Modern Classics

Victor Frankenstein is a driven man. His single-minded scientific drive has controlled his life from childhood. It has driven him to do the unthinkable, to carry out fiendish, craven tasks, to do that which only God has done before. His goal of creating life - a living, thinking being, a man - has come to pass. Little did he expect that his zeal would forge a monster, an intelligent being set upon Victor's complete destruction.

This is a story from the Canterbury Tales III: Modern Verse Translation collection.

Um mergulho nas fontes e origens do teatro português – eis a proposta de Alexandre Herculano neste ensaio elucidativo e de deliciosa leitura, dado o impecável manuseio da língua portuguesa, tão característico do autor. Herculano destaca Gil Vicente, como não poderia deixar de ser, mas revela também ao leitor nomes menos conhecidos da arte dramática lusitana.

The future is beautiful ... just not for everyone! Ash must escape from his broken war-torn country, fleeing towards mythical Europe, or face murder at the hands of a brutish local warlord. The one slight problem is, few ever survive the horrifying packs of ravenous hunting machines roaming across the depopulated border zone! But his perilous odyssey might be worth it. For in this future Europe, nobody goes hungry or poor. Crime has been as good as abolished, and everyone can pursue their dreams, whatever their passions may be. But when you have the perfect utopia, just how far do the ...

The late 16th-century penal debt bond, which allowed an unsatisfied creditor to seize the body of his debtor, set in motion a series of precedents that would shape the legal, philosophical, and moral issue of property-in-person in England and America for centuries. Focusing on this historical juncture at which debt litigation was not merely an aspect of society but seemed to engulf it completely, Of Bondage examines a culture that understood money and the body of the borrower as comparable forms of property that impinged on one another at the moment of default.

Mit "Also sprach Zarathustra" hat Nietzsche ein faszinierendes Hauptwerk geschaffen, einen Meilenstein der Weltliteratur. In drei zentralen Formeln fasst er seine Philosophie zusammen: der Wille zur Macht, die ewige Wiederkehr des Gleichen und der Übermensch. "Gott ist tot."

Sun Tzu was a famous Chinese general whose mastery of strategy was so exceptional that he reportedly transformed 180 courtesans into skilled soldiers in a single training session. While that episode was likely exaggerated, historians agree that Sun Tzu defeated the Ch'u, Qi, and Chin states for King Ho-Lu, forging his empire. With methods so powerful they can conquer an adversary's spirit, you can use Master Tzu's strategies to overcome any challenge, from warfare to self-defense to business negotiations.

Don't bend; don't water it down; don't try to make it logical; don't edit your soul according to fashion. Rather, follow your most intense obsessions mercilessly. - Franz Kafka. Franz Kafka wrote, I am free that is why I'm lost. Assume, you wake up and the entire world is against you. You want to follow yourself but the people are dominant on you to do what they want. We don't feel chains until we move. Franz Kafka was not a body to be defined but a soul and heart to be felt. When you zoom out on his life, you will find only a miserable life and a soul that was stubborn to his writings and ...

When Tom Sawyer and his best friend, Huck Finn, witness a murder in a cemetery, they become the key to an innocent man’s freedom. Sworn to a blood oath, Tom is forced to choose between friendship and justice at the risk of endangering the lives of his buddy, himself, and his adopted family.

The Antichrist is a book by the philosopher Friedrich Nietzsche, originally published in 1895. Although it was written in 1888, its controversial content caused its publication to be delayed. The German title can be translated into English as either The Anti-Christ or The Anti-Christian, depending on how the German word Christ is translated. Nietzsche claimed in the foreword to have written the book for a very limited readership. In order to understand the book, he asserted that the reader "...must be honest in intellectual matters to the point of hardness to so much as endure my seriousness, my passion."

Intimidated by her father, the rector of Knype Hill, Dorothy performs her submissive roles of dutiful daughter and bullied housekeeper. Her thoughts are taken up with the costumes she is making for the church school play, by the hopelessness of preaching to the poor and by debts she cannot pay in 1930s Depression England. Suddenly her routine shatters and Dorothy finds herself down and out in London. She is wearing silk stockings, has money in her pocket and cannot remember her name.

On an ordinary day in a strangely unfamiliar London, Kleinzeit is fired from his advertising job and told he must go to hospital with a skewed hypotenuse. There on Ward A4, he falls in love with the divine, rosy-cheeked Sister and is sent spinning into a quest involving, among other things, a glockenspiel, sheets of yellow paper, Orpheus, the Underground and that dirty chimpanzee, Death.

As the English language evolves, this wonderfully instructive story is in danger of only being covered as a school requirement by grudging students. That would be a sad loss for all listeners. As an avid listener, teacher, and parent who simply loves this story, Jennifer George adapted this classic book for modern listeners using 21st-century English. The goal is to return this magical novella back into the entertaining story it was when it was written nearly 200 years ago.

This is a story from the Canterbury Tales III: Modern Verse Translation collection.

The First World War shook loose the foundations not only of political structures, but also artistic conventions. New styles of poetry emerged which challenged not just the traditional presentation of poetry, but even the structure and function of language itself. This volume pays tribute to the pioneers who redefined the poetic landscape in this challenging period.

"Fu in una lugubre notte di novembre che vidi la realizzazione delle mie fatiche. Preso da grande angoscia, raccolsi i miei speciali strumenti così da poter infondere una scintilla di vita nella cosa inanimata che giaceva ai miei piedi. Era già l'una di notte; la pioggia picchiettava ossessiva contro i vetri, e la mia candela era quasi consumata, quando, alla debole luce semi-estinta, scorsi l’occhio giallo, fermo, della creatura aprirsi; respirava a fatica e un moto convulso agitava le sue membra. [...]"

In this hilarious, inspiring and provocative series of essays, Kingsley Amis introduces every listener to the wonders and value of science fiction writing. From the extraordinary ideas, but sexless science, of Jules Verne to the power of H. G. Wells's terrifying storytelling; from the brilliance of bad science fiction writing to the potency of their important ideas; from a portrait of the average SF listener to Amis's sad prediction that this genre will never make it in film or television, New Maps of Hell is a warm and witty exploration of a world many may be yet to discover.

In Psychonomics, Morse uses captivating stories to bring to life the often mystifying world of behavioral psychology. We hear tales of beautiful fashion models and brilliant finance models, of MVP quarterbacks and GDP architects. In all of these stories, Morse shows how modern science uses the most advanced techne and experiments to defeat the human mind, and, ultimately, how the mind wins.

Liebe Märchenfreunde, hiermit möchte ich euch mein neues Hörbuch „Alte Märchen neu erzählt“ vorstellen. In diesem zauberhaften Werk habe ich insgesamt 27 klassische Märchen modern umgeschrieben, um sie für die jungen Hörerinnen und Hörer ab dem Grundschulalter neu erlebbar zu machen. Taucht ein in die faszinierende Welt der Gebrüder Grimm mit bekannten Geschichten wie Rotkäppchen, Dornröschen, Rapunzel und Aschenputtel.

Victor Frankenstein, un jeune étudiant brillant, crée de toutes pièces un être à l'apparence humaine. Bien vite, il regrette son geste. En effet, la créature prend l'apparence d'un monstre sanguinaire qui ne pense qu'à semer la mort et le malheur sur son passage et qui persécute son créateur. Au travers de l'histoire de Victor Frankenstein et de son monstre, Mary W. Shelley nous pose la question de l'origine de la cruauté humaine. Le monstre de Frankenstein est rejeté par tous. Il aimerait avoir des relations avec les humains mais ceux-ci le fuient. Il devient alors violent et s'en prend aux personnes qu'il rencontre.