Middle East Revolution

Analysis of High Dam cinema during the July period through cinematic production and direction after the July Revolution. Analysis of the scenario, dialogue, and messages contained in the artworks, analysis of the artistic production process, and how High Dam cinema was presented through cinema at that time, and why.

Analysis of women's cinema during the July period through film production and direction after the July Revolution. Analysis of the scenario, dialogue, and messages contained in the artworks, analysis of the artistic production process, and how women’s cinema was presented through cinema at that time, and why.

Analysis of cinema criticizing the Egyptian situation during the July period through cinematic production and direction after the July Revolution. Analysis of the scenario, dialogue, and messages contained in the artistic works, analysis of the artistic production process, and how cinema criticizing the Egyptian situation was presented through cinema at that time, and why.

In a refugee camp in southern Turkey, Elliot Ackerman sits across the table from Abu Hassar, who fought for Al Qaeda in Iraq and has murky connections to the Islamic State. At first, Ackerman pretends to have been a journalist during the Iraq War, but after he establishes a rapport with Abu Hassar, he reveals that in fact he was a marine.

This is a remarkable memoir of a young girl, growing up in the tumultuous revolutionary Iran in the 80’s, which resonates once again with today's horrendous arrest and executions of many young men and women in Iran. The author chronicles her early childhood with her Bibi (grandmother) as well as her imprisonment at the age of eighteen on trumped-up political charges. During her brutal incarceration in the women’s cell block of the Shiraz Adelabad Prison in the southern Iran, she was tortured and made to live in harsh over-crowded conditions among many other young women, mostly high ...