Renaissance History

Beginning in Italy, the Renaissance was a cultural movement that spread throughout Europe and affected art, science, technology, politics, and thought. From the 1300s to the beginning of the 1600s, scholars started to question what they knew and looked to literature and historical texts to develop new ideas for why things were the way they were. In just a short amount of time, the foundations for European life were uprooted and examined, leading people, including Leonardo da Vinci and Michelangelo, to explore new ways of thinking and being.

Galileo Galilei was the foremost scientist of his day. Though he never left Italy, his inventions and discoveries were heralded around the world. His telescopes allowed him to reveal the heavens and enforce the astounding argument that the earth moves around the sun. For this belief, he was brought before the Holy Office of the Inquisition, accused of heresy, and forced to spend his last years under house arrest.

Five hundred years ago, Michelangelo began work on a painting that became one of the most famous pieces of art in the world - the Sistine Chapel ceiling. Every year millions of people come to see Michelangelo's Sistine ceiling, which is the largest fresco painting on earth in the holiest of Christianity's chapels; yet there is not one single Christian image in this vast, magnificent artwork.

In the first part of this audiobook, you will discover: Woolly mammoths were used for the craziest things; brrr! Ice Ages last how long?; how man’s best friends are related to wolves; and more....

The brilliance of the Renaissance laid the foundation of the modern world. Textbooks tell us that it came about as a result of a rediscovery of the ideas and ideals of classical Greece and Rome. But now bestselling historian Gavin Menzies makes the startling argument that in the year 1434, China - then the world's most technologically advanced civilization - provided the spark that set the European Renaissance ablaze. From that date onward, Europeans embraced Chinese ideas, discoveries, and inventions, all of which form the basis of Western civilization today.

Born into the English Wars of the Roses, educated in the European Renaissance, enthralled by the Age of Exploration and ultimately destroyed by Henry VIII, Thomas More is one of the most famous - or notorious - figures in English history. Thomas More: A Life is the definitive biography of this hypnotic, flawed figure. Overturning many received interpretations of the sixteenth century, Joanne Paul shows Thomas More to have been an intellectual and political giant of his age, central to the making of modern Europe.

This superb account of the siege emphasises the crucial importance of the siege while at the same time putting it in a far wider context. While seen as a climactic battle between the West and the East, it was also much more nuanced than that – both sides had many other interests and priorities beyond Malta. Suleiman the Magnificent had conquered and subsumed regions from Hungary to the Persian Gulf; Philip II was building an empire in America and Asia.

Set in the court of Urbino in 1507, Castiglione’s The Book of the Courtier presents an invaluable look at court life and culture during the Renaissance. Over four nights of dialogue, the book explores the key question, ‘What should a courtier be like?’ and presents a deep and timeless discussion that is reminiscent of Plato’s Symposium and Aristotle’s Nicomachean Ethics and invites comparisons with Machiavelli’s The Prince.

If so, you are already somewhat familiar with the Renaissance, which saw a rebirth in the arts and science. Great strides were made in several fields, and many men made a name for themselves by creating masterpieces or developing new theories, even if some people found them controversial. This comprehensive guide digs into some of the most famous figures of the period and includes some who might not be as well known.

In true stories as vivid as the colors in which they painted, Jim Weiss brings to life the astounding Leonardo da Vinci; the volcanic genius Michelangelo; Brunelleschi, who changed the way we see the world; the lighthearted sculptor, Donatello; and other captivating characters. You will watch fierce Pope Julius II drive out invaders while supervising the painting of the Sistine Chapel, and dine in the palace of Lorenzo de Medici, swordsman, statesman and patron of the arts, as he faces treachery and turns war to peace.

The award-winning Beneath the American Renaissance is a classic work on American literature. It immeasurably broadens our knowledge of our most important literary period, as first identified by F.O. Matthiessen’s American Renaissance. With its combination of sharp critical insight, engaging observation, and narrative drive, it represents the kind of masterful cultural history for which David Reynolds is known. Here the major works of Emerson, Thoreau, Whitman, and others receive striking, original readings set against the rich backdrop of contemporary popular writing.

In 1474, a 23-year-old woman ascended the throne of Castile, the largest and strongest kingdom in Spain. Ahead of her lay the considerable challenge not only of being a young female ruler in an overwhelmingly male-dominated world but also of reforming a major European kingdom that was riddled with crime, corruption, and violent political factionism. Her pivotal reign was long and transformative, uniting Spain and setting the stage for its golden era of global dominance.

In Flamboyants, George M. Johnson celebrates writers, performers, and activists from 1920s Black America whose sexualities have been obscured throughout history. Through 14 essays, Johnson reveals how American culture has been shaped by icons who are both Black and Queer–and whose stories deserve to be celebrated in their entirety.

It was the splendor and the scandal of the age. In 1506, the ferociously ambitious Renaissance Pope Julius II tore down the most sacred shrine in Europe, the millennium-old St. Peter's Basilica built by the Emperor Constantine over the apostle's grave, to build a better basilica.

In brutally repressive sixteenth-century England, artists had been frightened into dull conventionality; foreigners were suspect; popular entertainment largely consisted of coarse spectacles, animal fights, and hangings. Into this crude world came an ambitious cobbler’s son with an uncanny ear for Latin poetry―a torment for most schoolboys, yet for a few, a secret portal to beauty, visionary imagination, transgressive desire, and dangerous skepticism.

John Julius Norwich - whom the Wall Street Journal called "the very model of a popular historian" - has crafted a big, bold tapestry of the early 16th century, when Europe and the Middle East were overshadowed by a quartet of legendary rulers, all born within a 10-year period. Against the vibrant background of the Renaissance, these four men laid the foundations for modern Europe and the Middle East, as they collectively impacted the culture, religion, and politics of their respective domains.

In the fifteenth century, even before the city states of the Apennine Peninsula began to coalesce into what would become, several centuries later, a nation, "Italy" exerted enormous influence over all of Europe and throughout the Mediterranean. Viewing the Italy (the many Italies?) of that time through the lens of today allows us to gather a fragmented, multi-faceted, and seemingly contradictory history into a single unifying narrative that speaks to our current reality as much as it does to a specific historical period. This is what the French historian Fernand Braudel achieves here.

Widge is an orphan with a rare talent for shorthand. His fearsome master has just one demand: steal Shakespeare's play "Hamlet" - or else. Widge has no choice but to follow orders, so he works his way into the heart of the Globe Theatre, where Shakespeare's players perform. As full of twists and turns as a London alleyway, this entertaining novel is rich in period details, colorful characters, villainy, and drama.

A Landmark Translation of the Original Renaissance Quadrivium Athanasius Kircher (1602–1680) was the last great Renaissance polymath—and one of the first global scholars. In the mid-1600s, he published his monumental three-volume work, Oedipus Aegyptiacus, which aimed to decode the ancient world’s symbolic language. This volume contains Kircher’s exploration of the Quadrivium: Arithmetic, Geometry, Music, and Astronomy—the four liberal arts of classical education. Drawing on ancient sources from Pythagoras to Plato, Kircher weaves a cosmological vision in which number, form, sound...

The First Italian War: The History and Legacy of the Italian Wars’ Initial Conflict at the Height of the Renaissance chronicles the various nations and city-states that jousted for power throughout the peninsula during the late 15th century. The audiobook presents places and events that'll help you learn about the First Italian War like never before.