Renaissance Fiction

Following the sudden death of her husband, 25-year-old Catrin leaves her small village and takes a job as a housekeeper to the successful Van Nulandt merchant family. Amsterdam is a city at the peak of its powers: Science and art are flourishing in the Golden Age, and Dutch ships bring back exotic riches from the Far East. Madam Van Nulandt passes her time taking expensive painting lessons from a local master, Rembrandt van Rigin....

New Zealander Second Lieutenant Neil Rankin and his platoon find themselves on the back foot, with limited supplies and dented morale, facing a coup de grâce from the relentless Axis forces... After the fall of Greece in April 1941, the Allies regroup on the island of Crete to make their next stand against the German forces. Bruised and short of weapons and equipment, the story follows New Zealand troops evacuating the mainland and arriving on Crete, the navel of the Mediterranean. Control of Crete was paramount for dominance of sea and air operations, and the defeat in Greece weighed ...

"Both romance and historical fiction readers will enjoy this lovely story." – Readers' Favorite "It's a well-written story that is full of adventure that will leave you sweetly satisfied, yet somehow craving more. As the first in a series, it ticks all the boxes!" – Reader Views Step into the Sun-Dappled Glade - A Place of Love, Pain, and Redemption A Damaged Hero Sir Lennox Brodie has returned from fighting in the Crusades. He is famous, scarred, and wealthy—with his soul in tatters. All he wants is to be left alone, until he meets Maggie Weaver when she mistakenly enters the quiet, ...

In the autumn of 1558, church bells across England ring out the joyous news that Elizabeth I is the new queen, yet one woman hears the tidings with utter dread. She is Amy Dudley, wife of Sir Robert, and she knows Elizabeth’s ambitious leap to the throne will draw her husband back to the center of the glamorous Tudor court, where he was born to be. Elizabeth has inherited a bankrupt country where treason is rampant and foreign war a certainty. Her advisors warn her that she will survive only if she marries a strong prince to govern the rebellious country. She desires Robert Dudley.

Their love defied two nations. Now, it must survive betrayal, sacrifice—and a crown. Deep in the forest, Abigall and Everald live in hiding, their love sheltered but not safe. With their child on the way, they cling to hope, surviving in secret alongside James. But peace is fleeting. When word comes that the English king is dying and the queen is in mourning, Everald faces a heartbreaking decision: stay with the woman he loves—or return home to claim the throne and protect their future. But fate has other plans. Abigall is captured, imprisoned, and held under strict guard. Alone, ...

The year 1464 finds Nicholas back in Venice. Plagued by enemies bent on dissolving his assets and smearing his character, he sets sail for Africa, legendary location of the Fountain of Youth, home to a descendant of Sheba and Solomon, and the source of gold in such abundance that men prefer to barter in shells. He will learn firsthand the brutality and grandeur of the Dark Continent, from the horror of the slave trade to the austere nobility of Islamic Timbuktu. He will discover, too, the charms of the beautiful Gelis van Borselen.

Defiant, eloquent, and thoroughly modern, Claude McKay’s early collection of celebrated poems is widely recognized as having helped to spark the Harlem Renaissance. In Harlem Shadows, McKay gives precise and poignant expression to the injustices of white oppression in many forms. He also paints a vivid picture of Harlem at the dawn of its rebirth and shows the tremendous vitality of the neighborhood as well as the many threats it faced.

The award-winning Beneath the American Renaissance is a classic work on American literature. It immeasurably broadens our knowledge of our most important literary period, as first identified by F.O. Matthiessen’s American Renaissance. With its combination of sharp critical insight, engaging observation, and narrative drive, it represents the kind of masterful cultural history for which David Reynolds is known. Here the major works of Emerson, Thoreau, Whitman, and others receive striking, original readings set against the rich backdrop of contemporary popular writing.

In the scorched city of Rome, the cobbled streets hum with gossip and sin. Costanza Piccolomini is a respectable young wife - until she meets Gianlorenzo Bernini, the famed sculptor and star of Roman society, whose jet-black gaze matches his dark temper. From the second they set eyes upon each other, a fatal attraction is born. Their secret love burns with a passion that consumes them. But with every stolen kiss and illicit tryst, Costanza's reputation is at stake. Meanwhile, Bernini has a dangerous desire: he wants to make Costanza immortal.

Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African-American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s "lost" Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales.

