Regency Cozy

Es ist eine allgemein anerkannte Wahrheit, dass jeder gute Kriminalroman eine brillante Detektivin braucht... Im wunderbar atmosphärischen historischen Krimi »Miss Austen ermittelt. Die glücklose Hutmacherin« löst die junge Jane Austen ihren ersten Fall. Eigentlich will die 20-jährige Jane Austen den Ball in Deane House dazu nutzen, ihren Geliebten Tom Lefroy endlich zu einem Heiratsantrag zu bewegen. Doch plötzlich ist alle Romantik beim Teufel: In einem Wäscheschrank wird die Leiche einer Frau gefunden!

OPERAS CAN BE DEADLYIn the cobblestone streets of Vienna, rumors of a musical treasure draw out a killer. . . Kapellmeister Joseph Haydn is busy preparing for the opera season when he receives an urgent request from Vienna. An impoverished violinist with bills to pay wants Haydn to examine his bequest—a collection of scores so valuable they could wipe out his debts. A collection reputed to be the long-lost works of the Italian master of opera Monteverdi. Haydn agrees to help, but remains skeptical. Until Kaspar is murdered—beaten and left to die in front of a wine tavern. The police ...

When murder invades Haydn's opera stage, scandal isn't far behind . . . Charged with ensuring that an imperial wedding transpires without mishap, composer Joseph Haydn has his hands full. Barely seventeen, Archduke Ferdinand Karl, the imperial bridegroom, is reluctant to marry. And the bride, Maria Beatrice, has her reservations as well. But when an extortion note surfaces—an unpleasant reminder of the bridegroom's shameful past—the wedding seems truly doomed. Worse still, all the evidence points to Haydn's prima donna, Lucia Pacelli, being the blackmailer. Before Haydn can confront her...

When murder propels him backstage, Haydn is forced to confront a deadly killer. . . When the Burgtheater’s impresario unexpectedly meets his maker, Joseph Haydn is relieved to learn no one expects him to look into the matter. The impresario was murdered—and the Salzburger believed to be the killer is already behind bars. But the impresario’s untimely death is not without consequences. Haydn’s employer insists he take over the dead man’s duties. Handling the tedious technical details of putting on an opera is bad enough. Confronting the suspicious behavior backstage is even worse. ...