Native American Crime

Virgil Wounded Horse is the local enforcer on the Rosebud Indian Reservation in South Dakota. When justice is denied by the American legal system or the tribal council, Virgil is hired to deliver his own punishment, the kind that’s hard to forget. But when heroin makes its way into the reservation and finds Virgil’s own nephew, his vigilantism suddenly becomes personal. He enlists the help of his ex-girlfriend and sets out to learn where the drugs are coming from, and how to make them stop.

En los años veinte, la comunidad india de los Osage en Oklahoma era la población de mayor renta per cápita del mundo. El petróleo que yacía bajo sus propiedades les convirtió en millonarios: construyeron mansiones, tenían chóferes privados y mandaban a sus hijos a estudiar a Europa. Pero un espiral de violencia asoló esta comunidad indígena cuando sus miembros empezaron a morir y a desaparecer en extrañas circunstancias. La familia de una mujer Osage, Mollie Burkhart, se convirtió en un objetivo principal.

In the summer of 2017, twenty-two-year-old Savanna LaFontaine-Greywind vanished. A week after she disappeared, police arrested the white couple who lived upstairs from Savanna and emerged from their apartment carrying an infant girl. The baby was Savanna’s, but Savanna’s body would not be found for days. The horrifying crime sent shock waves far beyond Fargo, North Dakota, where it occurred, and helped expose the sexual and physical violence Native American women and girls have endured since the country’s colonization.

When Lissa Yellow Bird was released from prison in 2009, she found her home, the Fort Berthold Indian Reservation in North Dakota, transformed by the Bakken oil boom. In her absence, the landscape had been altered beyond recognition, her tribal government swayed by corporate interests, and her community burdened by a surge in violence and addiction. Three years later, when Lissa learned that a young white oil worker, Kristopher “KC” Clarke, had disappeared from his reservation worksite, she became particularly concerned. No one knew where Clarke had gone.

For decades, Indigenous women and girls have gone missing or been found murdered along an isolated stretch of highway in Northwestern British Columbia. The corridor is known as the Highway of Tears, and it has come to symbolize a national crisis. Journalist Jessica McDiarmid meticulously investigates the devastating effect these tragedies have had on the families of the victims and their communities and how systemic racism and indifference have created a climate in which Indigenous women and girls are overpoliced yet underprotected.

Rodeo Grace Garnet lives alone, save for his old dog, in a remote corner of Arizona known to locals as the Hole. He doesn't get many visitors, but a body found near his home has drawn police attention to his front door. The victim is not one of the many illegal immigrants who risk their lives to cross the border just south of the Hole, but is instead a member of one of the local Indian tribes.

A tenacious Maori detective, Hana Westerman juggles single motherhood, endemic prejudice, and the pressures of her career in Auckland CIB. Led to a crime scene by a mysterious video, she discovers a man ritualistically hanging in a secret room and a puzzling inward-curving inscription. Delving into the investigation after a second, apparently unrelated, death, she uncovers a chilling connection to an historic crime: 160 years before, during the brutal and bloody British colonization of New Zealand, a troop of colonial soldiers unjustly executed a Maori Chief.

Cash and Sheriff Wheaton make for a strange partnership. He pulled her from her mother's wrecked car when she was three. He's kept an eye out for her ever since. It's a tough place to live - northern Minnesota along the Red River. Cash navigated through foster homes, and at 13 was working farms. She's tough as nails, five feet two inches, blue jeans, blue jean jacket, smokes Marlboros, drinks Bud Longnecks. Makes her living driving truck. Playing pool on the side.

On a winter day north of the Arctic Circle, nine-year-old Elsa—daughter of Sámi reindeer herders—sees a man brutally kill her beloved reindeer calf and threaten her into silence. When her father takes her to report the crime, local police tell them that there is nothing they can do about these “stolen” animals. Killings like these are classified as theft in the reports that continue to pile up, uninvestigated. But reindeer are not just the Sámi’s livelihood, they also hold spiritual significance; attacking a reindeer is an attack on the culture itself.

No one called her Mud in Silicon Valley. There, she was Mae, a high-powered professional who had left her Kiowa roots behind a decade ago. But a cryptic voice message from her grandfather, James Sawpole, telling her to come home sounds so wrong that she catches the next plane to Oklahoma, where she finds a tribe in disarray. When Mud and her cousin Denny discover her grandfather missing, accused of stealing the valuable Jefferson Peace medal from the tribe museum—and stumble across a body in his work room—Mud has no choice but to search for answers.

