Rock Art

Most home studio engineers don't have a process to follow as they mix. As a result, they find themselves feeling unsure of where to begin, how to process individual tracks, make them all work together, and know exactly when their work is finished. Working like this can be frustrating since it often is time consuming and results in weak, lifeless mixes. That's where this book comes in handy.

Rock and Roll. For more than 60 years, it has been the soundtrack to our lives. Albums like Highway 61 Revisited, Born to Run, and Nevermind have helped us make sense of who we are. Not only that, the daring passion and bold visions of rock artists have shaken up social norms and even helped change the course of world politics. There've been some wild stories to go with this wild music. If you're eager to learn some of the crazy, random facts of rock, Rock Trivia Madness is the book for you!

John Corabi recounts his life from the mean streets of Philadelphia to the Sunset Strip. Take a look behind the scenes at Corabi’s time fronting Mötley Crüe, Union, and The Dead Daisies, as well as his time playing rhythm guitar with Ratt and even his stint as a long-haul trucker. Whether it’s detailing his parents' difficult divorce, his family’s dark history of abuse, his run-in with a serial killer, or simply the best way to arrive at a wedding—which maybe is by helicopter and maybe it isn’t—he pulls no punches and outlines the good and bad of it all in this raucous autobiography.

Beau Phillips was an insider and occasional accomplice who witnessed the legends of classic rock in their heyday and takes listeners inside the dressing rooms, hotel suites, and private planes of Led Zeppelin, the Rolling Stones, AC/DC, Eric Clapton, Paul McCartney, and dozens more to enjoy funny, decadent, and never-been-told stories of sex, drugs, and rock and roll. The book's foreword was written by Sammy Hagar, former lead singer for Van Halen.

In 2018, during an interview with journalist Tanya Pearson, Shirley Manson lamented: "It’s a blanket fact that after September 11th, nonconformist women were taken off the radio.” This comment echoed a reality Pearson had personally witnessed as a musician and a fan, and launched her into a quest to figure out just what happened to these extraordinary female figures. Pretend We’re Dead seeks to answer two big questions.

Music journalist Mike Barnes (MOJO, The Wire, Prog, and author of the acclaimed biography Captain Beefheart) goes back to the birth of progressive rock and surveys the cultural conditions and attitudes that fed into, and were in turn affected by, this remarkable musical phenomenon.

The Show That Never Ends is the behind-the-scenes story of the extraordinary rise and fall of progressive ("prog") rock, epitomized by such classic, chart-topping bands as Yes, Genesis, Pink Floyd, Jethro Tull, and Emerson Lake & Palmer, and their successors Rush, Styx, and Asia. With inside access to all the key figures, Washington Post national reporter David Weigel tells the story with the gusto and insight prog rock's fans (and its haters) will relish.

Shock and Awe offers a fresh, in-depth look at the glam and glitter phenomenon, placing it in the wider '70s context of social upheaval and political disillusion. It explores how artists like Lou Reed, New York Dolls, and Queen broke with the hippie generation, celebrating illusion and artifice over truth and authenticity. Probing the genre's major themes - stardom, androgyny, image, decadence, fandom, apocalypse - Reynolds tracks glam's legacy as it unfolded in subsequent decades, from '80s art-pop icons to 21st-century idols of outrage.

This epic cultural and historical odyssey unearths the full influence of occult traditions on rock and roll - from the Beatles to Black Sabbath - and shows how the marriage between mysticism and music changed our world.

Former marine and MMA fighter Remington LaRoché doesn’t quite know what she’s letting herself in for when she agrees to take on some bodyguard work for BJ Sparks. Her charge is the famous pop star Wynter Kincade. On a packed tour, it isn’t long before the two become friends, much to the annoyance of Wynter’s girlfriend. Unexpected events push them into the spotlight, dragging out parts of Remington’s past she’d rather leave behind. Things start to heat up and they soon discover what happens when Lightning Strykes.

Acquired wisdom has always put Sgt. Pepper at the head of the class, but it was Revolver that truly signaled The Beatles' sea change from a functional band to a studio-based ensemble. These changes began before Rubber Soul but came to fruition on Revolver, which took an astonishing 300 hours to produce, far more than any rock record before it.

Mick Jagger, Jimmy Cliff, Roger Waters, Jimmy Page, Stevie Wonder, Bonnie Raitt, and many other leading artists reveal for the first time the emotions, inspirations, and techniques behind their influential works. Covering the history of rock, R&B, country, disco, soul, reggae, and pop, Anatomy of a Song is a love letter to the songs that have defined generations of listeners.

The authorized biography of the most notorious rock manager of all time, Peter Grant, best known for his work with Led Zeppelin. Often acknowledged as the "fifth member of Led Zeppelin", Grant's story has appeared in fragments across countless Zeppelin biographies, but none has explored who this brilliant and intuitive manager yet flawed and sometimes dangerous man truly was. No one has successfully captured the scope of his personality or his long-lasting impact on the music business. Acclaimed author and journalist Mark Blake seeks to rectify that.

Have you always felt a certain nostalgia to the 1980s even if you didn’t grow up in it? Were you a child, teenager, or young adult in the '80s and want to relive the best years of your life? Well now you can travel back in time and embrace your over the top fashion sense that’s dying to come out!

BREAKFAST SPECIAL Wanderings in Hoboken INTRODUCTION I didn’t grow up in the city. I grew up in the heavily wooded suburbs of New Jersey. As a young man of 24, while studying fine arts at Ramapo College, I heard that Hoboken was on the verge of becoming an artists’ community. This was in 1976. I was looking for the next step in my life and took the commuter train to Hoboken with my younger brother Rich. Hoboken was a few years from becoming anything resembling a haven for artists. It was still shaking off the racial tension of the 1960s and there was an uneasy truce in the air between ...

Songs that sell the most copies become hits, but some of those hits become something more—iconic recordings that not only inspire a generation but also change the direction of music. In Anatomy of 55 More Songs, based on his column for the Wall Street Journal, music journalist and historian Marc Myers tells the story behind fifty-five rock, pop, R&B, country, and soul-gospel hits through intimate interviews with the artists who wrote and recorded them.

In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey's music career with the Marine Girls had just begun, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by activism and agitprop theatre, lesbian punk bands and rock 'n' roll love affairs. Morrison came to be a kind of mentor to Thorn, a strong female role model in a male dominated industry. They both faced a chauvinist music media wanting them to behave to type.

The story of Miles' career is the story of the golden age of jazz. It is the story of the transition from big bands to small ensembles. It is the story of developing and exploring improvised music in small combos: trios, quartets, quintets, and sextets. Miles was at the forefront of every major style and genre of jazz that took place over a rapidly maturing arc from just after World War II through the sixties. This period was twenty-five years of explosive creativity and accelerated musical development. The breadth and depth of Miles’ impact, influence, and creative output are staggering....

In 1969, in Capitol Records' Hollywood studio, a blonde-haired troubadour named Larry Norman laid track for an album that would launch a new genre of music and one of the strangest, most interesting careers in modern rock. Having spent the bulk of the 1960s playing on bills with acts like The Who, Janis Joplin, and The Doors, Norman decided that he wanted to sing about the most countercultural subject of all: Jesus.

Jon Fine spent nearly 30 years performing and recording with bands that played various forms of aggressive and challenging underground rock music. And, as he writes in this memoir, at no point were any of those bands "ever threatened, even distantly, by actual fame". Yet when members of his first band, Bitch Magnet, reunited after 21 years to tour Europe, Asia, and America, diehard longtime fans traveled from far and wide to attend those shows.