Popular History

America in the 1920s was a place of drama, tension and hedonism. It glittered and seduced: jazz, flappers, the birth of Hollywood, and a glamorous gangster- led crime scene flourishing under prohibition. But it was also punctuated by momentous events such as the political show trials and the huge Ku Klux Klan march. But it also produced a splendid array of writers, musicians and film stars, from F. Scott Fitzgerald to Bessie Smith and Charlie Chaplin.

Have you ever pondered... What led to the creation of the humble sandwich? Why does chocolate have that irresistible allure? What's the story behind our morning cup of coffee? Like the ever-curious, you've perhaps questioned the origins of these everyday items on your plate. Prepare yourself for an enlightening journey as you uncover your favorite foods' unexpected and perhaps slightly peculiar history.

In this new and expanded edition of Nelson George's classic cultural study, contemporary Black culture is chronicled through essays on music, film, sports, publishing, politics, and city life, both uptown and down. Buppies enter nearly every arena of the Black urban USA: roisterous rappers and legendary hoopsters, streetwise hustlers and influential filmmakers, unsung musicians and drug dealers at work.

Kerrang! has an unparalleled reputation as one of the world's best-loved rock-focused publications. It continues to be at the forefront of alternative music, flying the flag for metal, hardcore, punk and beyond, introducing millions to their new favourite bands. Anyone who's anyone in the metal scene has featured Kerrang!'s hallowed pages and this unique book chronicles these appearances. If it happened in metal, Kerrang! covered it, as confirmed in this year-by-year survey of alternative music.

Why is the athlete so important to us? Few public figures can dominate the public imagination with such power and authority. Drawing from art, literature, politics, and history, Something like the Gods explores the powerful grip the athlete has always held on the Western imagination. Amidon examines the archetype of the competitor as it evolved from antiquity to the present day, from athlete-warriors such as Achilles and Ulysses to global media icons like Ali, Jordan, and Tiger Woods.

Among all life on Earth, we alone experience rich moral emotions, follow complex rules governing how we treat one another, and engage in moral dialogue. But how did human morality evolve? And can humans become morally evolved? In A Better Ape, Victor Kumar and Richmond Campbell draw on the latest research in the biological and social sciences to explain the key role that morality has played in human evolution.

Florence Maybrick was the first American woman to be sentenced to death in England - for murdering her husband, a crime she almost certainly didn't commit. Her 1889 trial was presided over by an openly misogynist judge who was later declared incompetent and died in an asylum. Hours before she was to be hanged, Queen Victoria reluctantly commuted her sentence to life in prison. In her opinion, a woman who would commit adultery, as Maybrick had admitted, would also kill her husband. Her children were taken from her; she never saw them again. Her mother worked for years to clear her name.

During its heyday, the Chelsea Hotel in New York City was a home and safe haven for Bohemian artists, poets, and musicians such as Bob Dylan, Gregory Corso, Allen Ginsberg, Janis Joplin, and Dee Dee Ramone. This oral history of the famed hotel peers behind the iconic facade and delves into the mayhem, madness, and brilliance that stemmed from the hotel in the 1980s and 1990s.

America is a country built by thinkers on a foundation of ideas. Alongside classic works of philosophy and ethics, however, our presidents have been influenced by the books, movies, TV shows, viral videos, and social media sensations of their day. In What Jefferson Read, Ike Watched, and Obama Tweeted: 200 Years of Popular Culturen in the White House presidential scholar and former White House aide Tevi Troy combines research with witty observation to tell the story of how our presidents have been shaped by popular culture.

If there is an enemy in the War on Drugs, it is people of color. That is the lesson of forty years of cultural production in the United States. Popular culture, from Scarface and Miami Vice to Narcos and Better Call Saul, has continually positioned Latinos as an alien people who threaten the US body politic with drugs. Jason Ruiz explores the creation and endurance of this trope, its effects on Latin Americans and Latinx people, and its role in the cultural politics of the War on Drugs.

In Stop Being Reasonable, philosopher and journalist Eleanor Gordon-Smith tells six lucid, gripping stories that show the limits of human reason. From the woman who realised her husband harboured a terrible secret, to the man who left the cult he had been raised in since birth, and the British reality TV contestant who, having impersonated someone else for a month, discovered he could no longer return to his former identity, all of the people interviewed radically altered their beliefs about the things that matter most.

Are Donald Trump's irrationality, cruelty and bombast symptoms of his personality? Is the chaos surrounding him a sign of his incompetence? Are his populism, illiberalism and nationalism just cynical appeals to existing feelings of abandonment, resentment and rage? Lawrence Grossberg shows that the truth is bigger and more frightening. Locating Trumpism in the long struggle among traditional conservatism, the new right and the reactionary right, he suggests that the chaos is far more significant and strategic...and dangerous. .

The national debate over popular music's effect on character is both furious and confused. Conservatives complain primarily about lyrics, appealing to public decency and safety. Liberals, swift to the defense of any self-expression, simultaneously celebrate rock's liberating ethos and deny its cultural influence.

Throughout his career, Johnny Cash was depicted - and depicted himself - as a walking contradiction: social protestor and establishment patriot, drugged wildman and devout Christian crusader, rebel outlaw hillbilly thug and elder statesman. Leigh H. Edwards explores the allure of this paradoxical image and its cultural significance. She argues that Cash embodied irresolvable contradictions of American identity that reflect foundational issues in the American experience.

Nel 1933 viene lanciato nei cinema USA "I tre porcellini" di Walt Disney. Questo piccolo avvenimento segna l'inizio della parabola della cultura mainstream promossa dai film delle majors hollywoodiane, raccolta e amplificata dalla radio e dalla tv. Questo tipo di cultura, basata su un'idea consolatoria dell'intrattenimento, fondata su una visione manichea del bene contro il male e sul must del lieto fine, prende forma allora e mette radici nell'immaginario collettivo dell'Occidente.

At some point in the 1980s we gave up on the future. Before then, we imagined wonderful days to come, free from disease, work and want, in television series like Star Trek or events such as the 1939 Futurama World Fair. When we look ahead now, we tell dystopian stories of environmental collapse, zombie plagues and the end of civilisation. If it is true that we have to imagine the future before we build it, then this is deeply worrying.

Our fears and compulsions often feel like part of our deepest selves—yet they're bound up in the currents of the world around us. This thrilling compendium of 99 phobias and manias, rare and familiar, delves into the obsessions that shape us all. Award-winning author Kate Summerscale takes us from the Middle Ages to the present day, using rich and riveting case studies to trace the links between the private and the public, the personal and the political.

In a long line of beloved books, Loud Pictures stands as Marc Spitz’s final project. This big, broad, noisy, and expansive exploration of art marries the two things Marc loved most—movies and rock and roll. In many ways, films can become imprinted on our brains because of their soundtracks.

One afternoon in the late 1970s, deep in the labyrinthine interior of a massive Gothic tower in New Haven, an unsuspecting employee of Yale University opened a long-locked room in the Payne Whitney Gymnasium and stumbled upon something shocking and disturbing. Shocking, because what he found was an enormous cache of nude photographs, thousands and thousands of photographs of young men in front, side, and rear poses. Disturbing, because the photos looked like the record of a bizarre body-piercing ritual.

In Roadside Americans, Jack Reid traces the rise and fall of hitchhiking, offering vivid accounts of life on the road and how the act of soliciting rides from strangers, and the attitude toward hitchhikers in American society, evolved over time in sync with broader economic, political, and cultural shifts. In doing so, Reid offers insight into significant changes in the United States amid the decline of liberalism and the rise of the Reagan Era.