Modern Classics Literature

Steinbeck's first posthumously published work, The Acts of King Arthur and His Noble Knights is a reinterpretation of tales from Malory's Morte d'Arthur. In this highly successful attempt to render Malory into Modern English, Steinbeck recreated the rhythm and tone of the original Middle English.

Lady Charlotte French-McGrath has successfully ruled over her family with a rod of iron until the arrival of Cynthia: beautiful, young, talented, selfish - and engaged to her son, Desmond. When Cynthia enters the Jazz Age, on the surface her life passes in a whirl of hunting, drinking and romance. But the ghosts of Garonlea are only biding their time: they know the source of their power, a secret handed on from one generation to the next.

Orphaned at a young age. Rejected by her stepfamily. Shipped off to boarding school. Has Jane finally found her fairy tale as a live-in tutor for the daughter of the infamously moody yet strangely compelling rap artist Edward Richmond, aka “E.R.”? Maybe Beauty and the Beast. Except she’s no beauty - just plain Jane. And his rock-and-roll lifestyle disturbs and even endangers her. It’s safer following her principles than passion. Yet Jane finds herself simultaneously attracted and repelled by this reputed “bad boy” who seems oddly determined to win her approval.

Millions of pounds have gone missing, and the Department have sent agent Bernard Samson to Washington to track them down. But this mission is just the start of something far deeper and darker. It will take him from the English suburbs to Berlin, the South of France to Los Angeles and the heart of a maelstrom. In the first part of the Hook, Line and Sinker trilogy, friends become enemies, pursuer becomes victim and no one - not even Bernard himself - is above suspicion.

Jim Loney is a mixed-blood, of White and Indian parentage. Estranged from both communities, he lives a solitary, brooding existence in a small Montana town. His nights are filled with disturbing dreams that haunt his waking hours. Rhea, his lover, cannot console him; Kate, his sister, cannot penetrate his world. In sparse, moving prose, Welch has crafted a riveting tale of disenfranchisement.

An excellent collection of creepy ghost stories from some of the most notable names of early horror fiction, including: “The Willows” by Algernon Blackwood, “The Shadows On The Wall” by Mary E. Wilkins Freeman, “The Messenger” by Robert W.Chambers, “Lazarus” by Leonid Andreyev, “The Beast With Five Fingers” by W.F. Harvey, “The Mass Of Shadows” by Anatole France, “What Was It” by Fitz-James O’brien, “The Middle Toe Of The Right Foot” by Ambrose Bierce, “The Shell Of Sense” by Olivia Howard Dunbar, and more!

The nuns who enter a medieval Norfolk convent are told to renounce the world, but the world still finds ways to trouble them, whether it is through fire, floods, pestilence, a collapsing spire, jealous rivalries, a priest with a secret or a plague of caterpillars. As we follow their daily lives over three centuries, this masterpiece of historical fiction recreates a world run by women.

It's Saturday, past midnight, and thick fog rolls in from the river like smoke. Link Williams is standing on the dock when he hears quick footsteps approaching and the gasp of a woman too terrified to scream. After chasing off her pursuer, he takes the woman to a nearby bar to calm her nerves, and as they enter, it's as if the oxygen has left the room: they, and the other patrons, see in the dim light that he's Black and she's white.

What if the remarkable story of Ebenezer Scrooge was true? What if the account was relayed to Dickens, and he turned it into A Christmas Carol? What if the ghostly visitations did not begin or end with Scrooge, but the ghosts of Christmas past, present, and yet to come visit one misanthropic soul in need of reclamation every Christmas Eve? This modern-day sequel to the Charles Dickens classic assumes all of the above. And this time, the spiritual trio’s attentions have been directed to a not-so-nice woman in Philadelphia.

Kenton's career as a journalist depends on his facility with languages, his knowledge of European politics and his quick judgment. Where his judgment sometimes fails him however, is in his personal life. When he travels to Nuremberg to investigate a story about a top-level meeting of Nazi officials, he inadvertently finds himself on a train bound for Austria after a bad night of gambling. Stranded with no money, Kenton jumps at the chance to earn a fee helping a refugee smuggle securities across the border.

Tom Ripley is quietly living in luxury at his chateau at Villeperce. He has a past, however, that would not bear too much close scrutiny. He is certain that he has covered his tracks where murder and forgery are concerned. But when a certain American couple move in next door, he soon realises his every move is being shadowed. Ripley fears his secrets may be discovered, and he will stop at nothing to prevent that from happening.

A Modern Utopia is a 1905 novel by H. G. Wells. Because of the complexity and sophistication of its narrative structure, A Modern Utopia has been called "not so much a modern as a postmodern utopia." The novel is best known for its notion that a voluntary order of nobility known as the Samurai could effectively rule a "kinetic and not static" world state so as to solve "the problem of combining progress with political stability".

Texan billionaire General Midwinter will stop at nothing to bring down the USSR - even if it puts the whole world at risk. The fourth and final novel featuring the cynical, insolent narrator of The IPCRESS File sees him sent from his shabby Soho office to bone-freezing Helsinki in order to penetrate Midwinter's vast anti-Communist network - and stop a deadly virus from wiping out the planet.

When the downtrodden animals of Manor Farm overthrow their master Mr Jones and take over the farm themselves, they imagine it is the beginning of a life of freedom and equality. But gradually a cunning, ruthless élite among them, masterminded by the pigs Napoleon and Snowball, starts to take control. Soon the other animals discover that they are not all as equal as they thought, and find themselves hopelessly ensnared as one form of tyranny is replaced with another.

This is a story from the Canterbury Tales I: Modern Verse Translation collection. Chaucer's greatest work, written towards the end of the fourteenth century, paints a brilliant picture of medieval life, society and values. The stories range from the romantic, courtly idealism of "The Knight's Tale" to the joyous bawdy of the Miller's; all are told with a freshness and vigor in this modern verse translation that make them a delight to hear.

When a troubled young runaway arrives on Tom Ripley's French estate, he is drawn into a world he thought he'd left behind: the seedy underworld of Berlin, involving kidnapping plots, lies and deception. Ripley becomes the boy's protector as friendship develops between the young man with a guilty conscience and the older one with no conscience at all.

Victor Frankenstein learns how to create life and creates a being in the likeness of man, but larger and more powerful than the average man. Frankenstein rejects the creature, and lives to regret his desire to create life, after it kills his brother William. Frankenstein is a warning against the "over-reaching" of modern man and the Industrial Revolution, alluded to in the novel's subtitle, The Modern Prometheus.

Each of the best-selling writers represented in these selections from Legends II returns to the fantasy universe he or she made famous throughout the world. Whether set before or after events already recounted elsewhere, whether featuring beloved characters or compelling new creations, these masterful short novels are both mesmerizing stand-alones - perfect introductions to the work of their authors - and indispensable additions to the epics on which they are based.

"Kafka erscheint uns rätselhaft, dabei schreibt er doch eigentlich in einer schlichten Prosa, seine Schilderungen sind präzise, seine Personen reden in einfachen Worten und es wird weder um das, was sie tun, noch um das, das sie reden, noch um das, was ihnen zustößt, ein großes Gewese gemacht. Aber wir verstehen nicht. Oder glauben, nicht zu verstehen. Oder wir verstehen, können aber nicht sagen, was eigentlich. Wir glauben immer etwas anderes, Drittes ausmachen zu müssen, das mit dem, was dort passiert, eigentlich bezeichnet wird, wir versuchen, das Rätsel zu lösen.

This is a story from the Canterbury Tales II: Modern Verse Translation collection.