Music Technology

This Very Short Introduction takes an expansive and inclusive approach meant to broaden and challenge traditional views of music and technology. In its most common use, "music technology" tends to evoke images of twentieth and twenty-first century electronic devices: synthesizers, recording equipment, music notation software, and the like. This volume, however, treats all tools used to create, store, reproduce, and transmit music—new or old, electronic or not—as technologies worthy of investigation.

Mick Jagger, Jimmy Cliff, Roger Waters, Jimmy Page, Stevie Wonder, Bonnie Raitt, and many other leading artists reveal for the first time the emotions, inspirations, and techniques behind their influential works. Covering the history of rock, R&B, country, disco, soul, reggae, and pop, Anatomy of a Song is a love letter to the songs that have defined generations of listeners.

Where does learning begin and how is it sustained and stored in the brain? For musicians, these questions are at the very core of their creative lives. Cognitive and neuroscience have flung wide the doors of our understanding, but bridging the gap between research data and music-making requires a unique immersion in both worlds. Lynn Helding presents a symphony of discoveries that illuminate how musicians can optimize their mental well-being and cognitive abilities.

Whether a musician who wants to understand the engineering behind the music, a hobbyist who wants to start recording their songs, a music lover who wants to understand why certain records sound the way they do, an audio engineer who wants to make sure they can nail the basic technicalities of their craft, or simply someone eager to learn the basics of audio engineering, this book is for you. With 13 tables, 16 original figures, 13 equations, a glossary, and a complete list of sources, How Audio Works gives you all the tools to understand the basics.

In recent years, narratives about the music industry tend to hew to a common theme: it was humming along for decades until the Internet and Napster came along and disrupted it. Key Changes shows that this view is incorrect: the industry was actually shaken up not once in the 1990s, but ten times over more than 100 years.

Richie and Mike provide direct practical guidance on the skills and knowledge necessary for jazz to be passed on and performed well. The conversational tone of the book makes for entertaining and worthwhile listening. Those who have been teaching jazz for a long time will appreciate Richie's stories and his fearless opinions on jazz including how the teaching and learning of it are evolving (for good and for bad).