Satire Comedy

Deadeye Dick is Kurt Vonnegut's funny, chillingly satirical look at the death of innocence. Amid a true Vonnegutian host of horrors - a double murder, a fatal dose of radioactivity, a decapitation, an annihilation of a city by a neutron bomb - Rudy Waltz, aka Deadeye Dick, takes us along on a zany search for absolution and happiness. Here is a tale of crime and punishment that makes us rethink what we believe...and who we say we are.

In the fading days of late summer, 2011, self-taught astrophysicist Petra has calculated that the atmosphere will collapse in a few weeks’ time—on September 21, at approximately 9:20 pm—ending the world as we know it. But the distraught Petra will not have to carry the burden of this terrible news alone for long. Fate intervenes, bringing her into the orbit of a pair of unlikely companions: Johan, a man whose intellectual prowess is remarkably overshadowed by his culinary skills, and Agnes, a seventy-five-year-old widow who has made a fortune posing as a young influencer on social media.

Narcissistic, hilariously self-deluded, and divorced from the real world as most of us know it, hedge-fund manager Barry Cohen oversees $2.4 billion in assets. Deeply stressed by an SEC investigation and by his three-year-old son’s diagnosis of autism, he flees New York on a Greyhound bus in search of a simpler, more romantic life with his old college sweetheart. Meanwhile, his super-smart wife, Seema - a driven first-generation American who craved the picture-perfect life that comes with wealth - has her own demons to face.

Simon Rich is "one of the funniest writers in America" (The Daily Beast) - a humorist who draws comparisons to Douglas Adams (The New York Times Book Review) and James Thurber and P.G. Wodehouse (The Guardian). With Hits and Misses, he's back with a hilarious new collection of stories about dreaming big and falling flat, about ordinary people desperate for stardom and the stars who are bored by having it all.

On doctor's orders, Bertie Wooster retires to sample the bucolic delights of Maiden Eggesford. But his idyll is rudely shattered by Aunt Dahlia who wants him to nobble a racehorse. Similar blots on Bertie's horizon come in the shape of Major Plank, the African explorer, Vanessa Cook, proud beauty and "molder of men," and Orlo Porter who seems to have nothing else to do but think of sundering Bertie's head from his body.

When Dinah Brooke's second novel, Lord Jim at Home, was first published in 1973, it was described as "squalid and startling," "nastily horrific," and a "monstrous parody" of upper-middle class English life. It is the story of Giles Trenchard, who grows up isolated in an atmosphere of privilege and hidden violence; who goes to war, and returns; and then, one day—like the hero of Joseph Conrad's classic Lord Jim—commits an act that calls his past, his character, his whole world into question.

The night after her father's funeral, Claire meets Lucas in a bar. Lucas doesn't know it, but it's not a chance meeting. One thoughtless mistyped email has put him in the crosshairs of an extremely put-out serial killer. But before they make eye contact, before Claire lets him buy her a drink—even before she takes him home and carves him up into little pieces—something about that night is very wrong. Because someone is watching Claire. Someone who is about to discover her murderous little hobby.

Obituary writer Bud Stanley isn’t really living his best life. He’s fallen into a funk after a divorce. (She left him for another man, who, in fairness, was far more interesting). He’s not doing his job well. He’s given up on dating. And he’s about to be fired for accidentally publishing his own obituary one mildly drunken night (though technically the company can’t legally fire a dead person).

Welcome to the troubled world of Sellevision, America's premier retail broadcasting network. When Max Andrews, the much-loved and handsome (lonely and gay) host of "Slumber Sunday Sundown" accidentally exposes himself in front of twenty million kids and their parents during a "Toys for Tots" segment, Sellevision faces its first big scandal. As Max fails to find a job in television, another host, the popular and perky Peggy Jean Smythe is receiving sinister emails about her appearance from a stalker.

