Religious Drama

At the end of his life, St. Francis reflects on all that took place during his life. Historically correct, a play that takes St. Francis out of the birdbath. A drama in two acts.

संत नामदेवाची पायरी - संत शिरोमणी नामदेव महाराज यांच्या अवतार कार्यातील काही प्रसंगांचे समग्र कीर्तन.

Di e con Dario Fo e Franca Rame. Messo in scena dalla Compagnia Teatrale Fo Rame Musiche di Fiorenzo Carpi Introduzione di Jacopo Fo. Era inevitabile che prima o poi Dario Fo approdasse al circo, non inteso come puro spettacolo di evasione nell'irrazionale o nel fiabesco, ma reinterpretato secondo il suo solito anche a fini di protesta e di contestazione sociale. Va in scena per la prima volta nel 1967. La registrazione dalla quale è stato estratto l'audio è del 1977.

Falling against the backdrop of Scandinavia's conversion to Christianity, book one of this triology begins on a farm in Viking-Age Norway. The tale is seen through the eyes of a young farm girl named Helga who is based on an original character in the antiquated Egil's Saga. Moving chapter by chapter the listener is propelled into the epic adventures of Helga's enchanting life as they experience with her relationships, love, loss, faith, religion, and politics. The saga continues in books two and three to a finale that no one - even Helga, could ever have imagined.

Das 1896 entstandene Stück greift auf einen zwar zeitbeschränkten Stoff zurück, der aber gerade in den wunderbar zarten Liebesszenen ins zeitlos Dichterische erhoben ist. Das Drama spielt im 16. Jahrhundert während der französischen Glaubenskriege; die Handlung beruht auf historischen Tatsachen, wobei sich Romain Rolland bisweilen sogar darauf beschränkt, geschichtlich überlieferte Texte wörtlich wiederzugeben. In dem historischen Rahmen spielt sich die erschütternde Liebestragödie eines neunzehnjährigen Mädchens, Johanna von Piennes, ab.

This is a two-act, simulated live theatrical production of the story of the ministry, passion, death, and resurrection of Jesus of Nazareth from the point of view of one of His closest friends, the Apostle Simon Peter. As the author/actor, I'd very much like to discourage anyone from simply listening to the script. This is intended to be a full theatrical, emotional, educational, and inspiring evening of reflection on the ministry, passion, death, and resurrection of Christ.

We are imperfect, but we are perfectly loved because we are God’s child. He wants to heals our hurts, remove our shame, and calm our fears. Like Mephibosheth, we don’t need to hide in a low place like Lo-debar, because our king wants to raise us high.

When devastating circumstances rid a family of their house at Christmas time, Danny is forced to make a tough decision: going back home. While many families do the same, it has been five years since Danny has seen his mother, and they did not part on the best of circumstances. But now, he is being called to spend the holidays with family, whether he wants to or not.

A dramatic monologue performed by Charles D. Baker. St. John is reflecting on his life in the company of friends and well-wishers during his last day on Earth. This is a beautiful devotion to a humble, holy man. St. John recalls and recites scriptures from the Old and New Testaments. Mr. Baker tours this production as well as his others on the lives of St. Paul and St. Francis of Assisi.