Radio History

Friendships, for many of us, are at the very centre of our daily existence and identity. Yet it hasn't always been this way. Our modern view of what makes a friend is shaped by centuries of political and social upheaval. In this landmark study, Dr Thomas Dixon considers both the differences and similarities between friendships in history and those we experience today.

This essay comes from the NPR series This I Believe, which features brief personal reflections from both famous and unknown Americans. The pieces that make up the series compel listeners to rethink not only what and how they have arrived at their beliefs, but also the extent to which they share them with others.

Scripting Empire recovers the literary and cultural history of West Indian and West African writing at the BBC in order to rethink the critical mid-century decades of shrinking British sovereignty, late modernism, and mass migration to the metropole. Scripting Empire works comparatively across dozens of different programs spanning the General Overseas Service, Home Service, Light Program, and Third Program.

This essay comes from the NPR series This I Believe, which features brief personal reflections from both famous and unknown Americans. The pieces that make up the series compel listeners to rethink not only what and how they have arrived at their beliefs, but also the extent to which they share them with others.

This essay comes from the NPR series This I Believe, which features brief personal reflections from both famous and unknown Americans. The pieces that make up the series compel listeners to rethink not only what and how they have arrived at their beliefs, but also the extent to which they share them with others.

This essay comes from the NPR series This I Believe, which features brief personal reflections from both famous and unknown Americans. The pieces that make up the series compel listeners to rethink not only what and how they have arrived at their beliefs, but also the extent to which they share them with others.

This essay comes from the NPR series This I Believe, which features brief personal reflections from both famous and unknown Americans. The pieces that make up the series compel listeners to rethink not only what and how they have arrived at their beliefs, but also the extent to which they share them with others.

This essay comes from the NPR series This I Believe, which features brief personal reflections from both famous and unknown Americans. The pieces that make up the series compel listeners to rethink not only what and how they have arrived at their beliefs, but also the extent to which they share them with others.

This book is a unique inquiry into the history and the ongoing moral significance of mass communication as an idea and social form. Organized around narrative accounts of individuals and their communicative worlds, it strives to refigure mass communication as a concept, illuminate significant but overlooked rhetorical episodes in its history, and call listeners to reconsider their own engagements with it today.

Insightful, incisive and enlightening, the first volume of Simon Callow's comprehensive biography of Orson Welles. Now in abridged audio, Callow's vastly entertaining chronicle of Welles's first 26 years seems even finer than it did in 1995. The author's ability to skewer his subject's evasions and lies while retaining critical affection for him is perhaps explained by the fact that Callow, an actor himself, understands the need to mythologise. Welles's innovative theatrical work in the 1930s has never been better described or analysed.

This essay comes from the NPR series This I Believe, which features brief personal reflections from both famous and unknown Americans. The pieces that make up the series compel listeners to rethink not only what and how they have arrived at their beliefs, but also the extent to which they share them with others.

Bei einer Familienfeier versteckt sich Emilia mit ihrem besten Freund Joschi unter der Festtafel. Von dort unten aus gesehen ist die Welt eine lange schmale Höhle, die von Tisch- und Menschenbeinen begrenzt wird. Die Gespräche klingen dumpfer, aber Emilia und Joschi hören genau, worüber die Erwachsenen sich unterhalten: über die Mauer. Für die Kinder ist vieles unerklärlich. Es fängt schon bei Begriffen an, die sie merkwürdig oder sogar gruselig finden und im Spiel, für sich, zu begreifen versuchen.

This essay comes from the NPR series This I Believe, which features brief personal reflections from both famous and unknown Americans. The pieces that make up the series compel listeners to rethink not only what and how they have arrived at their beliefs, but also the extent to which they share them with others.

This essay comes from the NPR series This I Believe, which features brief personal reflections from both famous and unknown Americans. The pieces that make up the series compel listeners to rethink not only what and how they have arrived at their beliefs, but also the extent to which they share them with others.

Information Please, the popular radio quiz program that played experts for fall guys, was capital, dependable, adult radio fun for more than a decade (1938-1952). The fast-cracking experts John Kieran, omniscient sports columnist for the New York Times; Franklin Pierce Adams, New York Post columnist; Oscar Levant, composer, pianist, gag-stacked Broadway farer were acknowledged by listeners as the most knowing of know-it-alls.

14 November, 2012 marks the 90th anniversary of the BBC's first-ever broadcast and the beginning of the British love affair with radio. This fascinating book takes as its starting point those early, tentative programmes broadcast from Marconi House on the Strand, and follows the story of those magical radio voices through the years of economic depression, war and austerity, to the swinging 60s and up to the digital era. Above all, it celebrates the great, the forgotten and the notorious voices of radio from the last nine decades, and the programmes they made famous.

Despite the all-pervading influence of television an astonishing 90 percent of people in Britain still listen to the radio, clocking up over a billion hours of listening between us every week. In Last Train to Hilversum Charlie Connelly explores the place of radio in our world, taking stock of the history of the medium and celebrating its role as one of the very few genuinely shared national experiences.

This essay comes from the NPR series This I Believe, which features brief personal reflections from both famous and unknown Americans. The pieces that make up the series compel listeners to rethink not only what and how they have arrived at their beliefs, but also the extent to which they share them with others.

This essay comes from the NPR series This I Believe, which features brief personal reflections from both famous and unknown Americans. The pieces that make up the series compel listeners to rethink not only what and how they have arrived at their beliefs, but also the extent to which they share them with others.

What a time it was. Suddenly, all across Nottingham, the UK's ninth biggest city, transmitters were crackling into life with another kind of voice, another kind of sound. In a way, we were back to the '60s. And in a way, we weren't. It all happened in the city of Robin Hood; but it could have been anywhere in the UK, where similar stories were being played out by like-minded individuals who were starting to realize that something was very, very wrong.... Make no mistake. This is the story of a revolution.