הרוזן טולסטוי? איך הפך סנדלר חולמני למלך צרפת? מדוע נזקק האסטרונום הטורקי לחליפת ארמאני? האם הנסיך הקטן מצא תשובה לשאלתו של ביאליק? האם יש משמעות לשאלות על משמעות? מהם הדברים החשובים באמת?

¿Por qué y para qué se escribe? ¿De dónde provienen las ideas que estimulan y alimentan a un escritor? ¿Cuál es el motor que impulsa la creatividad? Para Federico Reyes Heroles estas preguntas constituyen una curiosidad esencial, el núcleo de una pasión de vida. Para responderlas, nos propone un recorrido que parte de su experiencia personal y sigue las pistas de otros escritores que sondearon sus propios procesos creadores. Al poco tiempo, el explorador descubre que no puede quedarse en el ámbito de la literatura.