Rock Art

When Pete Shelley, lead singer of legendary punk band Buzzcocks, passed away in 2018, we lost one of music's brightest stars - as well as the chance to hear his story. Or so it seemed. Recordings have surfaced of a series of remarkable interviews in which Pete tells the story of his life, his band and his place at the beating heart of the punk explosion in fascinating detail. These remarkable recordings have now been brought back to life by professional actors in this audio edition of Ever Fallen in Love: The Lost Buzzcocks Tapes.

Howard Bloom - called “the greatest press agent that rock and roll has ever known” by Derek Sutton, the former manager of Styx, Ten Years After, and Jethro Tull - is a science nerd who knew nothing about popular music. But he founded the biggest PR firm in the music industry and helped build or sustain the careers of our biggest rock legends, including Michael Jackson, Prince, Bob Marley, Bette Midler, Billy Joel, Billy Idol, Chaka Khan, and 100 more. What was he after? He was on a hunt for the gods inside of you and me.

When Paul McCartney closed Live Aid in July of 1985, we thought he was rock's Grand Old Man. He was forty-three years old. As the forty years since have shown, he—and many others of his generation—were just getting started. This was the time when live performance took over from records. The big names of the '60s and '70s exploited the Age of Spectacle that Live Aid had ushered in to enjoy the longest lap of honor in the history of humanity, continuing to go strong long after everyone else in the business had retired.

Many of our assumptions about empathy, sensual pleasure, and the essence of work, community, country, race, and the divine have germinated in Bob Dylan's need to know what's blowing in the wind and how it feels. Tracing his work and vision through themes that have shaped religious and cultural history for millennia, Stephen Daniel Arnoff uncovers how Bob Dylan has re-enchanted ancient questions of meaning and purpose throughout popular culture, inspiring a pantheon of prophetic musicians along the way.

Thirty years ago, Chuck Berry starred in the seminal music documentary Chuck Berry: Hail! Hail! Rock 'N' Roll, which profiled the legend during a star-studded concert celebrating his 60th birthday. Now comes the complete story behind one of America's most enduring and embattled icons. Compiled as an oral history by the film's producer, Stephanie Bennett, Johnny B. Bad combines interviews from the film's participants, including its music director - Keith Richards. These unique interviews and accounts paint a vivid and multifaceted picture of the artist.

The revealing backstory of the album with no name that spawned 'When the Levee Breaks', 'Black Dog,' 'Stairway to Heaven', and 'Rock 'n' Roll'. Four tracks each side; eight killers, no fillers. This is how they did it.

This isn't another boring book filled with confusing audio mumbo-jumbo. By providing the actual real-world techniques that professionals use every day, this book will give you the most effective tips for mixing heavy music that you can apply immediately to your own mixes.

Welcome to the ultimate backstage pass to the afterlife, where the music never stops and the encores are eternal. In this collection of spectral true tales, we'll journey from smoke-filled recording studios to haunted hotel rooms, chasing the ghosts of rock & roll royalty who refuse to let a little thing like death keep them from the spotlight. These aren't your grandmother's ghost stories—unless, of course, your gran was a groupie for The Doors.

Have you always felt a certain nostalgia to the 1980s even if you didn’t grow up in it? Were you a child, teenager, or young adult in the '80s and want to relive the best years of your life? Well now you can travel back in time and embrace your over the top fashion sense that’s dying to come out!

Jon Fine spent nearly 30 years performing and recording with bands that played various forms of aggressive and challenging underground rock music. And, as he writes in this memoir, at no point were any of those bands "ever threatened, even distantly, by actual fame". Yet when members of his first band, Bitch Magnet, reunited after 21 years to tour Europe, Asia, and America, diehard longtime fans traveled from far and wide to attend those shows.

Jonathan Taplin’s extraordinary journey has put him at the crest of every major cultural wave in the past half century. His is a lifetime marked not only by good timing but by impeccable instincts - from the folk scene of Woodstock, to Hollywood’s rebellious film movement and beyond, Taplin is not just a witness but a lifelong producer, the right-hand man to some of the greatest talents of both pop culture and the underground. The Magic Years is both a rock memoir and a work of cultural criticism from a key player who watched a nation turn from idealism to nihilism.

The idea for Britain’s first female rock band, The Liverbirds, started one evening in 1962, when Mary McGlory, then age 16, saw The Beatles play live at The Cavern Club in Liverpool, the nightclub famously known as the “cradle of British pop music.” Then and there, she decided she was going to be just like them—and be the first girl to do it.

The untold story of Mick Mars, the driving force behind Motley Crue as told by his bandmate in their dues-paying era in the Hollywood rock scene of the mid- to late 1970s.

Spanning three decades worth of astute, acerbic, and overall astounding music writing, Kick Out the Jams is the first large-scale anthology of the work of renowned critic Dave Marsh. Ranging from Elvis Presley to Kurt Cobain, from Nina Simone to Ani DiFranco, from the Beatles to Green Day, the book gives an opinionated, eye-opening overview of 20th-century popular music—offering a portrait not just of an era but of a writer wrestling with the American empire.

Rock balancing is the practice of stacking stones one on top of another, creating structures that range from simple towers to amazingly elaborate edifices that seem to defy gravity. People balance rocks as a way of connecting to nature, to challenge their limits, as a therapeutic mindfulness practice and simply to have fun! This is the first guide to this meditative art, combining technical instructions and mindfulness advice with spectacular photographs of the incredible balances built by Travis Ruskus.

The '80s were about big ideas writ large - new money, new style, gender fluidity, gay pride, attritional politics, the 'special relationship', nuclear fear, AIDS, cocaine, ecstasy, tabloid royalty, the rise of urban pop and ultimately geopolitical chaos. Using a big narrative approach, Dylan Jones' history of the decade in pop frames the decade through some of its most important and popular hits, choosing records that either epitomised their time or ushered in a new cultural shift.

All You Need Is Myth is a timely philosophical conversation about ancient concepts that continue to reverberate in the modern age of mass media and global communication. Author Steve Wagner proposes that the Beatles and the iconic stars of the classic rock era function as modern forms of classical archetypes familiar in mythologies and religious traditions throughout history.

At its heart, Under A Rock is a love story. The codependent bond between Chris Stein and Debbie Harry carried Blondie through their many tribulations: terribly misogynistic music scenes, greasy record execs, bitter band mates, gruelling schedules, and hard drug abuse abound, and Chris lays it all bare with blunt sincerity and humour. Ultimately, Chris and Debbie broke up, but their bond never dissipated; they remain closest of friends, and continue to tour and promote their various projects together to this day.

Rock & Roll Nightmares, Volume 1 scratched the sinister surface with tales of the 27 Club, rock ‘n’ roll suicides, plane crashes, curses, and more. Now the award-winning series continues with concert mayhem, a look at the “baby groupie” trend of the 1970s, Satanic panic, horrific home invasions, musicians who’ve died on stage, rockers who lived on borrowed time, gun-toting music producers, deadly DJs, and much more.

Gigmentia is a reflection on the raw, challenging, and gritty vocation of a blue-collar musician living in the Pacific Northwest, and the varied adventures of a hard working, day-in day-out rock band. Introspective, insightful, and eloquently observed, Michael B. Koep chronicles a summer season of fifty rock shows performed in small clubs, huge bars, and on outdoor festival stages, in barns, backyards, and the middle of the woods.