Rock Art

The '60s ended a year late - on New Year's Eve 1970, when Paul McCartney initiated proceedings to wind up The Beatles. Music would never be the same again. The next day would see the dawning of a new era. Nineteen seventy-one saw the release of more monumental albums than any year before or since and the establishment of a pantheon of stars to dominate the next 40 years - Led Zeppelin, David Bowie, the Rolling Stones, Pink Floyd, Marvin Gaye, Carole King, Joni Mitchell, Rod Stewart, the solo Beatles and more.

Burning Man is the premier countercultural event of modern times, growing over 25 years from a strange San Francisco beach party into an experimental city of 50,000 colorful souls in Nevada’s Black Rock Desert, which burns brightly for a week before dissolving into dusty memories and changed lives. Longtime newspaper journalist Steven T. Jones embedded himself in this blossoming culture starting in 2004, a dispiriting year for American politics but the beginning of Burning Man’s renaissance, when it exploded outward in unexpected ways. The result is the most in-depth book ever written ...

There have been innumerable 'rock star' biographies and music histories before, but there is no book that presents the deepest, innermost thoughts from some of the industry's most legendary musicians on not only how they create, but what drives their creative process. Have you ever wondered how your favourite rock stars get inspired? How they write a song? How an album is put together? Icons of Rock contains interviews with each musician to give the listener a compelling and groundbreaking insight into the creative process at the heart of each rock star's musical success.

Esta desternillante antología de ensayos, reseñas, autopsias y semblanzas rescata del más inmisericorde de los olvidos algunas de las piezas más delirantes del impenitente grafómano y crítico por antonomasia del rock.

Continuing his definitive history of alternative rock, respected music journalist Alan Cross explores the artists who revolutionized music in the 1990s. In Volume 3, Cross tells the stories of Nirvana, Pearl Jam, Nine Inch Nails, Beastie Boys, The Smashing Pumpkins, Radiohead and others.

Rocking in the Free World explains how Americans came to believe they had learned the truth about rock 'n' roll, a truth shaped by the Cold War anxieties of the fifties, the countercultural revolutions (and counter-revolutions) of the sixties and seventies, and the end-of-history triumphalism of the eighties.

As a pioneering rock journalist for Hit Parader, Vogue, Saturday Review, and other publications, Ellen Sander had a backstage pass to the hottest music scenes of the 1960s. In this feast of juicy anecdotes and keen social commentary, she draws upon her professional and personal experiences to chronicle pop culture's highs and lows during the turbulent decade. Join her for weird and wild road trips with companions ranging from Yippies to the members of Led Zeppelin.

Dancing is more than just movement-it's a sacred expression of worship. From the Heart of a Dancer is a journey into the spiritual life of a worship dancer. Compiled by the Halal Dance Ministry -a collective of 42 dancers spanning generations from the Sanctuary Empowerment Centre-this devotional is written to inspire and uplift dancers and worshippers worldwide. Each day of the year offers a unique reflection, drawing from these devoted dancers' collective wisdom and experiences. From insightful reflections to powerful prayers, this devotional invites other dancers to deepen their ...

In All the Years Combine: The Grateful Dead in Fifty Shows, Robertson listens to and writes ecstatically about fifty of the band's most important and memorable concerts in order to better understand who the Grateful Dead were, what they became, and what they meant-and what they continue to mean.

However you found your way into indie rock, once you were a listener, it felt like being part of a secret club of people who had discovered something special, something secret, something superior. In Such Great Heights, music journalist Chris DeVille brilliantly captures this cultural moment, from the early aughts and the height of indie rock, until the 2010s as streaming upends the industry and changes music forever.

Leaving school and starting his career at Decca Records in 1958 at the age of sixteen, Tony King would soon find himself becoming close friends with Elton John, rekindling John Lennon and Yoko Ono's relationship, mediating a quarrelsome Mick Jagger and Keith Richards and spending time with Freddie Mercury in his final days - a far cry from his childhood days in Eastbourne. Living in an era of seismic social, technological and cultural transformation, King experienced these defining moments as a stalwart in London and New York's gay scenes.

Since the late '70s, histories of rock music have either ignored or marginalized the progressive rock era. In part, this has occurred because rock music criticism has taken an almost completely sociological turn, with little or no interest in musical form itself. In Listening to the Future, Bill Martin argues that it is a musical and political mistake to ignore this period of tremendous creativity, a period that still finds resonance in rock music today.

In more than 40 stories from the glory days of rock’n’roll, featuring Lou Reed, Elton John, Sting and The Clash, Allan Jones remembers a world that once was – one of dark excess and excitement, outrageous deeds and extraordinary talent, featuring legends at both the beginnings and ends of their careers.

Maximo Vega is a “rock” star! The media proclaimed him "The Sculptor for the New Generation", but he’s a reclusive artist ensnared by fame. Driven and intense, his isolation only adds to his mystique. Couple that with his smoldering good looks and rich Italian accent…fans sigh his name. Emily Baskins is a gifted graduate student at the Stoddard School of Art. To land an internship at the Vega Studio is her golden ticket. All she has to do is follow the rules. And stay out of trouble. Two things Emily has never been able to do.

It is 1965, and Swinging London is coming into its prime years. The streets are alive with mods and rockers, playboys and good-time girls, all revelling in the blossoming artistic, creative and cultural energies of the decade. Amid the colour and chaos is a boy sporting drainpipe jeans, an immaculately tailored sports coat and a half-inch wide tie. A devoted fan of The Who, he looks the part in his pristine mod gear. As the lead singer of the Lower Third, his talent is shaping itself into something truly special. His name is Davie Jones.

Karla, a young painter, who lost her mother in a car crash, almost gets hit by a car. As if this wasn’t fateful enough, the driver is a carver of tombstones. Karla Bocelli, is all too familiar with loss. At age five, she lost her mother in a car crash in the south of Switzerland. Her Peruvian father lives at the other end of the world, and a year ago, her aunt and guardian passed away. Now, at age twenty-four, the talented artist has another close encounter with death when she almost gets hit by a speeding car. As if this wasn’t fateful enough, the driver turns out to be a sculptor and ...

The recording studio has long been referred to as "the lab" in record-producer slang, and the Scientists of Sound for the first time takes rock and roll fans of every genre and generation on a first-of-its-kind behind-the-scenes tour of the record-making process, from analog to the digital era. Many of the most famous hits of all time are chronicled here. Giving fans a front-row studio seat as they recount the stories behind the creation of these hits are 50 of the most legendary record producers of all time.

Are you a true Elvis Presley fan? Have you picked up lots of little known facts about Elvis over the years? Then, the time has now come to put your knowledge to the test with this enjoyable quiz about one of the most successful musicians of all time. This Elvis Presley quiz book contains 101 informative and entertaining questions - all with multiple choice answers.

In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey's music career with the Marine Girls had just begun, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by activism and agitprop theatre, lesbian punk bands and rock 'n' roll love affairs. Morrison came to be a kind of mentor to Thorn, a strong female role model in a male dominated industry. They both faced a chauvinist music media wanting them to behave to type.

Deborah Conway pulls back the curtain on the fevered world of a 1980's post punk band, the spectacular rise and fall and rise of one of the more obstreperous women working inside Australia's music industry, a woman who has straddled the high arts and the low without losing her footing or her mind and whose fierce independence has seen her produce her best work.