Renaissance Fiction

In the Houses of Montague and Capulet, there is only one goal: power. The boys are born to fight and die for honor and-if they survive-marry for influence and money, not love. The girls are assets, to be spent wisely. Their wishes are of no import. Their fates are written on the day they are born.Benvolio Montague, cousin to Romeo, knows all this. He expects to die for his cousin, for his house, but a spark of rebellion still lives inside him.

Inés Suárez es una joven y humilde costurera extremeña que se embarca hacia el Nuevo Mundo para buscar a su marido, extraviado con sus sueños de gloria al otro lado del Atlántico. Anhela también una vida de aventuras, vetada a las mujeres en la pacata sociedad del siglo XVI. En América, Inés no encuentra a su marido, pero sí un amor apasionado: Pedro de Valdivia, maestre de campo de Francisco Pizarro, junto a quien Inés se enfrenta a los riesgos y las incertidumbres de la conquista y la fundación del reino de Chile.

Palermo 1632: Giulia is thirteen when she learns her mother's greatest secret: Teofania makes an undetectable, slow-acting, lethal poison—Acqua Tofana—which she uses to free the broken and abused women of Palermo. Now Teofania wants to pass her recipe on to her daughter, and Giulia soon realizes that in a time when women have no voice, justice is sometimes best served in a cup of wine or broth.

Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African-American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s "lost" Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales.

Artemisia Gentileschi dreams of becoming a great artist. Motherless, she grows up among a family of painters - men and boys. She knows she is more talented than her brothers, but she cannot choose her own future. She wants to experience the world, but she belongs to her father and will belong to a husband. As Artemisia patiently goes from lesson to lesson, perfecting her craft, she also paints in private, recreating the women who inspire her, away from her father's eyes. Until a mysterious tutor enters her life.

My lady, Fiammetta Bianchini, was plucking her eyebrows and biting color into her lips when the unthinkable happened and the Holy Roman Emperor’s army blew a hole in the wall of God’s eternal city, letting in a flood of half-starved, half-crazed troops bent on pillage and punishment. Thus begins In the Company of the Courtesan, Sarah Dunant’s epic novel of life in Renaissance Italy. Escaping the sack of Rome in 1527, with their stomachs churning on the jewels they have swallowed, the courtesan Fiammetta and her dwarf companion, Bucino, head for Venice.

Giulia Tofana longs for more responsibility in her mother’s apothecary business, but Mamma has always been secretive and refuses to tell her the hidden keys to her success. But the day Mamma is arrested for the poisoning of the powerful Duke de Verdi, Giulia is shocked to uncover the darker side of her trade. Giulia must run for her life and escapes to Naples, under the shadow of Mount Vesuvius, to the home of her aunt Isabetta, a famous courtesan.

Princeton. Good Friday, 1999. On the eve of graduation, two students are a hairsbreadth from solving the mysteries of the Hypnerotomachia Poliphili. Famous for its hypnotic power over those who study it, the 500-year-old Hypnerotomachia may finally reveal its secrets to Tom Sullivan, whose father was obsessed with the book, and Paul Harris, whose future depends on it. As the deadline looms, research has stalled, until an ancient diary surfaces.

When Mary Boleyn comes to court as an innocent girl of 14, she catches the eye of Henry VIII. Dazzled by the king, Mary falls in love with both her golden prince and her growing role as unofficial queen. However, she soon realizes just how much she is a pawn in her family's ambitious plots as the king's interest begins to wane and she is forced to step aside for her best friend and rival: her sister, Anne. Then Mary knows that she must defy her family and her king, and take her fate into her own hands.

Born into poverty, brutalised and ignored by her family, it is only when she is married off to a nobleman that her life undergoes a transformation, as her husband recognises in Rosamund a magic she does not know she possesses but which affects almost all who encounter her. Presiding over a luxurious chocolate house where men go to be seen, exchange news and indulge in the sweet and heady drink to which they have become addicted, Rosamund feels blessed. But disaster strikes, and Rosamund stands on the brink of losing all she has worked so hard to achieve.

