Memoir Essays

Author Lucy-Anne Holmes has spoken to women from around the globe, ranging in age from 19-75, as they reveal their innermost thoughts and feelings during sex. The result is an incredible compendium of true disclosures that are funny and sad, shocking and tender. Women on Top of the World will be a provocative collection of female voices. It promises to contribute to the changing way women are now talking about their sexuality, and their journeys toward self-discovery.

How do you become a television writer? What does it take to create your own show? Did the writers of Lost really have a plan, or were they making it all up as they went? In a career spanning far longer than he cares to admit, Javier Grillo-Marxuach has not only written for some of your favorite (and not-so-favorite) shows.

In letters addressed to their friends, to members of their family - both biological and chosen - and to fellow storytellers, Akwaeke describes the shape of a life lived in overlapping realities. Through heartbreak, chronic pain, intimacy with death, becoming a beast, this is embodiment as a nonhuman: outside the boundaries imposed by expectations and legibility. This book is an account of the gruelling work of realignment and remaking necessary to carve out a future for oneself. The result is a black spirit memoir: a powerful, raw unfolding of identity.

In this stunning debut, Laura Lee weaves unforgettable and eye-opening essays on a variety of taboo topics. In “History of Scars” and “Aluminum’s Erosions”, Laura dives head-first into heavier themes revolving around intimacy, sexuality, trauma, mental illness, and the passage of time. In “Poetry of the World”, Laura shifts and addresses the grief she feels by being geographically distant from her mother whom, after being diagnosed with early onset Alzheimer’s, is relocated to a nursing home in Korea.

At the heart of every essay in Elisabeth Sharp McKetta’s lively collection is the same question: How does one grow up without losing oneself? McKetta braids deceptively simple stories of her own life with the rich undercurrent of familiar childhood tales to reveal things personal, universal, and as close to the truth as possible.

Marc Hamer has designed and nurtured 12 acres of garden for over two decades. It is rarely visited, so he is the only person who fully knows its secrets; but it is not his own. His relationship with the garden’s owner is both distant and curiously intimate, steeped in the mysterious connection which exists between two people who inhabit the same space in very different ways. Marc takes us month-by-month through his experiences both working in the garden and outside it, as the seasons’ changes bring new plants and wildlife and lead him to reflect on his past and future.

In a series of intimate and humorous dispatches, McOuat examines her identity as a queer woman, and as a mother, through the lens of the pop culture moments in the '80s and '90s that molded her identity. McOuat stirs the ingredients required to conjure an unsettled spirit: the horrors of pregnancy and motherhood, love and loss, the supernatural, kaleidoscopic sexuality, near-miss experiences, and the unexplained moments in life that leave you haunted.

Khabaar is a food memoir and personal narrative that braids the global journeys of South Asian food through immigration, migration, and indenture. Focusing on chefs, home cooks, and food stall owners, the book questions: What does it mean to belong, and what does belonging in a new place look like in the foods carried over from the old country?

When her husband asked for a divorce after 25 years of marriage, Rebecca Winn felt untethered physically, spiritually, and emotionally. The security she'd had in her marriage was suddenly replaced by an overwhelming sense of fear, hopelessness, and dread. She felt invisible and alone and was horrified to consider that her deepest longing - to know and be known by another person - might never be realized. But from this fear emerged a powerful desire to answer one of life's most profound questions: How can we ever know another person if we do not truly know ourselves?

自ら災難に突進する性癖ゆえの艱難辛苦を乗り越え92年間生きて来た佐藤さんだからからこそ書ける緩急織り交ぜた文章は、人生をたくましく生きるための箴言も詰まっていて、大笑いした後に深い余韻が残ります。

ぜひ日本最高峰の名エッセイをご堪能ください。

Trost finden. In einer Welt, die so überwältigend, ängstigend, fordernd sein kann. Trost finden im Empfinden von Schönheit, weil das, so Gabriele von Arnim, nicht weniger ist als Selbsterhalt. "Ich brauche Schönheit. Den Trost der Schönheit. Denn wenn ich Schönheit sehe, höre, lese, spüre, dann glaube ich an Möglichkeiten. An Wege, Räume, Purzelbäume." "Der Trost der Schönheit" ist eine schillernde Verbindung aus autobiografischem und essayistischem Erzählen: keine Kulturgeschichte, die ihren Gegenstand mit Theorie einhegen will, sondern eine literarische Spurensuche.

