Renaissance History

Travel back in time to the 1920s and 1930s to the sounds of jazz in nightclubs and the 24-hours-a-day bustle of the famous Black neighborhood of Harlem in uptown Manhattan. It was a dazzling time when there was an outpouring of the arts of African Americans - the poetry of Langston Hughes; the novels of Zora Neale Hurston; the sculptures of Augusta Savage; and that brand-new music called jazz as only Duke Ellington and Louis Armstrong could play it.

Between the birth of Dante in 1265 and the death of Galileo in 1642 something happened that transformed the entire culture of Western civilisation. Painting, sculpture and architecture would all visibly change in such a striking fashion that there could be no going back on what had taken place. Likewise, the thought and self-conception of humanity would take on a completely new aspect. Sciences would be born or emerge in an entirely new guise. The ideas that broke this mould largely began, and continued to flourish, in the city of Florence in the province of Tuscany.

Charlemagne was easily one of the most fascinating figures of Western civilization, as well as the most heroic and romantic. The 47 years of his reign marked some of the most significant and far reaching events of the Middle Ages. Undoubtedly, it was his enlightened vision for Europe that resulted in the Carolingian Renaissance, a period of cultural flowering that never really ceased to develop, and which led in a straight line directly to that period of astonishing achievement we now call the High Gothic. Even in the 21st century, we still hear the echoes of his deeds in the historical events that unfold today.

The 15th century saw the evolution of a distinct and powerfully influential European artistic culture. But what does the familiar phrase “Renaissance Art” actually refer to? Through engaging discussion of timeless works by artists such as Jan van Eyck, Leonardo da Vinci, and Michelangelo, Tom Nichols offers a masterpiece of his own as he explores the truly original and diverse character of the art of the Renaissance.

In this thrilling adventure by bestselling author Oliver Pötzsch, thirteen-year-old Lukas has been trained as a swordsman by his father, a nobleman who was once a famed Musketeer. When the threat of war and accusations of witchcraft spread across the land, Lukas's life is forever changed. He flees his home and vows to find his missing sister.

England, July 1540: it is one of the hottest summers on record, and the court of Henry VIII is embroiled once again in political scandal. Anne Cleves is out. Thomas Cromwell is to be executed and, in the countryside, an aristocratic teenager named Catherine Howard prepares to become fifth wife to the increasingly unpredictable monarch.

In 1494, there were five sovereign regional powers in Italy: Milan, Venice, Florence, the Papal States, and Naples. In 1536, only one remained: Venice. These decades of conflict precipitated great anxiety among Western thinkers, and Italians responded to the fragmentation, forevermore, of Latin Christendom, the end of self-governance for Italians, and the beginning of the early modern era in a myriad of ways. They were always heavily influenced by the lived experience of warfare between large Christian armies on the peninsula.

From the fall of Constantinople in 1453 until the 18th century, many Western European writers viewed the Ottoman Empire with almost obsessive interest. In this path-breaking audiobook, Noel Malcolm ranges through these vital centuries of East-West interaction, studying all the ways in which thinkers in the West interpreted the Ottoman Empire as a political phenomenon - and Islam as a political religion.

In the best-selling Warriors of God and Dogs of God, James Reston Jr. limned two epochal conflicts between Islam and Christendom. Here he examines the ultimate battle in that centuries-long war, which found Europe at its most vulnerable and Islam on the attack. This drama was propelled by two astonishing young sovereigns: Holy Roman Emperor Charles V and Turkish sultan Suleyman the Magnificent. Though they represented two colliding worlds, they were remarkably similar.

Léonard de Vinci était enfant illégitime, homosexuel, gaucher, végétarien, distrait et parfois hérétique. Cette inadéquation aux moeurs de l'époque a décuplé sa créativité. À travers les milliers de pages de ses carnets et les plus récentes découvertes des historiens, Walter Isaacson dépeint l'émergence de son génie, alimenté par une curiosité passionnée, une capacité d'observation de tous les instants et une imagination sans limites.

