Renaissance Fiction

The intellectual and cultural revival of African-American arts and politics in the 1920s and 1930s was centered in Harlem, Manhattan, New York City. Here are poems from three major contributors to that rebirth: The Weary Blues by Langston Hughes, The Heart of a Woman and Other Poems by Georgia Douglas Johnson, and Copper Sun by Countee Cullen, delivered by three multiaward–winning narrators.

Alessandra Cecchi is not quite fifteen when her father, a prosperous cloth merchant, brings a young painter back from northern Europe to decorate the chapel walls in the family's Florentine palazzo. A child of the Renaissance, with a precocious mind and a talent for drawing, Alessandra is intoxicated by the painter's abilities.

Neva Friezland is born into a world of trickery and illusion, where fortunes can be won and lost on the turn of a card. She is also born with an extraordinary gift. She can predict the weather. In Regency England, where the proper goal for a gentlewoman is marriage and only God knows the weather this is dangerous. It is also potentially very lucrative.

Raised on the battlefield and in the most beautiful Moorish palace in the world, sent to England alone at the age of 16 to take her place in a court where she couldn't speak the language, and abandoned and forced to endure poverty after the death of her husband, Katherine remained a woman of indomitable spirit, unwavering faith, and extraordinary strength. Philippa Gregory brings to life one of history's most inspiring women and creates one of the most compelling characters in historical fiction.

On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home? Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London. Neither parent knows that one of the children will not survive the week.

In the Houses of Montague and Capulet, there is only one goal: power. The boys are born to fight and die for honor and-if they survive-marry for influence and money, not love. The girls are assets, to be spent wisely. Their wishes are of no import. Their fates are written on the day they are born.Benvolio Montague, cousin to Romeo, knows all this. He expects to die for his cousin, for his house, but a spark of rebellion still lives inside him.

An exhaustively researched novel weaves both historical fact and plausible fiction in bringing the story of Mary Queen of Scots to life.

Fleeing violent rebellions in Scotland, Mary looks to Queen Elizabeth of England for sanctuary. Though promised protection, Mary, perceived as a serious threat to the English crown, is soon imprisoned by her former friend as a “guest” in the house of George Talbot, earl of Shrewsbury, and his indomitable wife, Bess of Hardwick.

Regarded as yet another threat to the volatile King Henry VII's claim to the throne, Margaret Pole, cousin to Elizabeth of York (known as the White Princess) and daughter of George, Duke of Clarence, is married off to a steady and kind Lancaster supporter - Sir Richard Pole. For his loyalty, Sir Richard is entrusted with the governorship of Wales, but Margaret's contented daily life is changed forever with the arrival of Arthur, the young Prince of Wales, and his beautiful bride, Katherine of Aragon.

Jane Grey was queen of England for nine days. Her father and his allies crowned her instead of the dead king's half sister, Mary Tudor, who quickly mustered an army, claimed her throne, and locked Jane in the Tower of London. When Jane refused to betray her Protestant faith, Mary sent her to the executioner's block, where Jane transformed her father's greedy power grab into tragic martyrdom.

Bristol in 1787 is booming, a city where power beckons those who dare to take risks. Josiah Cole, a small dockside trader, is prepared to gamble everything to join the big players of the city. But he needs capital and a well-connected wife. Marriage to Frances Scott is a mutually convenient solution. Trading her social contacts for Josiah's protection, Frances finds her life and fortune dependent on the respectable trade of sugar, rum, and slaves. Into her new world comes Mehuru, once a priest in the ancient African kingdom of Yoruba, now a slave in England.

The narrator of this beautiful, often disquieting novel is a young Native American man living on the Fort Belknap Reservation in Montana. Sensitive and self-destructive, he searches for something that will bind him to the lands of his ancestors but is haunted by personal tragedy, the dissolution of his once proud heritage, and Montana's vast emptiness. Winter in the Blood is an evocative and unforgettable work of literature that will continue to move and inspire anyone who encounters it.

In the autumn of 1558, church bells across England ring out the joyous news that Elizabeth I is the new queen, yet one woman hears the tidings with utter dread. She is Amy Dudley, wife of Sir Robert, and she knows Elizabeth’s ambitious leap to the throne will draw her husband back to the center of the glamorous Tudor court, where he was born to be. Elizabeth has inherited a bankrupt country where treason is rampant and foreign war a certainty. Her advisors warn her that she will survive only if she marries a strong prince to govern the rebellious country. She desires Robert Dudley.

From the author of the New York Times best-selling novel Labyrinth comes another haunting tale of double crosses, murder, and the occult set in both 19th and 21st century France.

Artemisia Gentileschi dreams of becoming a great artist. Motherless, she grows up among a family of painters - men and boys. She knows she is more talented than her brothers, but she cannot choose her own future. She wants to experience the world, but she belongs to her father and will belong to a husband. As Artemisia patiently goes from lesson to lesson, perfecting her craft, she also paints in private, recreating the women who inspire her, away from her father's eyes. Until a mysterious tutor enters her life.

My lady, Fiammetta Bianchini, was plucking her eyebrows and biting color into her lips when the unthinkable happened and the Holy Roman Emperor’s army blew a hole in the wall of God’s eternal city, letting in a flood of half-starved, half-crazed troops bent on pillage and punishment. Thus begins In the Company of the Courtesan, Sarah Dunant’s epic novel of life in Renaissance Italy. Escaping the sack of Rome in 1527, with their stomachs churning on the jewels they have swallowed, the courtesan Fiammetta and her dwarf companion, Bucino, head for Venice.

John Tradescant’s fame and skill as a gardener are unsurpassed in 17th-century England, but it is his clear-sighted honesty and loyalty that make him an invaluable servant. As an informal confidant of Sir Robert Cecil, adviser to King James I, he witnesses the making of history, from the Gunpowder Plot to the accession of King Charles I and the growing animosity between Parliament and court.

At the time of its publication, Wallace Thurman’s debut novel was deeply provocative. This was due not only to its frank considerations of race and sex, but also to its vivid portrait of a Harlem that few other writers had dared to explore. At the heart of this journey into new terrain is Emma Lou Morgan, a Black woman who leaves her “color-struck” Idaho hometown behind and strikes out, first for Los Angeles and later for Harlem—where, unfortunately, discrimination simply takes on a new form.

Harlem, 1926. Young Black women like Louise Lloyd are ending up dead. Following a harrowing kidnapping ordeal when she was in her teens, Louise is doing everything she can to maintain a normal life. She’s succeeding, too. She spends her days working at Maggie’s Café and her nights at the Zodiac, Harlem’s hottest speakeasy. Louise’s friends, especially her girlfriend, Rosa Maria Moreno, might say she’s running from her past and the notoriety that still stalks her, but don’t tell her that.

When Mary Boleyn comes to court as an innocent girl of 14, she catches the eye of Henry VIII. Dazzled by the king, Mary falls in love with both her golden prince and her growing role as unofficial queen. However, she soon realizes just how much she is a pawn in her family's ambitious plots as the king's interest begins to wane and she is forced to step aside for her best friend and rival: her sister, Anne. Then Mary knows that she must defy her family and her king, and take her fate into her own hands.