Popular Literature

There's a new guidance counselor at Bailey Elementary School and he's giving the kids the creeps. No one understands why his skin is so pale, why he hides from the sun, or why his skin is deathly cold to the touch. But Counselor Drake couldn't really be Count Dracula, could he?

A collection of non-fiction essays about the counter-culture of the 1960s that dives deep into the issues that marked the era: female empowerment, increasing freedom around sexuality, vibrant subcultures, and the rise of psychedelic drugs. In this sprawling work, Wolfe profiles Playboy founder Hugh Hefner and compares him to Jay Gatsby, interviews one of the first women to get breast implants, and hangs out with freewheeling surfers (aka The Pump House Gang).

The Cocaine Chronicles contains tough tales by a cross-section of today's most thought-provoking writers. Featuring brand-new stories by: Susan Straight, Lee Child, Laura Lippman, Ken Bruen, Jerry Stahl, Nina Revoyr, Bill Moody, Emory Holmes II, James Brown, Gary Phillips, Jervey Tervalon, Kerry E. West, Donnell Alexander, Deborah Vankin, Robert Ward, Manuel Ramos, and Detrice Jones.

Mr Punch Presents: It’s a Wonderful Life, the irresistibly heart-warming story of George Bailey, who is prevented from committing suicide by the elderly angel Clarence, who takes him on a journey back through his life to show him how the town of Bedford Falls would have been had he never lived. Originally directed by the celebrated Frank Capra, it is performed here for radio with James Stewart, Victor Moore and Donna Reed recreating their original roles.

Over 50 years, Charles M. Schulz created a comic strip that is one of the indisputable glories of American popular culture. Some 20 years after the last strip appeared, the characters Schulz brought to life in Peanuts continue to resonate with millions of fans, their beguiling four-panel adventures and television escapades offering lessons about happiness, friendship, disappointment, childhood, and life itself. Here, 33 writers and artists reflect on the deeper truths of Schulz’s deceptively simple comic, its impact on their lives and art and on the broader culture.

What is it like to grow up Aboriginal in Australia? This anthology, compiled by award-winning author Anita Heiss, showcases many diverse voices, experiences and stories in order to answer that question. Accounts from well-known authors and high-profile identities sit alongside those from newly discovered writers of all ages. All of the contributors speak from the heart - sometimes calling for empathy, oftentimes challenging stereotypes, always demanding respect.

Seventeen-year-old Sally Spitz is done with dating. Or at least, she's done with the horrible blind dates/hookups/sneak attacks her matchmaking bestie, Hooker, sets her up on. There's only so much one geek girl and Gryffindor supporter can take. Her solution: she needs a fake boyfriend. And fast. Enter Becks, soccer phenom, all-around-hottie, and Sally's best friend practically since birth. When Sally asks Becks to be her F.B.F. (fake boyfriend), Becks is only too happy to be used.

Charles-Marie Gustave Le Bon (1841 - 1931) was a French polymath who wrote on anthropology, psychology, sociology, medicine, and physics. He is best known for his 1895 work The Crowd: A Study of the Popular Mind’, which is considered a seminal work of crowd psychology. In the book, Le Bon identifies the primary characteristics of crowd psychology as impulsiveness, irritability, incapacity to reason, the absence of critical judgement, and the exaggeration of feelings.

When a group of short construction workers begins building a school playground, Lisa begins to suspect that they are really Christmas elves, but Melody and Howie think Lisa has an overactive imagination.

Turn Around Bright Eyes picks up Sheffield’s story right after Love Is a Mix Tape. He is a young widower devastated by grief, trying to build a new life in a new town after his wife’s death. As a writer for Rolling Stone, he naturally takes solace in music. But that’s when he discovers the sublime ridiculousness of karaoke, and despite the fact that he can’t carry a tune, he begins to find his voice.

What was the real significance of William James's breakdown? Of the anti-Semitism in T.S. Eliot's writing? At each step in his latest journey through American cultural history, Menand has an original point to make.

From her well-remembered New Yorker essays about the financial demands of big-city ambition and the ethereal, strangely old-fashioned allure of cyber relationships to her dazzlingly hilarious riff in Harper's about musical passions that give way to middle-brow paraphernalia, Daum delves into the center of things while closely examining the detritus that spills out along the way. With precision and well-balanced irony, Daum implicates herself as readily as she does the targets that fascinate and horrify her.

A fabulously entertaining audiobook from the ultimate authority on those almost believable tales that always happen to a "friend of a friend". Alligators in the sewers? A pet in the microwave? A tragic misunderstanding of the function of cruise control? No, it didn't really happen to your friend's sister's neighbor: It's an urban legend. And no matter how savvy you think you are, you are sure to find in this collection of more than 200 tales at least one story you would have sworn was true.

The plucky “titian-haired” sleuth solved her first mystery in 1930 - and eighty million books later, Nancy Drew has survived the Depression, World War II, and the sixties (when she was taken up with a vengeance by women’s libbers) to enter the pantheon of American culture. As beloved by girls today as she was by their grandmothers, Nancy Drew has both inspired and reflected the changes in her readers’ lives. Here, in a narrative with all the page-turning pace of Nancy’s adventures, Melanie Rehak solves an enduring literary mystery: Who created Nancy Drew?

Fast-talking, warm-hearted, and endlessly rewatchable, Gilmore Girls has bonded real-life mothers and daughters since 2000, when its iconic pilot introduced us to Lorelai, Rory, and their idyllic Connecticut town of Stars Hollow. More than twenty years later, it has become one of the most-streamed TV shows, ever. In an anthology as intimate and quick-witted as Gilmore Girls itself, bestselling author Ann Hood invites fifteen writers to investigate their personal relationships to the show.

The music that would come to be known as hip-hop was born at a party in the Bronx in the summer of 1973. Now, fifty years later, it’s the most popular music genre in America. Just as jazz did in the first half of the twentieth century, hip-hop and its groundbreaking DJs and artists—nearly all of them people of color from some of America’s most overlooked communities—pushed the boundaries of music to new frontiers, while transfixing the country’s youth and reshaping fashion, art, and even language.

Descubre con tus hijos los 25 cuentos más conocidos de España. Una selección de las historias más impactantes para descubrir la historia de España y sus raíces. Lo mejor de las tradiciones y las costumbres españolas para los más pequeños con música de banda sonora, voces de cine y efectos de sonido. Son perfectos tanto para escuchar en casa antes de dormir como en el coche.

The ever-suspicious students at Bailey School lose control of their imaginations again when they meet new school nurse Mrs. Redding, who they come to believe is a Martian spying on Earth kids.

It's 1991, and Tara Maureen Murphy is finally on top. A frightening cross between Regina George and Tracy Flick, Tara Maureen Murphy is any high school's worst nightmare. She's a senior, poised to star as Sandy in South High's production of Grease. Cinching the role is just one teensy step in Tara's plot to get out of her hometown and become the Broadway starlet she was born to be. It gets tricky with the arrival of freshman Matthew Bloom, whose dazzling audition for the role of Danny Zuko turns Tara's world upside down.

We All Tell Stories: A Philosophical Indictment of the Myth-Maker's Art Thomas G. Jewusiak’s We All Tell Stories arrives not with a trumpet but with a scalpel. It does not announce itself—it intervenes. It contains no filler, no ornamental excess. Instead, it strikes with precision at the soft tissue of cultural storytelling, challenging the reader to examine how stories manipulate, mask, and even metabolize the truths we would rather not face. In a literary culture saturated with self-congratulatory memoirs, sanitized social critiques, and market-tested narratives, We All Tell Stories ...