When we think of the Renaissance, we often think of paintings. And indeed, many painters and sculptors were part of the artistic transformation the Renaissance caused. But there was more. The Renaissance basically formed a period of collective enlightenment and freedoms that put an end to certain tyrannies and false notions from the Middle Ages. Advocates of a "long Renaissance" might put its start in the 14th century and its end in the 17th century. Let’s take a look at what the extensive time period of the Renaissance provided, and what it leaves us with today.

Like Michelangelo, Galileo is another Renaissance great known just by his first name - a name that is synonymous with scientific achievement. Born in Pisa, Italy, in the 16th century, Galileo contributed to the era's great rebirth of knowledge. He invented a telescope to observe the heavens. From there, not even the sky was the limit! He turned long-held notions about the universe topsy turvy with his support of a sun-centric solar system.

Most historians credit the city-state of Florence as the starting place of the Italian Renaissance, a process carried out through the patronage and commission of artists during the late 12th century. If Florence is receiving its due credit, much of it belongs to the Medici family, a Florentine dynasty that ruled at the height of the Renaissance. Both Leonardo and Michelangelo were members of Lorenzo de Medici's court. The famous leader, who also considered himself an artist and poet, became known for securing commissions for the most famous artists of the age.

Leonardo da Vinci was a gifted painter, talented musician, and dedicated scientist and inventor, designing flying machines, submarines, and even helicopters. Yet he had a hard time finishing things, a problem anyone can relate to. Only 13 paintings are known to be his; as for the illustrated encyclopedia he intended to create, all that he left were thousands of disorganized notebook pages. Here is an accessible portrait of a fascinating man who lived at a fascinating time - Italy during the Renaissance.

Illegitimate children, adulterous queens, impotent kings, and a whole dynasty resting on their shoulders. Sex and childbirth were quite literally a matter of life or death for the Tudors.

On August 22, 1485, at Bosworth Field, Richard III fell, the Wars of the Roses ended, and the Tudor dynasty began. The clash is so significant because it marks the break between medieval and modern; yet how much do we really know about this historical landmark? Michael K. Jones uses archival discoveries to show Richard III's defeat was by no means inevitable and was achieved only through extraordinary chance. He relocates the battle away from the site recognized for more than 500 years.

In the winelands of 16th-century Germany, Obsopoeus witnessed the birth of a poisonous new culture of bingeing, hazing, peer pressure, and competitive drinking. Alarmed, and inspired by the Roman poet Ovid's Art of Love, he wrote The Art of Drinking (1536), a how-to manual for drinking with pleasure and discrimination. In How to Drink, Michael Fontaine offers the first proper English translation of Obsopoeus' text, rendering his poetry into spirited, contemporary prose and uncorking a forgotten classic that will appeal to drinkers of all kinds and (legal) ages.

The very name Lucrezia Borgia conjures up everything that was sinister and corrupt about the Renaissance: incest, political assassination, papal sexual abuse, poisonous intrigue, unscrupulous power grabs. Yet, as best-selling biographer Sarah Bradford reveals in this breathtaking new portrait, the truth is far more fascinating than the myth.

Leonardo da Vinci has long been celebrated for his consummate genius. He was the painter who gave us the Mona Lisa and The Last Supper, and the inventor who anticipated the advent of airplanes, hot air balloons, and other technological marvels. But what was the connection between Leonardo the painter and Leonardo the scientist?

If you want to discover the captivating history of the Middle Ages, then pay attention...One of the least understood periods of European history occurred between the 6th century and the 14th or 15th century (depending on which historian you ask). Commonly called the Middle Ages, this was a time period of extreme change for Europe, beginning with the fall of the Western Roman Empire. To a continent that had seen a drastic shift in the power structure, the world seemed to be particularly harsh. Rome had been a major player across Europe for well over a millennium. Then it was gone.