Michelangelo's Sistine Chapel ceiling is one of the most iconic masterpieces of the Renaissance. Here, in Raphael, Painter in Rome, Storey tells of its creation as never before: through the eyes of Michelangelo's fiercest rival - the young, beautiful, brilliant painter of perfection, Raphael. Orphaned at age 11, Raphael is determined to keep the deathbed promise he made to his father: become the greatest artist in history. But to be the best, he must beat the best, the legendary sculptor of the David, Michelangelo Buonarroti.

When the predator becomes the prey… blood will run in the gutters of Tudor London. Myles Devereux rules the streets. A ruthless gangster in the lawless underbelly of Tudor London, he controls the brothels, the taverns, the enforcers—and everyone knows not to cross him. But someone just did. His bookkeeper turns up dead. His debtors are being picked off one by one. And now the sheriff’s men are at his door, accusing him of the murders. Then Richard Fitzwarren, the Queen’s cold-eyed emissary, brings worse: a heresy charge—and death by fire This is no random attack. It’s a setup. ...

Perfect for fans of Patrick O'Brian, Bernard Cornwell and swashbuckling adventure during the great Age of Sail: To the Eastern Seas is the 22nd novel in Julian Stockwin's acclaimed Thomas Kydd series. With Bonaparte held to a stalemate in Europe, the race to empire is now resumed. Britain's ambitions turn to the Spice Islands, the Dutch East Indies, where Admiral Pellew has been sent to confront the enemy's vastly rich holdings in these tropical islands. Captain Sir Thomas Kydd joins reinforcements to snatch these for the British Crown.

The daughter of a wealthy merchant, Anneke Sheldrake suddenly finds her family bankrupted when her father’s ship is swept away at sea. Forced to find a way to provide for herself and her siblings, Anneke rejects an offer of marriage from a despised cousin and instead turns to her late mother’s family business – brewing ale. Armed with her mother’s recipes, she then makes a bold deal with her father’s aristocratic employer, putting her home and family at risk.

"A superb action piece ... Worth has a future in this type of writing." - Nevil Gibson, NBR Review "Shocking, tragic, maddening and uplifting – all at once." - Pauline Moore "This book is a tour de force! It really is a triumph..." - Rob Haslett "A must-read. Five out of five stars." - Ross Parry "An engrossing book." - Steve Tilleyshort ATHENS, APRIL 1941. Adolf Hitler has conquered most of Europe, and he’s now turning his attention to the Balkans. The unstoppable Wehrmacht is unleashed on Greece. Standing in its way, on the imposing slopes of Mount Olympus, sacred home of the ancient ...

An exhaustively researched novel weaves both historical fact and plausible fiction in bringing the story of Mary Queen of Scots to life.

Published to great acclaim in 1873, Walter Pater’s compendium of idiosyncratic, impressionistic essays on the Renaissance gained him a reputation as a daring modern philosopher. Oscar Wilde called it the “holy writ of beauty.” It was Pater’s cry of “art for art’s sake” that became the manifesto for the aesthetic movement. He believed that art should be sensual and that beauty should rank as the highest ideal. Marked by elegant fluency, Pater’s essays discuss Botticelli, Michelangelo, Leonardo da Vinci, and other artists who, for him, embodied the spirit of the Renaissance.

Defiant, eloquent, and thoroughly modern, Claude McKay’s early collection of celebrated poems is widely recognized as having helped to spark the Harlem Renaissance. In Harlem Shadows, McKay gives precise and poignant expression to the injustices of white oppression in many forms. He also paints a vivid picture of Harlem at the dawn of its rebirth and shows the tremendous vitality of the neighborhood as well as the many threats it faced.

The newly-married couple welcome the doomed queen into their home, certain that serving as her hosts and jailers will bring them an advantage in the cutthroat world of the Elizabethan court. To their horror, they find that the task will bankrupt them, and as their home becomes the epicenter of intrigue and rebellion against Elizabeth, their loyalty to each other and to their sovereign comes into question.

John Tradescant’s fame and skill as a gardener are unsurpassed in 17th-century England, but it is his clear-sighted honesty and loyalty that make him an invaluable servant. As an informal confidant of Sir Robert Cecil, adviser to King James I, he witnesses the making of history, from the Gunpowder Plot to the accession of King Charles I and the growing animosity between Parliament and court.