Movie History

Japanese animation—or anime—holds a special place in the hearts of countless fans around the globe. Since the early days of Osamu Tezuka’s Astro Boy to Makoto Shinkai’s astounding success with Your Name, anime has left an undeniable impact on our culture. Anime Impact explores the impression the medium has left on various fans with detailed discussions on television shows and movies from the 1960s all the way to the present.

Quentin Tarantino's long-awaited first work of fiction - at once hilarious, delicious and brutal - is the always surprising, sometimes shocking new novel based on his Academy Award-winning film.

In It's Only a Movie, the incomparable Mark Kermode took us into the weird world of a film critic's life lived in widescreen. Now, The Good, The Bad and the Multiplex takes us into the belly of the beast to ask: 'What’s wrong with the modern movie business – and how can we make it right?'

An examination of African American imagery and participation in American movies includes a timeline of important African American events in film history and discusses the achievements of noted celebrities.

Her life began as a gutsy tomboy from a hardscrabble Arizona mining town — she was also a literary prodigy who published her first story at the age of ten. But then, in 1930, fifteen-year-old Jane Hall became an orphan; she soon found herself on Park Avenue, swept up in the surprising world of Depression-era debutantes, Franklin D. Roosevelt’s birthday balls, and the dazzling nightlife of Manhattan’s Café Society. Once her clever romances about life among the smart set began selling to national magazines, Hollywood’s top agent got her contract as a screenwriter with Metro-Goldwyn-...

A Thousand Cuts is a candid exploration of one of America's strangest and most quickly vanishing subcultures. It is about the death of physical film in the digital era and about a paranoid, secretive, eccentric, and sometimes obsessive group of film-mad collectors who made movies and their projection a private religion in the time before DVDs and Blu-rays.

Although no genre is immune to the holiday-themed concept's adaptability and pulling power, no other has used this narrative quite as effectively as the horror genre. Maybe it’s the irony of chaos, bloodshed, and fear during what is traditionally perceived as a joyous event regardless of the celebration in question. Seasonal Screams will take you on a terrifying journey through your favourite seasons, offering a holiday horror movie for any occasion. Whether during Christmas festivities or Valentine’s Day plans, you can be sure to find a horror villain within these pages ready to ...

With the success of the Wonder Woman movies and the results following the outcry of the #MeToo movement, now is the time to highlight the female influences in film history previously left unheard!

Lucas: His Hollywood Legacy is the first collection to bring a sustained scholarly perspective to the iconic filmmaker and his legacy beyond the Star Wars films. Edited by Richard Ravalli, this volume analyzes Lucas's overall contribution and importance to the film industry, diving deep into his use and development of modern special effects technologies, the history of his Skywalker Ranch production facilities, and more.

The Towering Inferno (1974) was the crowning achievement of über-producer Irwin Allen, the self-proclaimed “Master of disaster.” Crafted from two best-selling books and with a budget-busting cast headed by two mega-stars, it took two studios to bring it to the screen. In celebration of the 50th anniversary of The Towering Inferno, biographer-historian Nat Segaloff (who was a member of the film’s special publicity unit) writes about the production, its innovative marketing campaign, and the goings-on before, during, and after its box office success.

Now middle-aged, Meadows seeks out his former captors in their civilian lives to help him bury his son, a Marine killed in Iraq, in Arlington National Cemetery. When he learns that the authorities have told him a lie about the circumstances of his son's death, he decides, with the help of the two others, to transport him home to Portsmouth. And so begins the journey, centered around a solemn mission, but, as in the first book, a protest against injustice and celebration of life, too, at once irreverent, funny, profane, and deeply moving.

Whether for game night with family and friends, preparing for the competition at the local pub, or passing the time during long family car trips, this is the book for you....

First scientists thought it was for balance, but the tail helps the kangaroo to be able to move the fore and hind legs together. Trivia helps to inform and educate people. Experts say trivia aids to keep the mind sharp and engaged, a plus for all occupations and people from all walks of life that require no amount of energy. Knowing Obscure Facts Is Good for Our Mental Health.

Ever since she could walk, Homicide Detective Deena Pilgrim followed in her father's footsteps. A man with a badge, Waldo Pilgrim surrounded himself with what Deena believed to be the cream of the crop when it came to serving and protecting. These days, Deena won't discuss her father or the life she left behind in Atlanta years ago, a life before she partnered with Christian Walker to investigate homicide cases in a city where perps and victims boast incredible, dangerous powers.

The Secret History of Twin Peaks enlarges the world of the original series, placing the unexplained phenomena that unfolded there into a vastly layered, wide-ranging history, beginning with the journals of Lewis and Clark and ending with the shocking events that closed the finale. The perfect way to get in the mood for the upcoming Showtime series.

Ten office workers in Boston started out sitting in a circle and sharing the problems they encountered on the job. In a few short years, they had built a nationwide movement that united people of diverse races, classes, and ages. They took on the corporate titans. They leafleted and filed lawsuits and started a woman-led union. They won millions of dollars in back pay and helped make sexual harassment and pregnancy discrimination illegal. The women office workers who rose up to win rights and respect on the job transformed workplaces throughout America.

Paul Newman, the Oscar-winning actor with the legendary blue eyes, achieved superstar status by playing charismatic renegades, broken heroes, and winsome antiheroes in such revered films as The Hustler, Cool Hand Luke, Butch Cassidy and the Sundance Kid, The Verdict, The Color of Money, and Nobody’s Fool. But Newman was also an oddity in Hollywood: the rare box-office titan who cared about the craft of acting, the sexy leading man known for the staying power of his marriage, and the humble celebrity who made philanthropy his calling card long before it was cool.

When you sit down at a play, movie, or concert—or even in front of the TV or scrolling on your phone—you are taking part in one of the oldest and most mysterious forms of human behavior. Being part of an audience is an age-old experience that we all crave, one that has evolved from amphitheaters to screens. Right This Way is a pop history of audiences through the ages. Playbill editor Robert Viagas unfolds the unique aspects of what he calls “audiencing” with stories from the age of the Greeks to the world of Zoom.

Melanin in Movies examines how Hollywood shapes the perception of Black Americans. This book challenges the idea that Hollywood is just about entertainment, exploring how the film industry actively influences society's view of Black people. By analyzing key examples and trends in Black representation, Melanin in Movies reveals how film can be both a tool for liberation and a means of oppression.

Movies under the Influence charts the entangled histories of moviegoing and mind-altering substances from early cinema through the psychedelic 1970s. Jocelyn Szczepaniak-Gillece examines how the parallel trajectories of these two aspects of American culture resulted in them being treated and regulated in similar ways. Rather than looking at drug use within film, she regards cinema and intoxicants as kindred experiences of immersion that have been subject to corresponding forces of ideology and power.