Renaissance Fiction

At the time of its publication, Wallace Thurman’s debut novel was deeply provocative. This was due not only to its frank considerations of race and sex, but also to its vivid portrait of a Harlem that few other writers had dared to explore. At the heart of this journey into new terrain is Emma Lou Morgan, a Black woman who leaves her “color-struck” Idaho hometown behind and strikes out, first for Los Angeles and later for Harlem—where, unfortunately, discrimination simply takes on a new form.

In the autumn of 1558, church bells across England ring out the joyous news that Elizabeth I is the new queen, yet one woman hears the tidings with utter dread. She is Amy Dudley, wife of Sir Robert, and she knows Elizabeth’s ambitious leap to the throne will draw her husband back to the center of the glamorous Tudor court, where he was born to be. Elizabeth has inherited a bankrupt country where treason is rampant and foreign war a certainty. Her advisors warn her that she will survive only if she marries a strong prince to govern the rebellious country. She desires Robert Dudley.

Following the sudden death of her husband, 25-year-old Catrin leaves her small village and takes a job as a housekeeper to the successful Van Nulandt merchant family. Amsterdam is a city at the peak of its powers: Science and art are flourishing in the Golden Age, and Dutch ships bring back exotic riches from the Far East. Madam Van Nulandt passes her time taking expensive painting lessons from a local master, Rembrandt van Rigin....

The award-winning Beneath the American Renaissance is a classic work on American literature. It immeasurably broadens our knowledge of our most important literary period, as first identified by F.O. Matthiessen’s American Renaissance. With its combination of sharp critical insight, engaging observation, and narrative drive, it represents the kind of masterful cultural history for which David Reynolds is known. Here the major works of Emerson, Thoreau, Whitman, and others receive striking, original readings set against the rich backdrop of contemporary popular writing.

In the scorched city of Rome, the cobbled streets hum with gossip and sin. Costanza Piccolomini is a respectable young wife - until she meets Gianlorenzo Bernini, the famed sculptor and star of Roman society, whose jet-black gaze matches his dark temper. From the second they set eyes upon each other, a fatal attraction is born. Their secret love burns with a passion that consumes them. But with every stolen kiss and illicit tryst, Costanza's reputation is at stake. Meanwhile, Bernini has a dangerous desire: he wants to make Costanza immortal.

Alexander “Sander” Cooke is the most celebrated “boy player” in the Chamberlain’s Men, William Shakespeare’s theatre company. Indeed, Sander’s androgynous beauty and deft portrayal of female roles have made him the toast of London, and his companionship is sought by noblewomen and -men alike. And yet, now at the height of his fame, he teeters on the cusp of adulthood, his future uncertain. Often, he wishes he could stop time and remain a boy forever.

There is no dowry left for Elisabeth Knolly. She is destined for a nunnery, for eternal chastity – which is a good thing – because she doesn’t want to do that with anyone. But the devil is at her back, tempting her with impure thoughts about her tutor, Samuel. Her parents, deeply ashamed of their libidinous daughter, do everything they can to keep Elisa’s thoughts from bodily pleasures. When she finally finds refuge in the nunnery, Elisa breathes a sigh of relief. But shame and guilt about her true nature follow her everywhere...

The year 1464 finds Nicholas back in Venice. Plagued by enemies bent on dissolving his assets and smearing his character, he sets sail for Africa, legendary location of the Fountain of Youth, home to a descendant of Sheba and Solomon, and the source of gold in such abundance that men prefer to barter in shells. He will learn firsthand the brutality and grandeur of the Dark Continent, from the horror of the slave trade to the austere nobility of Islamic Timbuktu. He will discover, too, the charms of the beautiful Gelis van Borselen.

Alessandra Cecchi is not quite fifteen when her father, a prosperous cloth merchant, brings a young painter back from northern Europe to decorate the chapel walls in the family's Florentine palazzo. A child of the Renaissance, with a precocious mind and a talent for drawing, Alessandra is intoxicated by the painter's abilities.

