Popular Culture History

An eight-year-old boy named James, aka the wannabe Cisco Kid, nearly lost his life as he searched for precious metal in a bone dry southwest Arizona gulley. He retrieved only pyrite before a desert flood swept away his world. Over the course of half a century James acquired several additional nicknames. They were reflections of his multiple personalities. His dad called him Traveler or Trav. Some coworkers referred to him as Point Man. A few colleagues labeled him Knowledge Navigator or Nav.

Bella and Edward, and their family and friends, have faced countless dangers and philosophical dilemmas in Stephenie Meyer's Twilight novels. This book is the first to explore them, drawing on the wisdom of philosophical heavyweights to answer essential questions such as: What do the struggles of "vegetarian" vampires who control their biological urge for human blood say about free will? Are vampires morally absolved if they kill only animals and not people? From a feminist perspective, is Edward a romantic hero or is he just a stalker? Is Jacob "better" for Bella than Edward?

Da sempre misuriamo il mondo. Per conoscerlo ed esplorarlo, per viverci, per interagire con i nostri simili. L'umanità misura per conoscere il passato, comprendere il presente, progettare il futuro. Ci sono voluti però millenni perché due rivoluzioni, quella scientifica iniziata con Galileo e quella francese, avviassero il percorso per rendere il sistema di misura condiviso e non più basato su deperibili artefatti umani, ma su elementi invariabili e universali della natura.

The nineteenth century saw the American circus move from a reviled and rejected form of entertainment to the “Greatest Show on Earth.” Circus Life by Micah D. Childress looks at this transition from the perspective of the people who owned and worked in circuses and how they responded to the new incentives that rapid industrialization made possible.

Imagine a world where Beatlemania was against the law - recordings scratched onto medical X-rays, merchant sailors bringing home contraband LPs, spotty broadcasts taped from western AM radio late in the night. This was no fantasy world populated by Blue Meanies, but by the USSR, where a vast nation of music fans risked repression to hear the defining band of the British Invasion. The music of John, Paul, George, and Ringo played a part in waking up an entire generation of Soviet youth, opening their eyes to seventy years of bland official culture and rigid authoritarianism.

What makes Buffy the Vampire Slayer a "brave dame" but Ally McBeal a "wimpette"? In this witty, incisive look at the role of women on screen and page, Susan Isaacs argues that assertive, ethical women characters are losing ground to wounded, shallow sisters who are driven by what she calls, "the articles of wimpette philosophy."

Conceived and developed by Steve Allen, the award winning PBS-TV series Meeting of the Minds brought together the most provocative figures of history of conversation and conflict. In this, the sixth assemblage, the focus is on heroic figures from civil disobedience to the validity of the scientific method.

The hundreds of end-of-time prophecies splashed across the consciousness from the time of clay tablets to our Internet have had something besides hysteria in common: every one of them has been wrong. Here is a survey of three millennia of apocalyptic prophecies, tracing one of the most remarkable threads of our cultural history: our long and unproductive fascination with apocalyptic myths and miracles that can solve our problems without requiring committed action in our own lives.

This is the first study to explore fully the myth of America as reflected in the nation's popular music. Beginning with the songs of the Pilgrims and continuing through more than two centuries of history and music, Born in the U.S.A. shows the emerging American myth and gives a close reading of the compositions of songwriters as diverse as William Billings, Henry Clay Work, Irving Berlin, Woody Guthrie, Bob Dylan, and Bruce Springsteen.

The Beatles: Image and the Media charts the transformation of the Beatles from teen idols to leaders of the youth movement and powerful cultural agents. Drawing upon American mainstream print media, broadcasts, albums, films, and videos, the study covers the band's career in the United States. Michael R. Frontani explores how the Beatles' media image evolved and how this transformation related to cultural and historical events.

Sheroes: Women hold up half the sky and, most days, do even more of the heavy lifting, including childbearing and child-rearing - all after a long day at the office. Women have always been strong, true heroes - sheroes, oftentimes unacknowledged. As we shake off the last traces of a major patriarchal hangover, women are coming into their own. In the 21st century, all women can fully embrace their fiery fempower and celebrate their no-holds-barred individuality. It is time to acknowledge the successful women of the world.

Have you ever pondered... What led to the creation of the humble sandwich? Why does chocolate have that irresistible allure? What's the story behind our morning cup of coffee? Like the ever-curious, you've perhaps questioned the origins of these everyday items on your plate. Prepare yourself for an enlightening journey as you uncover your favorite foods' unexpected and perhaps slightly peculiar history.

China tiene un territorio inmenso, una historia milenaria y un variado ambiente natural y humano, por lo que la diversidad de sus viviendas populares es rara vez vista en la historia mundial de arquitectura. En el presente libro, se presenta los patios cuadrángulo profundos de Pekín con muros altos, y la teoría de suerte y beneficios, así como las viviendas finas, elegantes y simples en el sur de Anhui.

Bloomberg tech journalist Mark Bergen delivers the definitive account on YouTube, detailing how it started, how it works and ultimately how it drives Google's success. It can be seen as the story of a technical marvel that has upended traditional media and created stars out of everyday people, or the story of the rise of a ruthless advertising conglomerate with little regard for its impact on the world beyond the bottom line—but in reality, it's the story of both.

Questo ragazzo deve tutto al suo nome diceva di lui Marco Antonio, che lo disprezzava, a torto sottovalutandolo. Però era vero, e Augusto ne era talmente consapevole da affrettarsi a promuovere, non appena gli fu possibile, la divinizzazione di Giulio Cesare, padre suo adottivo, come caposaldo del suo potere. Il capolavoro di Augusto è stato imporre l'immagine di sé come vero e coerente erede e continuatore dell'opera di Cesare, ormai divinizzato, mentre in realtà la trasformava, se non nel suo contrario, certo in altro.

America in the 1920s was a place of drama, tension and hedonism. It glittered and seduced: jazz, flappers, the birth of Hollywood, and a glamorous gangster- led crime scene flourishing under prohibition. But it was also punctuated by momentous events such as the political show trials and the huge Ku Klux Klan march. But it also produced a splendid array of writers, musicians and film stars, from F. Scott Fitzgerald to Bessie Smith and Charlie Chaplin.

The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the "post-network" era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage. Rebecca Weeks fills the gap in this area and defends the historiographic power of long-form dramas.

"Quem nunca pecou que atire a primeira pedra", disse Jesus na Bíblia. Dependendo da intenção de quem a jogasse, este também seria considerado um pecador. Se lançasse a pedra com raiva, certamente teria agido com Ira. Se sentisse prazer com o ato, cairia na Luxúria. Se a pedrada fosse por causa de uma dívida, seria um gesto de Cobiça. Se fosse para ficar com os bens da vítima, seria Inveja. Se fosse para aparecer perante os outros, olha aí a Vaidade. Se precisasse beber para tomar coragem, cometeria a Gula.

For No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War-themed films made from 1915 to the present, tracing the changing approaches to the conflict over time.

From the beginning, American cinema has been both a powerful mythmaker and a social critic. D.W. Griffith's Birth of a Nation, arguably the first feature film, shows us just how early in its history cinema had established its influence. Birth of a Nation famously portrayed the Ku Klux Klan in a favorable light, a portrayal that contributed to the modern resurgence of the group and brought racist depictions of African Americans imported from the minstrel show to the silver screen. In response, filmmakers of color have created nuanced and indelible portraits of race.