Memoir Essays

This collection of humorous columns for a rural parish magazine reflects life all year round in a small English village in the beautiful Cotswolds countryside where the author has lived since 1991. Easy to dip into, this light-hearted volume provides entertaining reading for anyone interested in modern rural community life and the real-life equivalent of the fictional village of Wendlebury Barrow, the parish that is the setting for Debbie Young's fiction books. It is the sequel to All Part of the Charm, a collection of nostalgic essays and parish magazine columns. Debbie Young also writes...

“Giorgio’s compassion is memorable.” –KIRKUS REVIEW It wasn’t a typical response to depression. Reaching a new low in her life, Kathie Giorgio, a natural skeptic, decides to fight her sadness by publically posting one moment of happiness every day on Facebook. The response is overwhelming. People flock to her page to see each day’s new post. Soon, Kathie launches Today’s Moment Of Happiness Despite The News as her blog. She vows to continue this daily Today’s Moment for a year. And what a year! Her husband loses his job not once, but twice. Her autistic daughter is so ...

After death, Townes Van Zandt found the success that he sabotaged during life. Diagnosed as bipolar, an alcoholic, and perennially unreliable, Van Zandt died of heart failure at the age of 52 on New Year’s Day in 1997. He released 16 albums during life. Since his death, several more albums have been released, both by and in honor of him.

Back when restaurant menus were still printed on paper, and wearing a mask—or not—was a decision made mostly on Halloween, David Sedaris spent his time doing normal things. As Happy-Go-Lucky opens, he is learning to shoot guns with his sister, visiting muddy flea markets in Serbia, buying gummy worms to feed to ants, and telling his nonagenarian father wheelchair jokes. But then the pandemic hits, and like so many others, he's stuck in lockdown, unable to tour and read for audiences, the part of his work he loves most.

White is Bret Easton Ellis's first work of nonfiction. Already the bad boy of American literature, from Less Than Zero to American Psycho, Ellis has also earned the wrath of right-thinking people everywhere with his provocations on social media, and here he escalates. Eschewing convention, he embraces views that will make many in literary and media communities cringe, as he takes aim at anti-Trump fixation, coastal elites, corporate censorship, Hollywood, identity politics, Generation Wuss, "woke" cultural watchdogs, and more.

The last 20 years have brought us the rise of the Internet, the development of artificial intelligence, the ubiquity of once unimaginably powerful computers, and the thorough transformation of our economy and society. Through it all, Ellen Ullman lived and worked inside that rising culture of technology, and in Life in Code she tells the continuing story of the changes it wrought with a unique, expert perspective.

An inquisitive observer, thoughtful commentator, and assiduous craftsman, Neil Gaiman has long been celebrated for the sharp intellect and startling imagination that informs his fiction. Now The View from the Cheap Seats brings together, for the first time ever, more than 60 works of his outstanding nonfiction on topics and people close to his heart.

In her fiction, Claire Messud "has specialized in creating unusual female characters with ferocious, imaginative inner lives" (Ruth Franklin, New York Times Magazine). Kant’s Little Prussian Head & Other Reasons Why I Write opens a window on Messud’s own life: a peripatetic upbringing; a warm, complicated family; and, throughout it all, her devotion to art and literature.

“I am fat,” begins Judith Moore’s unflinching account of her life. As she describes her obsessions with food, struggles with self image and troubled relationships, she refuses to become an object of pity. Moore is the recipient of two NEA grants and a Guggenheim fellowship. Her previous book, also a memoir, was a New York Times Notable Book of the Year.

At nine years old, D. Watkins has three concerns in life: picking his dad’s Lotto numbers, keeping his Nikes free of creases, and being a man. Directly in his periphery is east Baltimore, a poverty-stricken city battling the height of the crack epidemic just hours from the nation’s capital. For 30 years, Watkins is forced to safeguard every moment of joy he experiences or risk losing himself entirely. Now, for the first time, Watkins harnesses these moments to tell the story of how he matured into the D. Watkins we know today.

From the Chicago neighborhoods where she grew up and set her groundbreaking The House on Mango Street to her abode in Mexico in a region where “my ancestors lived for centuries,” the places Sandra Cisneros has lived have provided inspiration for her now-classic works of fiction and poetry. But a house of her own, where she could truly take root, has eluded her. With this collection—spanning three decades, and including never-before-published work—Cisneros has come home at last.

As always, Crosley's voice is fueled by the perfect witticism, buoyant optimism, flair for drama, and easy charm in the face of minor suffering or potential drudgery. But in How Did You Get This Number it has also become increasingly sophisticated, quicker and sharper to the point, more complex and lasting in the emotions it explores. And yet, Crosley remains the unfailingly hilarious young Everywoman, healthily equipped with intelligence and poise to fend off any potential mundanity in maturity.

A "Proustian minimalist on the order of Lydia Davis" ( Kirkus Reviews), Sarah Manguso is one of the finest literary artists at work today. To hear her work is to witness acrobatic acts of compression in the service of extraordinary psychological and spiritual insight. 300 Arguments, a foray into the frontier of contemporary nonfiction writing, is at first glance a group of unrelated aphorisms.

Irena is a Russian Jewish immigrant, a PhD in comparative literature, a former Stanford admissions officer, and a private college counselor in Palo Alto, California—a city where everyone has to be good at something and where success often means the name of a prestigious college on the back of a late-model luxury car. But as Irena works with some of the most ambitious, tightly wound students in the world, she struggles to keep her own family from unraveling, and that sharp-edged divide lies at the heart of her memoir.

The Memory Chalet is a memoir unlike any you have ever experienced before. Each essay charts some experience or remembrance of the past through the sieve of Tony Judt's prodigious mind.

Setting out to create a collection of J. Frank Dobie’s writing that brings him to life and makes him relevant to current generations, Steven L. Davis has combed through the works of this renowned Texas author, gathering together in one volume Dobie’s most vital writings. Dobie’s stories and essays here are meticulously edited to prune away some of the brushy undergrowth and bring Dobie’s folksy, erudite voice bounding back to life.

Sound interesting? Listen to Secret Societies and Subversive Movements and learn about the author's views on politics, history, and the occult.

A rollicking journey through the wild world of real estate, Life Would Be Perfect If I Lived in That House is the story of "a very imperfect life lived among very imperfect houses" and one woman's obsession with the search for four walls (along with, preferably, a roof not in need of replacing) to call home. In the six houses and many states where Meghan Daum spent her suburban childhood, for the Daum family, "if there was anything that came close to a regular weekend activity it was attending open houses."

"Reporters love murders," Calvin Trillin writes in the introduction to Killings. "In a pinch, what the lawyers call 'wrongful death' will do, particularly if it's sudden." Killings, first published in 1984 and expanded for this edition, shows Trillin to be such a reporter, drawn time after time to tales of sudden death. But Trillin is attracted less by violence or police procedure than by the way the fabric of people's lives is suddenly exposed when someone comes to an untimely end.

As for me, if it were not for you (Papa), never would I have been to the places I have been and done the things I have done, which have shaped me into the writer, teacher, and reader I am. One might say Fiza Pathan’s father started her on a path toward books. He wanted a boy child and got a girl, and as a result, Fiza went to live with her mother and uncle at her grandmother’s house. This book of personal essays documents the relationship Fiza Pathan has had with the many libraries, secondhand bookshops, boutique bookstores, and writing haunts that have made her into the writer, ...