Movie History

Now middle-aged, Meadows seeks out his former captors in their civilian lives to help him bury his son, a Marine killed in Iraq, in Arlington National Cemetery. When he learns that the authorities have told him a lie about the circumstances of his son's death, he decides, with the help of the two others, to transport him home to Portsmouth. And so begins the journey, centered around a solemn mission, but, as in the first book, a protest against injustice and celebration of life, too, at once irreverent, funny, profane, and deeply moving.

What did President Ronald Reagan think of Rocky IV? How did the Matthew Broderick film WarGames inform America's missile defense system? What Michael J. Fox movie made such an impression on President Reagan that he felt compelled to mention it in a speech to the Joint Session of Congress? Over the course of eight years, Mark Weinberg travelled to Camp David each weekend with Ronald and Nancy Reagan.

Melanin in Movies examines how Hollywood shapes the perception of Black Americans. This book challenges the idea that Hollywood is just about entertainment, exploring how the film industry actively influences society's view of Black people. By analyzing key examples and trends in Black representation, Melanin in Movies reveals how film can be both a tool for liberation and a means of oppression.

Some Like It Hot occupies a unique place in American culture. This beloved classic showcases five comic geniuses: Tony Curtis, Jack Lemmon, I. A. L. Diamond, Billy Wilder, and Marilyn Monroe. It has been honored by the American Film Institute as the funniest film of all time. It has contributed quotes, styles, and stories to film lore. Yet the full story of its making has never been told - until now.

Film historian David Thomson, leads us into this very delicate subject. While unpacking classics such as Seven, Strangers on a Train, The Conformist, The Godfather, and The Shining, he offers a disconcerting sense of how the form of movies makes us accomplices in this sinister narrative process. Murder and the Movies admits us into what Thomson calls "a warped triangle": the creator working out a compelling death; the killer doing his and her best; and the entranced spectator trying to cling to life and a proper sense of decency.

In the summer of 1970, legendary but self-destructive director Orson Welles returned to Hollywood from years of self-imposed exile in Europe and decided it was time to make a comeback movie. It was about a legendary self-destructive director who returns to Hollywood from years of self-imposed exile in Europe. Welles swore it wasn't autobiographical.

Ever since she could walk, Homicide Detective Deena Pilgrim followed in her father's footsteps. A man with a badge, Waldo Pilgrim surrounded himself with what Deena believed to be the cream of the crop when it came to serving and protecting. These days, Deena won't discuss her father or the life she left behind in Atlanta years ago, a life before she partnered with Christian Walker to investigate homicide cases in a city where perps and victims boast incredible, dangerous powers.

1974 was a busy year for Mel Brooks. Although still recovering after a series of failed projects threatened his career, he pulled off a one-two punch that saw the release of two of the most beloved American comedies ever made: Blazing Saddles and Young Frankenstein. Although both films are well-known, the stories beyond the making of each movie are less so. How did they come to be, and how did the era's culture and politics not only permit them to be made, but help them to become enduring comedy classics?

Dominic Smith’s The Electric Hotel winds through the nascent days of cinema in Paris and Fort Lee, New Jersey - America’s first movie town - and on the battlefields of Belgium during World War I. A sweeping work of historical fiction, it shimmers between past and present as it tells the story of the rise and fall of a prodigious film studio and one man’s doomed obsession with all that passes in front of the viewfinder.

With the success of the Wonder Woman movies and the results following the outcry of the #MeToo movement, now is the time to highlight the female influences in film history previously left unheard!

Quentin Tarantino's long-awaited first work of fiction - at once hilarious, delicious and brutal - is the always surprising, sometimes shocking new novel based on his Academy Award-winning film.

Beginning with the iconic La Voyage Dans La Lune (1902) and ending with Richard Linklater's groundbreaking Boyhood (2014), The Movie Book chronicles more than 100 of the best films ever made - from comedies and dramas to animations, documentaries and what brings cinema to life. Discover everything about your favourite movies as well as celebrated classics and the films you need to see through iconic quotes, biographies, movie memorabilia and narrative timelines. Essential for anyone with a passion for cinema, The Movie Book is ready for its close-up.

In 1991, Thelma & Louise, the story of two outlaw women on the run from their disenchanted lives, was a revelation. Suddenly, a film in which women were, in every sense, behind the wheel. It turned the tables on Hollywood, instantly becoming a classic, and continues to electrify audiences as a cultural statement of defiance. But if the film's place in history now seems certain, at the time its creation was a long shot.

Based on very real and practical commentary, life experience, and occasionally, tongue-in-cheek-misfortunes of horror legends, Necessary Death explores how the horror genre offers individuals a unique opportunity for insight and understanding of their own lives.

In May 1987, Colorado Senator Gary Hart seemed a lock for the party’s presidential nomination and led George H. W. Bush by double digits in the polls. Then, in one tumultuous week, rumors of marital infidelity and a newspaper’s stakeout of Hart’s home resulted in a media frenzy the likes of which had never been seen. Through the spellbindingly reported story of the senator’s fall from grace, Matt Bai, Yahoo News columnist and former chief political correspondent for The New York Times Magazine, reveals the Hart affair to be far more than one man’s tragedy.

On March 30, 1993, an up-and-coming actor was filming one of a few remaining scenes in what he hoped would be his breakthrough role. But instead of breaking through to superstardom, he met his death in a bizarre series of circumstances that tragically paralleled the movie he was making and the eerie tale of his father some 20 years before. This is the story of the tragic filming of "The Crow," starring Brandon Lee. On the heels of a bright future, the young actor was accidentally killed on the soundstage and set forth a media firestorm and changes to the movie industry with regards to ...

Looking for a spooktacular Halloween activity? Put your frighteningly fun trivia knowledge to the test with this spine-tingling book of 100 trivia questions all about Halloween! Inside you'll find an engaging mix of questions covering everything from the history of Halloween, its origins and traditions, symbols and costumes, scary movies and TV specials, favorite candies, and so much more. From easy questions to ones that'll make your head spin faster than a flying witch on a broomstick, this book has something for everyone! With fun facts about Halloween traditions around the world, sweet ...

When Brian DePalma's operatically violent and profane Scarface debuted in 1983, the film drew almost as much fire as the relentless gunfire in the film itself. The movie was a remake of 1932's Scarface—revamped for a new era of drugs, sex, and graphic violence. Attacked as both a celebration of cocaine-fueled excess and a condemnation of it, the film's reputation only grew as the years went by. But the real story of its success started nearly a century ago—when Hollywood first fell in love with the American gangster....

In his first memoir, Ander Monson guides listeners through a scene-by-scene exploration of the 1987 film Predator, which he has watched 146 times. Some fighters might not have time to bleed, but Monson has the patience to consider their adventure, one frame at a time. He turns his obsession into a lens through which he poignantly examines his own life, formed by mainstream white male American culture.

Greg Mitchell's The Beginning or the End chronicles the first efforts of American media and culture to process the Atomic Age. A movie that began as a cautionary tale inspired by atomic scientists aiming to warn the world against a nuclear arms race would be drained of all impact due to revisions and retakes ordered by President Truman and the military.