Alexander “Sander” Cooke is the most celebrated “boy player” in the Chamberlain’s Men, William Shakespeare’s theatre company. Indeed, Sander’s androgynous beauty and deft portrayal of female roles have made him the toast of London, and his companionship is sought by noblewomen and -men alike. And yet, now at the height of his fame, he teeters on the cusp of adulthood, his future uncertain. Often, he wishes he could stop time and remain a boy forever.

At the time of its publication, Wallace Thurman’s debut novel was deeply provocative. This was due not only to its frank considerations of race and sex, but also to its vivid portrait of a Harlem that few other writers had dared to explore. At the heart of this journey into new terrain is Emma Lou Morgan, a Black woman who leaves her “color-struck” Idaho hometown behind and strikes out, first for Los Angeles and later for Harlem—where, unfortunately, discrimination simply takes on a new form.

There is no dowry left for Elisabeth Knolly. She is destined for a nunnery, for eternal chastity – which is a good thing – because she doesn’t want to do that with anyone. But the devil is at her back, tempting her with impure thoughts about her tutor, Samuel. Her parents, deeply ashamed of their libidinous daughter, do everything they can to keep Elisa’s thoughts from bodily pleasures. When she finally finds refuge in the nunnery, Elisa breathes a sigh of relief. But shame and guilt about her true nature follow her everywhere...

At the age of sixty-one, Judith Shakespeare, a midwife-apothecary and twin of the long-dead Hamnet, must flee provincial Stratford on horseback to avoid arrest for witchcraft. Her traveling companions are a zealous Puritan woman and child who have been displaced by civil war—the bloody seventeenth-century strife between Royalists and Roundheads. Judith is also leaving her marriage, which has foundered since the wrenching loss of two adult sons to the plague.

Harlem, 1926. Young Black women like Louise Lloyd are ending up dead. Following a harrowing kidnapping ordeal when she was in her teens, Louise is doing everything she can to maintain a normal life. She’s succeeding, too. She spends her days working at Maggie’s Café and her nights at the Zodiac, Harlem’s hottest speakeasy. Louise’s friends, especially her girlfriend, Rosa Maria Moreno, might say she’s running from her past and the notoriety that still stalks her, but don’t tell her that.

My lady, Fiammetta Bianchini, was plucking her eyebrows and biting color into her lips when the unthinkable happened and the Holy Roman Emperor’s army blew a hole in the wall of God’s eternal city, letting in a flood of half-starved, half-crazed troops bent on pillage and punishment. Thus begins In the Company of the Courtesan, Sarah Dunant’s epic novel of life in Renaissance Italy. Escaping the sack of Rome in 1527, with their stomachs churning on the jewels they have swallowed, the courtesan Fiammetta and her dwarf companion, Bucino, head for Venice.

Bristol in 1787 is booming, a city where power beckons those who dare to take risks. Josiah Cole, a small dockside trader, is prepared to gamble everything to join the big players of the city. But he needs capital and a well-connected wife. Marriage to Frances Scott is a mutually convenient solution. Trading her social contacts for Josiah's protection, Frances finds her life and fortune dependent on the respectable trade of sugar, rum, and slaves. Into her new world comes Mehuru, once a priest in the ancient African kingdom of Yoruba, now a slave in England.

Neva Friezland is born into a world of trickery and illusion, where fortunes can be won and lost on the turn of a card. She is also born with an extraordinary gift. She can predict the weather. In Regency England, where the proper goal for a gentlewoman is marriage and only God knows the weather this is dangerous. It is also potentially very lucrative.

The intellectual and cultural revival of African-American arts and politics in the 1920s and 1930s was centered in Harlem, Manhattan, New York City. Here are poems from three major contributors to that rebirth: The Weary Blues by Langston Hughes, The Heart of a Woman and Other Poems by Georgia Douglas Johnson, and Copper Sun by Countee Cullen, delivered by three multiaward–winning narrators.

Princeton. Good Friday, 1999. On the eve of graduation, two students are a hairsbreadth from solving the mysteries of the Hypnerotomachia Poliphili. Famous for its hypnotic power over those who study it, the 500-year-old Hypnerotomachia may finally reveal its secrets to Tom Sullivan, whose father was obsessed with the book, and Paul Harris, whose future depends on it. As the deadline looms, research has stalled, until an ancient diary surfaces.