Native American Historical Fiction

Tia and her brother have been asked to leave their village to find their father's long lost friend, TaTisho. As they near the village of TaLequa, they are trapped on a dangerous island where death awaits them.

It is October 1519 - and the Mexican empire is on the brink. Hernán Cortés leads an army of Spaniards and their native allies to Moctezoma’s capital. Moctezoma believes the only way to save his empire is to heed the God of War and sacrifice Flower, a beautiful woman warrior, in exchange for protection from the invaders. But a different faction - the resistance - wants to overthrow Moctezoma and go to war against the invaders. The resistance has other plans for Flower - if they can only help her escape before Moctezoma offers her as a sacrifice.

Do not worry about tomorrow...for tomorrow will worry about itself. Life for Marta these past nine months has been full of worry - about her neighbors and their tolerance of her, about her relationship with her beau, Sheriff Bourne, and about warlocks who might wage war against her. But when a warlock finds her, she escapes his clutches. Since the death curse doesn’t work on him, he also gets away. Now that her best weapon has been neutralized, Marta has one more thing to worry about. The new warlock is another’s henchman, and, together, they have gathered a formidable army.

In "Master and Man," Bobbie is a black man who can outride, outfight, and outshoot any white man in the mountain desert. His unwavering moral code serves as a model for his often cruel and dissolute white master.

Ghost Hawk was the pride of his village, their most fearsome Warrior. Although not much for speaking himself, he had a gift for languages - a gift which he considered both a curse and a blessing. He cared deeply for the Native traditions, including keeping the bloodline pure. He never backed down from any battle including the ones with the intruding white men. He witnessed attack after attack on the Native villages and the merciless killing of the ones he loved. And yet, a beautiful white woman, alone and passed out in the woods, called on his sense of integrity.

Chosen in his youth to be the "One Who Smells the Wind" for his Anasazi clan, Uhtatse becomes a part of every element on the mesa where his people have built their pueblos. As he meets with traders from distant lands, he learns of their unusual ways of living and begins sending his mind outward, searching for the enemies from the plains that he knows are waiting to kill them.

Впервые роман "Последний из могикан" был опубликован в 1826 году. Действие книги разворачивается в августе 1757 года, в разгар Франко-индейской войны. Это трагическая история борьбы и гибели индейцев Северной Америки под натиском современной цивилизации.

Legend of the Shaman is the third book in the Wyakin Trilogy. It continues with the tale of Cortez Modrables, as he continues his life as shaman/healer to a non-treaty band of Nez Perce Native Americans during their tragic conflicts with the US government over the lands of the Northwest in the 1870s. Cortez was intimately involved with the famed trek of the Nez Perce from Idaho Territory to British North America (Canada).

This is a fictional story based during the time of the Trail of Tears (1830s era). Nitika is found as a baby on the brink of death by a traveling Cherokee tribe and taken in and raised by the chief and his wife, who recently lost a child of their own. Nitika is blessed as a baby by the medicine woman to have a destiny and far greater purpose than she could ever imagine. As a young girl, Nitika starts to question why she is different from the rest of her tribe.

An unlikely love story of a Cree maiden from Canada's James Bay and a descendant of the first settlers of Northern Canada who came from the Orkneys of Scotland to work for the Hudson Bay Company 300 years ago. A bittersweet tale of love, redemption, wisdom, racist attitudes, and marginalization of Canada's First Nations women spanning 300 years into the present days of missing and murdered aboriginal women.

Laura was raised to hide who she was. She'd been told repeatedly to never reveal her Cherokee heritage or the fact that she'd been attacked by her own father. And no one should ever know she had the second sight, or they might think she was crazy or possessed. Somehow, Laura built a life on her own, married a good man who adored her, and had children, all while managing to keep her secrets. She was determined to raise her children in a home filled with love and support, rather than in an atmosphere of fear and pain like the one she'd known.

In the summer of 1855, Sarah abandons her husband and child to make the long and difficult journey to Minnesota, where she will meet a childhood friend. Arriving at a small frontier post on the edge of the prairie, she discovers that her friend has died of cholera. Without work, money or friends, Sarah anticipates unease and hardship, but instead finds acceptance and kinship with the Sioux women who live on the nearby reservation. She learns to speak their language, nourishing a companionship with them that far exceeds that which she shares with her strange, distant new husband.

Before my family lived in this house, a different family did, and before them, another family, and another before them. And before that, the family lived here, not in a house, but a wigwam. Who lived where you are before you got there? This Land teaches listeners that American land, from our backyards to our schools to Disney World, are the traditional homelands of many Indigenous nations. This Land will spark curiosity and encourage readers to explore the history of the places they live and the people who have lived there throughout time and today.

On a night of raging winds and rain, Captain Cook's Endeavour lies splintered on a coral reef off the coast of Far North Australia. A small disparate band of survivors, fracturing already, huddle on the shore of this strange land - their pitiful salvage offers scant protection from the dangers of the unknown creatures and natives that live here. Watching these mysterious white beings, the Guugu Yimidhirr people cannot decide if they are ancestor spirits to be welcomed - or hostile spirits to be speared. One headstrong young boy, Garrgiil, determines to do more than watch.

A moving story of love, loss, and tragedy of an indigenous three generations of a family of women living amid the radical cultural transition of the early 18th century through 1838, ending with the government-mandated relocation of the Eastern tribes, a 650-mile walk to federal land known as "Trail of Death". The personal stories of three women - Centurion Moon Stone, the last yet living, having witnessed the transformation of her culture; and the elusive love of sisters White Deer and Wind Song for the same man, Two Dogs - have been accounted into this tribal story.

Naomi Jackson never thought her life would come to this. She'd been abandoned by the father of her two children. Stranded during the last days of 1809 in a ramshackle stream-side home in rural Tennessee. But here she was. The Devil Bill Williams had vanished. Now it was up to her to care for her two innocent, beautiful children.

It's 30,000 BC. Hiding in a giant mimosa tree, Maru watches her father meet with the leader of a treacherous Andean tribe. Her father, furious that she's followed him, tells her that if he is killed - something he fully expects - she must warn their people to flee. The people are prepared, but Maru, at age seven, is not. Her father places heavy responsibility on her because she followed him.

In 1836, John McGregor, a Scottish and Seminole half-breed, kills a white man in Florida. The crime is worse, when the man turns out to be an army sergeant. Self-defense is no excuse. McGregor is angry - angry with God, the maker and taker of breath, and angry with the red man as well as the white. Among the Indians, this rage earns him the name "One Who Gives No Chance".

Hidden within the depths of the boreal forest lies a secret that could change everything for Ashenee, a young Cree woman born to a traditional family. In her isolated community, they follow the customs and beliefs of their ancestors, blissfully unaware of the countless missing aboriginal women from other nearby communities. As Ashenee embarks on a journey to her mother's village, she begins to sense a foreboding presence, a warning that something is amiss.

An ancient shaman and his granddaughter travel to Harvard to pick up 2,047 skeletons stolen from the ruins of their family pueblo. She wants their time together to heal their broken hearts. He hopes the road trip will make her appreciate family. He fashions a dreamcatcher which sometimes hurls Hollow-Woman into the past to experience her ancestors.