Sandra Brown revisits two pivotal Christmases from her own past in this heartfelt and intimate essay. One needn't be familiar with Brown's previous works to be deeply moved by this personal reflection on the meaning of family, faith, celebration, and generosity: but fans will find it a unique and special insight into the New York Times best-selling author's life and values.

In a letter to her six-year-old daughter, Julietta Singh ventures toward a tender vision of the future, lifting up children’s radical embrace of possibility as a model for how we might live. If we wish to survive the looming political and ecological crises of our day, Singh contends, we must break from the conventions we have inherited, and orient ourselves toward revolutionary paths that might yet set us free. The Breaks celebrates queer family-making, communal living, and Brown girlhood, complicating the US’ stark binaries.

We treat the body as an afterthought, until it no longer can be. Until the pain or the pleasure is too great. Sinéad Gleeson's life has been marked by terrible illness, including leukemia and debilitating arthritis. As a child, she bathed in the springs of Lourdes, ever hopeful that her body would cooperate, ever looking forward to the day when she could take her body for granted. But just as she turns inward to explore her own pain, and then the marvel of recovery, and then the arrival of her greatest joys—falling in love, becoming a mother—she turns her gaze outward.

大王製紙社長の長男として、幼少時代は1200坪の屋敷で過ごし、東大法学部に現役合格。27歳で赤字子会社を立て直し、42歳で本社社長就任。順調な経営、華麗なる交遊……すべてを手にしていたはずの

「40代女の生き方のバリエーションが増えている」「女の敵は女じゃない」「人間は役に立つことのために生きているわけじゃない」……。もう一度会いたかった8人と語り合い見えてきた生きる姿勢は、

Best-selling and Booker Prize-winning author Salman Rushdie offers incisive, often humorous takes on literature, culture, and world events in this New York Times Notable Book. In these stimulating pieces, Rushdie addresses a variety of subjects, including the death of the novel, India, soccer, and the Rolling Stones.

"Panikherz" war eine Reise ins Innere. Nun geht es in die umgekehrte Richtung: nach draußen, zu den anderen. Mit Boris Becker schaut er in Wimbledon das berühmte Finale von Wimbledon. Mit Helmut Dietl scheitert er in Berlin wegen Berlin an Berlin. Dem Freund Christian Ulmen schaut er zu bei der Verwandlung in "Christian Ulmen". Mit Ferdinand von Schirach schweigt er in der Schreibklausur über das Schreiben. Bei Madonna live in L. A. entdeckt er wahrhaftige Künstlichkeit.

Leaping from ballet to quiltmaking and from the The Nutcracker to an Annie-B Parson interview, Idiophone is a strikingly original meditation on risk-taking and provocation in art and a unabashedly honest, funny, and intimate consideration of art-making in the context of motherhood, and motherhood in the context of addiction. Amy Fusselman’s compact, beautifully digressive essay feels both surprising and effortless, fueled by broad-ranging curiosity, and, fundamentally, joy.

Youth and frailty, ambition and anxiety, the limitations of the body and the challenges of personal transformation: these are the undercurrents that animate acclaimed poet Ashleigh Young's first collection of essays. In Can You Tolerate This? - the title comes from the question chiropractors ask to test a patient's pain threshold - Young ushers us into her early years in the faraway yet familiar landscape of New Zealand: fantasizing about Paul McCartney, cheering on her older brother's fledging music career, and yearning for a larger and more creative life.