Renaissance Europe

Most historians credit the city-state of Florence as the starting place of the Italian Renaissance, a process carried out through the patronage and commission of artists during the late 12th century. If Florence is receiving its due credit, much of it belongs to the Medici family, a Florentine dynasty that ruled at the height of the Renaissance. Both Leonardo and Michelangelo were members of Lorenzo de Medici's court. The famous leader, who also considered himself an artist and poet, became known for securing commissions for the most famous artists of the age.

Renaissance politics unfolded against a background of warring city states in Northern and Central Italy. Humanism, which developed at the same time, was a pervasive program to revive the culture, literary legacy, and moral philosophy of classical antiquity. Some important centers of humanism were Florence, Naples, Rome, Venice, and Genoa.

"And they lived happily ever after." In fairy tales, that's always how things end. The prince and princess ride away on his white horse and from then on, all's right with the world. But what if it wasn't? What if the prince's life didn't suit the princess? What if she felt stifled by life inside the castle walls? Could she tell him? And if she loved him - really loved him - how could she ask him to give up his kingdom?

Leonardo da Vinci has long been celebrated for his consummate genius. He was the painter who gave us the Mona Lisa and The Last Supper, and the inventor who anticipated the advent of airplanes, hot air balloons, and other technological marvels. But what was the connection between Leonardo the painter and Leonardo the scientist?

The English longbow, typically made of yew wood, was one of the most powerful weapons in the Middle Ages that could change the course of battles. Measuring up to six feet in length, this weapon was highly regarded for its power and accuracy—trained archers could accurately shoot their target from over 200 yards.

Si quiere descubrir la cautivadora historia del Renacimiento, siga leyendo..."Renaissance" en francés significa "renacimiento", y es el nombre que se le da en Europa al período comprendido entre los siglos XIV y XVII, cuando hubo un marcado resurgimiento en el arte clásico, la educación, la filosofía, la arquitectura y las ciencias naturales. Una vez más, los antiguos territorios romanos adoptaron los escritos de los antiguos griegos y romanos, y la idea del humanismo. El renacimiento marca el final de la Edad Media y el comienzo de la larga marcha hacia la modernidad.

In every nation, in every era of history, there are inevitably one or two places that become the symbol of the times. Mention Valley Forge to an American and it will immediately conjure up visions of a hard won fight for freedom. Likewise, the word Dunkirk said to a Briton will elicit a sense of both pride and horror at the lives lost and saved at that desperate point in World War II. For the French, and those who study their history, Versailles is a symbol of, as Charles Dickens once put it, "the best of times...the worst of times."

The best-selling author of Brunelleschi's Dome and Michelangelo and the Pope's Ceiling captures the excitement and spirit of the Renaissance in this chronicle of the life and work of "the king of the world's booksellers" and the technological disruption that forever changed the ways knowledge spread.

Following the fall of Rome in 476 CE, the entire dynamic of Europe underwent a complete shift in power and culture. The Dark Ages was an interesting period of about six centuries, and during it, Europe was still trying to figure out what it was and how it would survive the chaos that followed the fall of Rome.

Voyages of discovery, inventions, the revival of classical learning, and the advent of science contributed to the intellectual upheavals of this creative period, and are reflected in its literature and art. Hudson focuses on the one thread of continuity that he sees as both the seed and the fruit of this exciting era: the awakening of secular humanism and the emergence of the individual. This history gives the listener a lucid, perceptive analysis of the splendid Renaissance.

Henrietta Maria is the most reviled consort to have worn the crown of Britain's Three Kingdoms. Condemned as that 'Popish brat of France', a 'notorious whore' and traitor, she remains in popular memory the wife who wore the breeches and turned her husband Catholic—so causing a civil war—and a cruel and bigoted mother. Leanda de Lisle's White King was hailed as 'the definitive modern biography about Charles I' (Observer). Here she considers Henrietta Maria's point of view, unpicking the myths to reveal a very different queen.

Esta historia de los Reyes Católicos, que no solo se centra en los aspectos más curiosos y extravagantes de su reinado, trae una visión renovada y amena sobre la vida de los monarcas y todo lo que les rodeó desde que eran solo unos niños. Sus relaciones familiares, su educación, su llegada al trono y la construcción de las bases de un imperio que perduraría durante varios siglos tras el descubrimiento de América.

In Fatal Rivalry, George Goodwin, the best-selling author of Fatal Colours, captures the vibrant Renaissance splendor of the royal courts of England and Scotland, with their unprecedented wealth, innovation, and artistic expression. Five hundred years after this decisive battle, Fatal Rivalry combines original sources and modern scholarship to recreate the royal drama, the military might, and the world in transition that created this bitter conflict.

England, July 1540: it is one of the hottest summers on record, and the court of Henry VIII is embroiled once again in political scandal. Anne Cleves is out. Thomas Cromwell is to be executed and, in the countryside, an aristocratic teenager named Catherine Howard prepares to become fifth wife to the increasingly unpredictable monarch.

Mary Boleyn, ‘the infamous other Boleyn girl’, began her court career as the mistress of the king of France. François I of France would later call her ‘The Great Prostitute’ and the slur stuck. Mary would emerge the sole survivor of a family torn apart by lust and ambition, and it is in Mary and her progeny that the Boleyn legacy rests.

Although Genoa cannot compete in the popular imagination with some of Italy’s more famous cities, this busy port town perched above the sea once boasted a powerful empire that rivaled that of Venice. It also lasted for roughly the same time period, rising in the early Middle Ages and coming to an end at the hands of Napoleon Bonaparte near the end of the 18th century. Today, historians are starting to correct the imbalance that has focused on Venice, Florence, and Rome, and new histories are gradually introducing Genoa to the world, even as much remains to be uncovered.

Leonardo da Vinci’s notebooks are mind-boggling evidence of a 15th-century scientific genius standing at the edge of the modern world, basing his ideas on observation and experimentation. This book will change children’s ideas of who Leonardo was and what it means to be a scientist.

Who are the Medici brothers? And who is trying to assassinate them? Why was the Pitti Palace never completed? And what part did Leonardo play in all of this? Leonardo da Vinci is remembered as an artist and inventor. But who was he before anyone knew his name? This family-friendly novel explores the history and the legends of his early years in Florence. It also weaves a mystery of politics and power.

On August 22, 1485, at Bosworth Field, Richard III fell, the Wars of the Roses ended, and the Tudor dynasty began. The clash is so significant because it marks the break between medieval and modern; yet how much do we really know about this historical landmark? Michael K. Jones uses archival discoveries to show Richard III's defeat was by no means inevitable and was achieved only through extraordinary chance. He relocates the battle away from the site recognized for more than 500 years.

Scholars suggest the Renaissance started with the first scientific study of perspective. It was introduced in a treatise named De pictura, published in 1435. The author was Leon Battista Alberti (1404-1472). He was an Italian polymath.