Memoir Essays

大人が、自分自身に満足するための25篇

巨万の富や名誉を手に入れたあと、次に人が欲しくなるのは、この夕焼け空なのかもしれない。(本文より)


『悪人』『横道世之介』『さよなら渓谷』『怒り』などの ベストセラーで知られる芥川賞作家・吉田修一が、 日々を懸命に生きている大人たちに贈る、 どこまでも前向きで心に沁みる50篇のエッセイです。

大人たちを縛る「記憶」との上手な付き合い方がしみじみ伝わってくる 『泣きたくなるような青空』の25篇、自分自身がいかに唯一無二でユニークなのかをあらためて自覚できる『最後に手にしたいもの』の25篇の、2冊同時発売。

また、出版業界としては異例の
・紙書籍
・電子書籍
・audible(本を耳で楽しむオーディオブック)

の3媒体同時発売!
audibleは『泣きたくなるような青空』を高良健吾さん、『最後に手にしたいもの』を眞島秀和さんに朗読いただきます。

Across these twenty fresh and boldly intimate stories, Erin Riley writes about the things that matter most: family, heartbreak, humanity, justice and swimming, and the messy, hard graft of becoming one's authentic self. In weaving together their everyday while questioning society and its structures, Erin gifts us stories that double as a manifesto on how to disrupt and reinvent narrative, identity, love and community.

Edited by Krishna Ramanujan and Guillermo Rodríguez, Journeys offers access to Ramanujan's personal diaries and journals, providing a window into his creative process. It will include literary entries from his travels, his thoughts on writing, poetry drafts, and dreams. His diaries and journals served as fertile ground where he planted the seeds for much of his published work....

Throughout his 25-year journalistic career, David Carr was noted for his sharp and fearless observations, his uncanny sense of fairness and justice, and his remarkable compassion and wit. His writing was informed both by his own hardships as an addict, and his intense love of the journalist's craft. His range - from media politics to national politics, from rock-n-roll celebrities to the unknown civil servants who make our daily lives function - was broad and often timeless.

In Bookends, Pulitzer Prize-winning author Michael Chabon offers a compilation of pieces about literature - age-old classics as well as his own - that presents a unique look into his literary origins and influences, the books that shaped his taste and formed his ideas about writing and reading.

Una colección de 35 ensayos y poemas audaces, importantes e innovadores de inmigrantes, refugiados y soñadores, incluidos escritores, artistas y activistas galardonados, que iluminan la experiencia de vivir sin documentos.

In this new anecdotal book, the unstoppable Dickie Bird takes one County Cricket Club at a time and revisits each with the aid of memorabilia, statistics, books and videos. A mass of new hilarious stories flow from Dickie as he flexes his memory: he describes the cricketers, the matches and the character of these clubs. Dickie also relives his journeys as a umpire to clubs and Test match arenas overseas and recalls the humorous times that have filled his unique career.

When Michael Gustafson and his wife Hilary opened Literati Bookstore in Ann Arbor, Michigan, they put out a typewriter for anyone to use. They had no idea what to expect. Would people ask metaphysical questions? Write mean things? Pour their souls onto the page? Yes, no, and did they ever. Every day, people of all ages sit down at the public typewriter. Children perch atop grandparents' knees, both sets of hands hovering above the metal keys: I LOVE YOU. Others walk in alone on Friday nights and confess their hopes: I will find someone someday.

動物とヒトの違いはなにか？　私たちヒトの意識と感覚に関する思索――それは人間関係やデジタル社会での息苦しさから解放される道にもなる。「考え方ひとつで人生はしのぎやすくなりますよ」、

You Don’t Know Us Negroes is the quintessential gathering of provocative essays from one of the world’s most celebrated writers, Zora Neale Hurston. Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military, and school integration, Hurston’s writing articulates the beauty and authenticity of Black life as only she could.

大宅賞、講談社ノンフィクション賞、ダブル受賞に輝いた感動ノンフィクション!敗戦から12年目に遺族が手にした6通の遺書。ソ連軍に捕われ、極寒と飢餓と重労働のシベリア抑留中に死んだ男のその遺書は

After a childhood spent learning survival strategies in the wilderness, Jen Percy thought she knew how she would respond in the face of danger. But a series of unsettling interactions with men left her feeling betrayed and confounded by her body's passivity. Forced to reckon the myths of her own empowerment, Percy set off a broader inquiry into the way fear shapes behavior in the context of sexual violence, including the strange behaviors of three generations of women in her family.

Kendra Allen’s first collection of essays—at its core—is a bunch of mad stories about things she never learned to let go of. Unifying personal narrative and cultural commentary, this collection grapples with the lessons that have been stored between parent and daughter. These parental relationships expose the conditioning that subconsciously informed her ideas on social issues such as colorism, feminism, war-induced PTSD, homophobia, marriage, and “the n-word,” among other things.

Martin Luther King Jr. may be America's most revered political figure, commemorated in statues, celebrations, and street names around the world. But despite his stature, the significance of King's writings and political thought remains underappreciated. In To Shape a New World, Tommie Shelby and Brandon Terry state that the marginalization of King's ideas reflects a romantic consensus history that renders the civil rights movement inherently conservative - an effort not at radical reform but at "living up to" enduring ideals laid down by the nation's founders.

When her husband asked for a divorce after 25 years of marriage, Rebecca Winn felt untethered physically, spiritually, and emotionally. The security she'd had in her marriage was suddenly replaced by an overwhelming sense of fear, hopelessness, and dread. She felt invisible and alone and was horrified to consider that her deepest longing - to know and be known by another person - might never be realized. But from this fear emerged a powerful desire to answer one of life's most profound questions: How can we ever know another person if we do not truly know ourselves?

When Abbi Jacobson announced to friends and acquaintances that she planned to drive across the country alone, she was met with lots of questions and opinions: why wasn't she going with friends? Wouldn't it be incredibly lonely? The North route is better! Was it safe for a woman? The Southern route is the way to go! You should bring mace! And a common one...why? But Abbi had always found comfort in solitude and needed space to step back and hit the reset button.

'Indian-Australian' is not a one-size-fits-all descriptor. Given the depth and richness of diversity of the Indian subcontinent, it is fitting that its diaspora is similarly varied. Growing Up Indian in Australia reflects and celebrates this vibrant diversity. It features contributions from Australian-Indian writers, both established and emerging, who hail from a wide range of backgrounds, religions and experiences. This colorful, energetic anthology offers reflections on identity, culture, family, food and expectations, ultimately revealing deep truths about both Australian and Indian life.

In five short essays, the award-winning writer dissects the nervous condition of being not only Black, and not only a woman, but also quote-unquote "postcolonial". Weaving together the experiences, events, intersections and negotiations of her multifaceted identity, Dangarembga offers a powerful vision of Black liberation.

In this new collection of nonfiction from the celebrated author of Zorrie, Laird Hunt uses fiction as an inspiration, a tool, even an obsession, employing its methods to get to the heart of experience. The “sizzling” work of Jane Bowles colors his wanderings through Palermo while a London museum trip provokes a consideration of taxidermy’s storytelling potential and fairytales blend with echoes of W. G. Sebald, Willa Cather, and László Krasznahorkai.

Leaping from ballet to quiltmaking and from the The Nutcracker to an Annie-B Parson interview, Idiophone is a strikingly original meditation on risk-taking and provocation in art and a unabashedly honest, funny, and intimate consideration of art-making in the context of motherhood, and motherhood in the context of addiction. Amy Fusselman’s compact, beautifully digressive essay feels both surprising and effortless, fueled by broad-ranging curiosity, and, fundamentally, joy.