Scotland, 1468: a nation at the edge of Europe, a civilization on the threshold of the Modern Age. Merchants, musicians, politicians, and pageantry fill the court of King James III. In its midst, Nicholas seeks to avenge his bride's claim that she carries the bastard of his archenemy, Simon St. Pol. When she flees before Nicholas can determine whether or not the rumored child is his own-or exists at all-Nicholas gives chase. So begins the deadly game of cat and mouse that will lead him from the infested cisterns of Cairo to the misted canals of Venice at carnival.

Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African-American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s "lost" Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales.

The Scarlet Letter is one of the great classics of American literature. Set in the harsh Puritan environment of 17th-century Boston, it describes the plight of Hester Prynne, an independent-minded woman who stands alone against society. Having given birth to a child after an illicit affair, she refuses to name the father and is forced to wear the letter "A", for Adulteress, embroidered on her dress.

My lady, Fiammetta Bianchini, was plucking her eyebrows and biting color into her lips when the unthinkable happened and the Holy Roman Emperor’s army blew a hole in the wall of God’s eternal city, letting in a flood of half-starved, half-crazed troops bent on pillage and punishment. Thus begins In the Company of the Courtesan, Sarah Dunant’s epic novel of life in Renaissance Italy. Escaping the sack of Rome in 1527, with their stomachs churning on the jewels they have swallowed, the courtesan Fiammetta and her dwarf companion, Bucino, head for Venice.

To continue Leela’s education, the Doctor promises to take her to the famous Morovanian Museum. But the Tardis lands instead in a quiet English village, where they meet the enigmatic collector Harcourt and his family. When people start to die, reality doesn’t appear quite what it was. There’s something sinister going on within the walls of Harcourt’s manor, and the stakes are higher than they can imagine.

Their love defied two nations. Now, it must survive betrayal, sacrifice—and a crown. Deep in the forest, Abigall and Everald live in hiding, their love sheltered but not safe. With their child on the way, they cling to hope, surviving in secret alongside James. But peace is fleeting. When word comes that the English king is dying and the queen is in mourning, Everald faces a heartbreaking decision: stay with the woman he loves—or return home to claim the throne and protect their future. But fate has other plans. Abigall is captured, imprisoned, and held under strict guard. Alone, ...

At the age of sixty-one, Judith Shakespeare, a midwife-apothecary and twin of the long-dead Hamnet, must flee provincial Stratford on horseback to avoid arrest for witchcraft. Her traveling companions are a zealous Puritan woman and child who have been displaced by civil war—the bloody seventeenth-century strife between Royalists and Roundheads. Judith is also leaving her marriage, which has foundered since the wrenching loss of two adult sons to the plague.

2021 Next Generation Indie Book Awards Finalist - Historical Fiction Seeking to pursue his dream in music, and harboring a grave secret, young Gerard Rougeaux leaves his native Montreal for New York City in 1909, embarking on a journey that then takes him to Paris at the height of the Jazz Age. There, years later, Gerard becomes haunted by strange dreams of a boy falling through space, as his story entwines with the family he has left behind-his half-sister Jeannette and her two children, struggling to make their way in New York after the economic crash of 1929. Continuing the family epic ...

The intellectual and cultural revival of African-American arts and politics in the 1920s and 1930s was centered in Harlem, Manhattan, New York City. Here are poems from three major contributors to that rebirth: The Weary Blues by Langston Hughes, The Heart of a Woman and Other Poems by Georgia Douglas Johnson, and Copper Sun by Countee Cullen, delivered by three multiaward–winning narrators.

Bristol in 1787 is booming, a city where power beckons those who dare to take risks. Josiah Cole, a small dockside trader, is prepared to gamble everything to join the big players of the city. But he needs capital and a well-connected wife. Marriage to Frances Scott is a mutually convenient solution. Trading her social contacts for Josiah's protection, Frances finds her life and fortune dependent on the respectable trade of sugar, rum, and slaves. Into her new world comes Mehuru, once a priest in the ancient African kingdom of Yoruba, now a slave in England.

Neva Friezland is born into a world of trickery and illusion, where fortunes can be won and lost on the turn of a card. She is also born with an extraordinary gift. She can predict the weather. In Regency England, where the proper goal for a gentlewoman is marriage and only God knows the weather this is dangerous. It is also potentially very lucrative.