Prepare yourself for a dose of quintessential British humor seasoned with modern deadpan cynicism. If the phrase "Can't be bothered" resonates with you, you're in for a riotous journey through the misadventures of the master of minimal effort and the Sultan of staying under the radar. Meet Ben, whose philosophy in life is to choose the path of least resistance. But alas, even the most indifferent hipster can't escape the curse of a Friday that unfolds like a tragicomedy. Maybe he should have declared "CBB" before emerging from the sanctuary of his bed. London's public transport grinds to a ...

Eugene Debs Hartke describes an odyssey from college professor to prison inmate to prison warden back again to prisoner in another of Vonnegut's bitter satirical explorations of how and where (and why) the American dream begins to die. Employing his characteristic narrative device - a retrospective diary in which the protagonist retraces his life at its end, a desperate and disconnected series of events here in Hocus Pocus show Vonnegut with his mask off and his rhetorical devices unshielded.

If you haven’t had the misfortune of dating a George, you know someone who has. He’s a young man brimming with potential but incapable of following through; sweet yet noncommittal to his long-suffering girlfriend; distant from but still reliant on his mother; charmingly funny one minute, sullenly brooding the next. Here, Kate Greathead paints one particular, unforgettable George in a series of droll and surprisingly poignant snapshots of his life over two decades.

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In a manifesto that renders all previous attempts at political satire obsolete, The Chapo Guide to Revolution shows you that you don’t have to side with either the pear-shaped vampires of the right or the craven, lanyard-wearing wonks of contemporary liberalism. These self-described “assholes from the Internet” offer a fully ironic ideology for all who feel politically hopeless and prefer broadsides and tirades to reasoned debate.

If laughter is the best medicine, then this book is your prescription. Turn off the news and spend a few days not following current events. Instead, return to the basics - humanity's ability to laugh at itself. Maybe you should even do a news cleanse for a few days! Hide under the covers and listen to these stories instead. Or listen to a chapter a day, or a story a day for 101 days. This book contains the antidote to whatever is troubling you. They will definitely put you in a good mood.

Messiah traces the collapse of Christianity and the rise of the next great religion of Western civilization: Cavism. Founded by undertaker John Cave, Cavism holds that it is a holy thing to die. Packaged by a marketing genius, the new religion conquers the world more quickly than any prior memeplex, but pockets of resistance remain. Eugene Luther, formerly an apostle of Cavism, now a hunted apostate, writes his memoirs as a last gesture of freedom while the noose of a totalitarian religious state tightens around him.

In Flatland, originally published in 1884, a humble square describes his two-dimensional world to benefit the inhabitants of Spaceland, the three-dimensional realm he discovers when he is visited by a being from beyond his plane. With dry wit and wild imagination, author Edwin Abbott Abbott builds a meticulous fantasy world rooted in an astute apprehension of psychology, politics, and social structures, as well as basic geometry. The story of Flatland, at once ridiculous and profound, delivers an incisive satire of social discourse that remains remarkably relevant today.

The future is blue - endless blue...except for a few small places that float across the hot, drowned world left behind by long-gone fossil fuel-guzzlers. One of those patches is a magical place called Garbagetown. Tetley Abednego is the most beloved girl in Garbagetown, but she’s the only one who knows it. She’s the only one who knows a lot of things: that Garbagetown is the most wonderful place in the world, that it’s full of hope, that you can love someone and 66% hate them all at the same time.

In Why We Suck, Dr. Denis Leary uses his common sense, and his biting and hilarious take on the world, to attack the politically correct, the hypocritical, the obese, the thin - basically everyone who takes themselves too seriously. He does so with the extra oomph of a doctorate bestowed upon him by his alma mater Emerson College. "Sure it's just a celebrity type of thing - they only gave it to me because I'm famous." Leary explains.

Elsie Bovary is a cow, and a pretty happy one at that—her long, lazy days are spent eating, napping, and chatting with her best friend, Mallory. One night, Elsie and Mallory sneak out of their pasture; but while Mallory is interested in flirting with the neighboring bulls, Elsie finds herself drawn to the farmhouse. Through the window, she sees the farmer's family gathered around a bright Box God—and what the Box God reveals about something called an "industrial meat farm" shakes Elsie's understanding of her world to its core.