Psychological Anthology

En la ciudad de Mordasoff, Marya Aleksandrovna Moskalyova, una ambiciosa mujer, intenta casar a su hija Zina, de veintitrés años con el adinerado y noble anciano Príncipe "K", quien tras haber volcado su carruaje pasa por la casa en la que ellas viven para que le asistan. Zina es considerada mayor para estar soltera y, entre las razones que explican por qué aún no se ha casado, la principal es el siniestro rumor sobre algunas extrañas relaciones que tuvo hace un año y medio con un pobre maestro de la escuela del distrito.

Marlene has a problem. But is her problem her boyfriend Rick, or the large spider that has invaded her space? This short story is to raise awareness of domestic violence in all its forms: physical, emotional, sexual, and financial abuse.

Edgar Allan Poe proposed that “the boundary line between instinct and reason is of a very shadowy nature” (1840). With its 21 stories of serial killers and sociopaths, fixations and fetishes, breakdowns and bad decisions crafted by authors as diverse as their writing styles, Shadowy Natures leads fans of psychological horror down dark and treacherous roads to destinations they will be too unsettled to leave.

Lee Smith, one of today's finest writers in the Southern literary tradition, has been compared to Eudora Welty and Flannery O'Connor. This collection of nine stories, ranging from poignant ballads to delightfully inventive forms, showcases Smith's celebrated talent. The stories will make you chuckle and leave you with a satisfying sense that no matter how unruly or warped life may seem, equilibrium can be found after all.

"Sur le quai de la gare, un chat noir croise obliquement leur chemin. Elle déteste les chats. Plus encore les chats noirs."

For the literature lovers, we have collected almost all genres of short-stories in one book. You can fall in love or read suspense stories that will keep you on the edge, or you can evade in another world with a fantastic story. You can be challenged by psychological stories, and experience sadness with our tragic narratives, or you can laugh along with our humorous stories. Writers from all over the world brought their contribution to this amazing story collection. Enjoy!

Otra vez habían llegado las mismas estaciones mortuorias y aburridas de cada año al pueblo de Tulluc (Francia) de 1800. Todos se perdían en sus interminables rutinas mediocres, los mismos días, los mismos rostros, los mismos excesos sodomitas, toda una copia de la copia del pasado. Para el viejo Turett que había vivido en ese pueblo por 55 años, aquello era pan de cada día, pero no para su hermosa hija Minerve de 16 primaveras, que añoraba viajar a todas las ciudades de Francia, para conocer el amor.

In the final years of his life, Chekhov produced some of the stories that rank among his masterpieces and some of the most highly regarded works in Russian literature. With the works collected here, Chekhov moved away from the realism of his earlier tales - developing a broader range of characters and subject matter, while forging the spare minimalist style that would inspire such modern short-story writers as Ernest Hemingway and William Faulkner. Please note: This audiobook is in Russian.

From 14 best-selling authors comes a new crime thriller anthology guaranteed to keep you up all night.

In this volume our authors explore the terrors of the mind rather than the horrors of reality, although with their pens the difference makes little difference. We twist this way and that as their talents shape our path towards endings of the nerve-shredding kind.

When forensic psychiatrist Abigail Lee meets a baby-killing mother who has been declared criminally insane and acquitted, she discovers something lurking beneath the surface. Something far deeper and more insidious than mere psychopathy. But can she come to terms with her own struggle with science and faith in time to confront it?

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Human beings are, in the main, social animals, they like to gather, to herd together, to share experiences. But some do not. Either through choice or exclusion their way forward is difficult. In this volume our authors and their characters share their stories.

A young man treads delicate emotional waters as he navigates a series of sexually fraught encounters with two dancers in an open relationship, forcing him to weigh his vulnerabilities against his loneliness. In other stories, a young woman battles with the cancers draining her body and her family, menacing undercurrents among a group of teenagers explode in violence on a winter night, a little girl tears through a house like a tornado, driving her babysitter to the brink and couples feel out the jagged edges of connection, comfort and cruelty.

Maxim Osipov, who lives and practices medicine in a town 90 miles outside Moscow, is one of Russia’s best contemporary writers. In the tradition of Anton Chekhov and William Carlos Williams, he draws on his experiences in medicine to write stories of great subtlety and striking insight. Osipov’s fiction presents a nuanced, collage-like portrait of life in provincial Russia - its tragedies, frustrations, and moments of humble beauty and inspiration. The 12 stories in this volume depict doctors, actors, screenwriters, teachers, entrepreneurs, political bosses, and common criminals.

Elizabeth Haynes' new psychological thriller is a brilliantly suspenseful and shocking story in which nothing is at it seems, but everything is at stake. Sarah Carpenter lives in an isolated farmhouse in North Yorkshire, and for the first time after the death of her husband some years ago and her children, Louis and Kitty, leaving for university, she's living alone. But she doesn't consider herself lonely. She has two dogs, a wide network of friends and the support of her best friend, Sophie.

Romantic comedy, light and slightly awkward by Henry James with his characteristic observations of character, motivations and relationships. Two young men, best friends, deeply interested in the same woman. The background is Europe at the turn of the century and the world of ex-pats. With time and several countries, they each discover love.

Nothing is quite as it seems in this collection of eleven dazzling stories. We meet a queen who makes a bargain she cannot keep; a secretary who watches over the life she has just left; a man who bets on a horse that may—or may not—have spoken to him. Everything that audiences love about the novels of Kate Atkinson is here: the inventiveness, the verbal felicity, the sharp observations on human nature and the deeply satisfying emotional wallop.

Vier literarische Juwelen, die unseren ständigen Krieg zwischen Gut und Böse ins Extreme treiben. SCHNAPPSCHUSS ist die verstörende Geschichte eines Jungen, der von einem brutalen Schläger bedroht wird. Dieser besitzt eine Sofortbildkamera, die Erinnerungen löscht, Schnappschuss für Schnappschuss... In GELADEN stoppt der Sicherheitsbeamte eines Einkaufszentrums mutig eine Amokläuferin und wird zum Helden der modernen Waffenrechtsbewegung. Doch als eine Reporterin die wahren Hintergründe der Geschichte aufdeckt, dreht der Beamte durch.

Este es un relato corto de Franz Kafka que explora la naturaleza de la pasión, el sufrimiento y la búsqueda de la perfección artística. La historia sigue a un artista del hambre que se presenta como un espectáculo de entretenimiento para el público. A medida que la historia avanza, se revela la verdadera naturaleza de su arte: ayunar hasta la muerte. A pesar del sufrimiento extremo y la agonía física, el artista se aferra a su arte como una expresión de su identidad y su devoción absoluta a su oficio.

El narrador intenta convencernos de su salud mental, diciéndonos que lo único que le pasa es que es un poco nervioso porque todos sus sentidos están extremadamente sensibilizados. El anciano con el que vive tiene un ojo azul que está velado, al que nuestro narrador describe como un ojo de buitre. El anciano realmente le cae bien pero odia el ojo de buitre....Hasta tal punto llega a odiar ese ojo que se convierte en una obsesión enfermiza, que le hace imposible no pensar en otra cosa que no sea planificar el asesinato del anciano.