On the eve of a major treaty conference between Iroquois leaders and European colonists in the distant summer of 1722, two White fur traders attacked an Indigenous hunter and left him for dead near Conestoga, Pennsylvania. This act of brutality set into motion a remarkable series of criminal investigations and cross-cultural negotiations that challenged the definition of justice in early America. Leading historian Nicole Eustace reconstructs the crime and its aftermath, bringing us into the overlapping worlds of white colonists and Indigenous peoples in this formative period.

Her name is Renee Blackbear, but what most people call the 19-year-old Ojibwe woman is Cash. She lived all her life in Fargo, sister city to Minnesota’s Moorhead, just downriver from the Cities. She has one friend, the Sheriff Wheaton. He pulled her from her mother’s wrecked car when she was three. Since then, Cash navigated through foster homes and at 13 was working farms, driving trucks.

Baffled by the stereotypes presented by Hollywood and much historical fiction, many other Americans find the contemporary American Indian an enigma. Compounding their confusion is the highly publicized struggle of the contemporary Indian for self-determination, lost land, cultural preservation, and fundamental human rights - a struggle dramatized both by public acts of protest and by precedent-setting legal actions. American Indians, American Justice explores the complexities of the present Indian situation, particularly with regard to legal and political rights.

Journalist Dennis McAuliffe Jr. grew up believing that his Osage Indian grandmother, Sybil Bolton, had died an early death in 1925 from kidney disease. It was only by chance that he learned the real cause was a gunshot wound and that her murder may well have been engineered by his own grandfather. As McAuliffe peeled away layers of suppressed history, he learned that Sybil was a victim of the "Osage Reign of Terror"....

Inside Alaska's biggest national park, surrounding the town of Niniltna, a gold mining company has started buying up land. The residents of the Park, are uneasy. "But gold is up to nine hundred dollars an ounce," is the refrain of Talia Macleod, the popular Alaskan skiing champ the company hired to improve their relations with Alaskans. And she promises much needed jobs to the locals. But before she can make her way to every village in the area to make her case at town meetings and village breakfasts, there are two murders—one a long-standing mine opponent, and Ms. Macleod herself.

In the early 1900s, at the dawn of the “American Century,” few knew the intoxicating power of greed better than white men on the forefront of the black gold rush. When oil was discovered in Oklahoma’s Indian Country, these tycoons impersonated, defrauded, and murdered Native property owners to snatch up hundreds of acres of oil-rich land. Journalist and fourth-generation Oklahoman Russell Cobb sets the stage for one such oilman’s chicanery: Tulsa entrepreneur Charles Page’s campaign for a young Muscogee boy’s land in Creek County.

Idaho game warden Charlie Cove is back. He's strapped with post-traumatic stress from events chronicled in the debut novel, Five Fingers. Cove is called to an accident scene by a small-town sheriff to help investigate a morbid discovery. In the meantime, Charlie is perplexed by a different problem - dead fish. The sheriff keeps trying to drag him into what he has assumed is a homicide, while Cove struggles to solve his own mystery. And all the while, a demoniacal antagonist dances in the shadows.

The seventh novel in the acclaimed Sean Stranahan mystery series: Scarecrows are appearing in the cliffs above the Smith River in Montana, and state investigator Harold Little Feather is trying to discover the culprit leaving the hay figures in the cliffs, with signs painted that read "No Smith River Mine - Not on My Watch." The event is related to a copper mine project that threatens the river, but his investigation takes an ominous turn when a little girl claims that a scarecrow chased her in the night.

Don't blink A gripping thrill ride begins when Oklahoma private investigator Buck McDivit witnesses a murder and finds himself possessing an ancient artifact with mystical powers. The investigation leads him to the Spiro Mounds Archeological Museum, where he meets the gorgeous Chief Archeologist Thorn Little Deer and discovers someone recently stole the artifact he now possesses—the priceless Black Cup of Oklahoma. A deadly ex-Army Ranger with the nickname Blade may be responsible for both the theft and the murder. As Buck sets out to catch the thief, he joins a cryptid expedition to the ...

In Alaska, people disappear every day. In Aleut detective Kate Shugak's Park, they've been disappearing a lot lately. Hikers head into the wilderness unprepared and get lost. Miners quit without notice at the busy Suulutaq Mine. Suicides leave farewell notes and vanish. Not only are Park rats disappearing at an alarming rate, but so is life in the Park as Kate knows it.