Politics Entertainment

Michael Reagan's life is much more than just an interesting story. It is a testimony of how Christ allowed him to find healing from many of the issues that confront our culture today, such as sexual abuse, divorce, loneliness, the feeling of rejection, and the belief that God does not care about us. Michael Reagan's first adoption gave him an identity, but he did not find his true identity until he found Christ.

Sampling - incorporating found sound and manipulating it into another form entirely - has done more than any musical movement in the 20th century to maintain a continuum of popular music as a living document and, in the process, has become one of the most successful (and commercial) strains of postmodern art. Bring That Beat Back traces the development of this transformative pop-cultural practice from its origins in the turntable-manning, record-spinning hip-hop DJs of 1970s New York through 40 years of musical innovation and reinvention.

In this scintillating combination of critical race theory, social commentary, veganism, and gender analysis, media studies scholar Aph Ko offers a compelling vision of a reimagined social justice movement. Through a subtle and extended examination of Jordan Peele’s hit 2017 movie Get Out, Ko shows the many ways that white supremacist notions of animality and race exist through the consumption and exploitation of flesh. She demonstrates how a critical historical and social understanding of anti-blackness can provide the pathway to genuine liberation.

Stone Free is the third part of my triography. It is an affectionate look at impresarios I have admired, loved and loathed. There are profiles on Serge Diaghilev, Mike Todd, Otto Preminger, Larry Parnes and John Kennedy, Brian Epstein, Don Arden, Kit Lambert and Chris Stamp, Malcolm McLaren, Albert Grossman, Phil Spector, Allen Klein, and more. It is also a summing up of the bands and lads who started out in the '60's and are now leaving their own - as bands become brands and enter their 70s - what's left of The Beatles, The Stones, and The Who.

Surprising, charming, upsetting, enlightening, and ultimately hopeful - driven by the insight and humor of Salzman’s voice and by the intelligence, candor, and strength of his students, whose writing appears throughout the book - True Notebooks is itself a reward of the self-expression Mark Salzman teaches: a revelatory meditation on the process, power, and meaning of writing.

Today it is widely recognized that gay men played a prominent role in defining the culture of mid-20th-century America, with such icons as Tennessee Williams, Edward Albee, Aaron Copland, Samuel Barber, Montgomery Clift, and Rock Hudson defining much of what seemed distinctly "American" on the stage and screen. Even though few gay artists were "out," their sexuality caused significant anxiety during a time of rampant anti-homosexual attitudes.

Greg Mitchell's The Beginning or the End chronicles the first efforts of American media and culture to process the Atomic Age. A movie that began as a cautionary tale inspired by atomic scientists aiming to warn the world against a nuclear arms race would be drained of all impact due to revisions and retakes ordered by President Truman and the military.

Long before drag queens dominated the media, before gender-bending, before punk, even before Stonewall, there was Jayne County. From the 60s to the 90s she was the craziest, the most extreme queen ever to hit a rock 'n' roll stage. She's known and worked with Warhol, Bowie, and Derek Jarman, been an actress, a singer and a prostitute. She's the world's original rock 'n' roll trans star, crossing the genders in the full glare of publicity.

For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. A mighty procession of writers, artists and thinkers felt his impact. Anarchists, occultists, feminists and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany and the composer came to be defined by his ferocious anti-Semitism. Neither apologia nor condemnation, Wagnerism is a work of intellectual passion.

Award-winning civil rights historian Ray Arsenault describes the dramatic story behind Marian Anderson’s concert at the Lincoln Memorial - an early milestone in civil rights history - on the 70th anniversary of her performance. On Easter Sunday 1939, the brilliant vocalist Marian Anderson sang before a throng of 75,000 at the Lincoln Memorial in Washington - an electrifying moment and an underappreciated milestone in civil rights history.

How does a white kid from the New York suburbs, harmonica in hand, end up earning himself a busker's spot on the Harlem sidewalks next to Mr. Satan, a Mississippi-born legend? How did an interracial blues duo fare on the streets of New York during a turbulent, fractious time marked by racially-motivated murders in Howard Beach, Bensonhurst, and Crown Heights?

"We're the buttf--kers of rock-and-roll, We want to sock it to your hole!" With these words written in a notebook, Jon Ginoli sets off on a journey of self-discovery and musical passion to become the founding member of Pansy Division, the first out and proud queercore punk rock band to hit the semi-big time. Set against the changing decades of music, we follow the band from their inception in San Francisco, to their search for a music label and a permanent drummer to their current status as indie rock icons.

The British Broadcasting Corporation is a British institution, and its story during the Second World War is also our story. This was a period of remarkable voices: Churchill’s speeches, de Gaulle’s broadcasts from exile, Richard Dimbleby and Vera Lynn. Radio offered an incomparable tool for propaganda while at the same time eyewitness testimonies gave a voice to everyone, securing the BBC’s reputation as a purveyor of truth.

The smudge looked suspicious. The doctor confirmed: "That's the baby's penis!" Joel's reaction? Pure panic. "I pictured having to go camping and fix a car and use a hammer and throw a football and watch professionals throw footballs and figure out whether to be sad or happy about the results of said football throwing." And so begins Joel's quest to confront his effete nature whether he likes it or not (he doesn't), by doing a 24-hour shift with LA firefighters, going hunting, rebuilding a house, and engaging in all sorts of other manly activities.

Throughout history, there has been a consistent crossover between show business and espionage, often producing some of the most extraordinary undercover agents, and occasionally leading to disastrous and dangerous failures. The fact that one relies on publicity and the other on secrecy might seem to rule out a successful symbiosis, but as both require high levels of creative thinking, improvisation, disguise and role-play, they inevitably attract some remarkably similar personalities. Stars and Spies is the first history of the interplay between the two worlds.

An astonishing but true account of a pianist’s escape from war-torn Syria to Germany offers a deeply personal perspective on the most devastating refugee crisis of this century.

Nadine Cohodas's biography of the passionate, talented and difficult, but ultimately lovable, Nina Simone is an object lesson in American life. With thorough interviews and research, much new material and information that has never before come to light, Nadine tells the story of Eunice Wayman, born in Tryon NC in 1933, with a stunning musical talent that was spotted early by family and friends.

Dancer, award-winning choreographer, show producer, stand-up comedienne, TV/film actress, and author, Norma Miller shares her touching historical memoir of Harlem's legendary Savoy Ballroom and the phenomenal music and dance craze that "spread the power of Swing across the world like Wildfire". It was a time when the music was Swing, and Harlem was king.

Super Black places the appearance of black superheroes alongside broad and sweeping cultural trends in American politics and pop culture, which reveals how black superheroes are not disposable pop products, but rather a fascinating racial phenomenon through which futuristic expressions and fantastic visions of black racial identity and symbolic political meaning are presented.

An incisive portrait of a culture unanchored and adrift. In these pieces, veteran MTV commentator and rock journalist Kurt Loder turns his jaundiced eye and trenchant wit on the nature of celebrity as embodied by rock musicians and other pop culture icons. Ride along as Mick Jagger sheds his bad-boy image to embrace the jet-setter lifestyle; ponder the puzzling dichotomy between Prince's racy lyrics and self-proclaimed spirituality; and much more.