Movie History

First scientists thought it was for balance, but the tail helps the kangaroo to be able to move the fore and hind legs together. Trivia helps to inform and educate people. Experts say trivia aids to keep the mind sharp and engaged, a plus for all occupations and people from all walks of life that require no amount of energy. Knowing Obscure Facts Is Good for Our Mental Health.

Between 1934 and 1968, no Hollywood studio could make a movie without the permission of, and a seal of approval from, the Production Code Administration. Formed in 1930 but not enforced until 1934, the Production Code was Hollywood’s official censorship system. Screenplays, books, plays, costumes, and even story ideas and song lyrics had to be cleared by the Code before they could be filmed, and Code staffers watched at every stage of the production process to ensure compliance.

Updated information about every instrumental recording that reached number one on Billboard's popular recorded music charts from 1950 to the present. There is a great deal of information about every instrumental song that topped the pop charts, as well as every one of the recording artists, and each recorded song’s songwriters. The author conducted massive research to compile the interesting stories found in this book. The text covers the instrumentalists from Anton Karas’ recording of “Third Man Theme,” which reached number one in 1950, through Baauer reaching the top of the charts...

In It's Only a Movie, the incomparable Mark Kermode took us into the weird world of a film critic's life lived in widescreen. Now, The Good, The Bad and the Multiplex takes us into the belly of the beast to ask: 'What’s wrong with the modern movie business – and how can we make it right?'

Historians still agree about the date of Columbus' voyage. But did this European adventurer discover America? We now know that certain explorers from other parts of the globe set foot on American shores long before 1492: and that others may have done so. And "discovery" takes on a different meaning when the new land already has people living in it.

As any actor, producer, director, or screenwriter can attest, working in the movie business isn't easy. After Jack Nicholson filmed his first screen test for Metro-Goldwyn-Mayer, studio mogul Louis B. Mayer politely told him afterwards: "I don't know what we can use you for, but if we ever do need you, we'll need you real bad.” In the late 1960s, Paul, John, George, and Ringo–better known as The Beatles–were set to star in a movie version of J.R.R. Tolkien’s epic fantasy novel, The Lord of the Rings, until Tolkien objected over the loudness of their music.

Melody Ellison loves singing and gardening, and is inspired by friends and family and the Civil Rights Movement to make changes in her community. Melody's story of leadership and making one's voice heard is sure to engage today's readers as they learn what it was like to be a girl in 1964. This Step 3 Step into Reading leveled reader is great for American Girl fans ages 5 to 8. This exciting Step into Reading is based on an American Girl story by Denise Lewis Patrick.

Movie fans and spiritual seekers, unite! In Cinema Nirvana, veteran meditation teacher and film critic Dean Sluyter illuminates the hidden enlightenment teachings of Casablanca, Jaws, The Graduate, The Godfather, Memento, Easy Rider, Invasion of the Body Snatchers, The Big Sleep, Fistful of Dollars, and half a dozen more classic films, revealing spiritual wisdom in everything from 007's secret weapons to the colors of the Seven Dwarfs' eyes. So grab your popcorn, sit back, and prepare to have your mind opened. Cinema Nirvana is a funny but wise, practical but wildly entertaining guide to finding enlightenment...one movie at a time.

One-Eyed Jacks, a quintessential western. The only film directed by the iconic actor Marlon Brando. Not a financial or critical success at the time, however now with attention rekindled by a re-master by Steven Spielberg and Martin Scorsese my belief it's one of the finest westerns ever made is fortified by the most film knowledgeable in the industry. The film is not listed among the top 100 westerns by my peers in Western Writer's of America. I take umbrage with that conclusion, as it's at or near the top of my list.

Ranging from the shattered gentility of Edith Wharton's heroines to racial confrontation in the songs of Nina Simone, American Rhapsody presents a kaleidoscopic story of the creation of a culture. Here is a series of deeply involving portraits of American artists and innovators who have helped to shape the country in the modern age. Claudia Roth Pierpont expertly mixes biography and criticism, history and reportage, to bring these portraits to life and to link them in surprising ways.

Whether for game night with family and friends, preparing for the competition at the local pub, or passing the time during long family car trips, this is the book for you....

We've all heard that you learn more from failure than you do from success. Which means that all those hours spent watching crappy movies wasn't a waste of your precious and ever-dwindling life span; it was an education! And Better Living Through Bad Movies can show you how to extract the profound, life-affirming lessons from films like Battlefield Earth, Coyote Ugly, and Indecent Proposal.

Based on very real and practical commentary, life experience, and occasionally, tongue-in-cheek-misfortunes of horror legends, Necessary Death explores how the horror genre offers individuals a unique opportunity for insight and understanding of their own lives.

Louise Lovely: Australia’s First Movie Star is a captivating biography that delves into the life and career of Louise Lovely, Australia's first Hollywood star of the silent era. Born Nellie Louise Carbasse, Lovely's journey from her beginnings in Sydney when she first appeared on stage at the age of 9 in 1904, to her career as a world-renowned actress is nothing short of extraordinary. The book explores her early days, shrouded in mystery, and her rise to fame in both Australia and Hollywood. Lovely appeared in over fifty-five motion pictures between 1911 and 1922, becoming a ...

An examination of African American imagery and participation in American movies includes a timeline of important African American events in film history and discusses the achievements of noted celebrities.

The moviegoing experience is well known for the exciting sights and sounds provided by the Hollywood magic flickering on the silver screen. But what about the atmospheric aromas and lip-smacking flavors that people cherish when they are in their seats? Steve Foley explores the history of cinema concessions and the relationship between audiences and the snacks consumed while the film rolls.

The 10 best Bond movies...ever? It doesn't get much more subjective than this. Or much more fun!

Paul Newman, the Oscar-winning actor with the legendary blue eyes, achieved superstar status by playing charismatic renegades, broken heroes, and winsome antiheroes in such revered films as The Hustler, Cool Hand Luke, Butch Cassidy and the Sundance Kid, The Verdict, The Color of Money, and Nobody’s Fool. But Newman was also an oddity in Hollywood: the rare box-office titan who cared about the craft of acting, the sexy leading man known for the staying power of his marriage, and the humble celebrity who made philanthropy his calling card long before it was cool.

Warren Beatty guarded his privacy even before he became a movie star, when he burst onto the screen in 1961 as the earnestly handsome all-American boy in Splendor in the Grass. When he started acting, Beatty kept secret the fact that actress Shirley MacLaine, already a star, was his older sister. Over time, he has cultivated a mystique, giving few interviews and instructing others not to talk about him. Until now.

Movies under the Influence charts the entangled histories of moviegoing and mind-altering substances from early cinema through the psychedelic 1970s. Jocelyn Szczepaniak-Gillece examines how the parallel trajectories of these two aspects of American culture resulted in them being treated and regulated in similar ways. Rather than looking at drug use within film, she regards cinema and intoxicants as kindred experiences of immersion that have been subject to corresponding forces of ideology and power.