Memoir Essays

In this self-portrait by an American genius, Kurt Vonnegut writes with beguiling wit and poignant wisdom about his favorite comedians, country music, a dead friend, a dead marriage, and various cockamamie aspects of his all-too-human journey through life. This is a work that resonates with Vonnegut's singular voice: the magic sound of a born storyteller mesmerizing us with truth.

My name is Betty. I have depression. I have passion. I have tits the size of printers. And also: I have a brain full of women. There’s Blanche VonF--kery, Ingrid St. Rash, and a host of others—some cowering in sweatpants, some howling plans for revolution, and one, oh God, and one . . . slowly vomiting up a crow? Worried for her. These women take turns at the wheel. That’s why I feel like a million selves. With a raised eyebrow and a soul-scalpel, I’d like to tell you how I got this way. Because maybe you feel this way too.

After a 12-year absence, a real-life prodigal seeks to serve his hometown, New Auburn, Wisconsin, population: 485, by joining the volunteer fire and rescue department. In a place where men post claims of manhood on bug deflectors, where the local vigilante is a farmer's wife with a pistol and a Bible, and where the most senior firefighter is a cross-eyed butcher with one kidney and two ex-wives, writer Michael Perry sets out "to meet my neighbors at the invitation of the fire siren".

Austin Channing Brown’s first encounter with a racialized America came at age seven, when she discovered her parents named her Austin to deceive future employers into thinking she was a white man. Growing up in majority-white schools and churches, Austin writes, “I had to learn what it means to love blackness,” a journey that led to a lifetime spent navigating America’s racial divide as a writer, speaker, and expert helping organizations practice genuine inclusion.

Amanda ha tenido siempre una mirada aguda e irónica acerca de sí misma y de quienes la rodean: sabe estar sola y acompañada. Sin embargo, en este libro nos revela dos aspectos de su ser menos conocido: su destreza informal para la fabulación: sabe relatar historias breves por medio de un ritmo más seductor que acosador. Y, por otra parte, abandona la guerra cotidiana que libra a cada momento de su vida como artista popular y nos propone a un ser menos glamuroso, pero más humano.

In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s.

At six years old, Terry was told by his headteacher that he would never amount to anything. He spent the rest of his life proving that teacher wrong. At 66, Terry had lived a life full of achievements: becoming one of the UK's best-selling writers, winning the Carnegie Medal and being awarded a knighthood for services to literature. Following his untimely death from Alzheimer's disease, the mantle of completing Terry's memoir was passed to Rob Wilkins, his former assistant, friend and now head of the author's literary estate.

Joan Didion has always kept notebooks: of overheard dialogue, observations, interviews, drafts of essays and articles—and here is one such draft that traces a road trip she took with her husband, John Gregory Dunne, in June 1970, through Louisiana, Mississippi, and Alabama. She interviews prominent local figures, describes motels, diners, a deserted reptile farm, a visit with Walker Percy, a ladies' brunch at the Mississippi Broadcasters' Convention.

From the New York Times-best-selling author Sloane Crosley comes Look Alive Out There - a brand-new collection of essays filled with her trademark hilarity, wit, and charm. The characteristic heart and punch-packing observations are back, but with a newfound coat of maturity. A thin coat. More of a blazer, really. Fans of I Was Told There'd Be Cake and How Did You Get This Number know Sloane Crosley's life as a series of relatable but madcap misadventures.

Bestselling true-crime master Harold Schechter explores the real-life headline-making psychos, serial murderers, thrill-hungry couples, and lady-killers who inspired a century of classic films.

Salman Rushdie is celebrated as “a master of perpetual storytelling” (The New Yorker), illuminating truths about our society and culture through his gorgeous, often searing prose. Now, in his latest collection of nonfiction, he brings together insightful and inspiring essays, criticism, and speeches that focus on his relationship with the written word and solidify his place as one of the most original thinkers of our time.

Amber A’Lee Frost came to New York City as a working class activist in a punk band, arriving just before the start of Occupy Wall Street—the first major event in decades for a socialist movement that was nearly extinct at the turn of the century. She's been at the vanguard of radical politics ever since. Dirtbag is a much-anticipated debut from one of the greatest emerging writers in modern socialism. This memoir is more than Frost’s story; it is also the story of the only movement that has a chance to reshape our world.

This “celebration of the world of books” (Kirkus) from New York Times bestselling author James Patterson is a collection of riveting stories celebrating the heroic efforts of the people who are on the front lines getting our books into the world.​

In her fiction, Claire Messud "has specialized in creating unusual female characters with ferocious, imaginative inner lives" (Ruth Franklin, New York Times Magazine). Kant’s Little Prussian Head & Other Reasons Why I Write opens a window on Messud’s own life: a peripatetic upbringing; a warm, complicated family; and, throughout it all, her devotion to art and literature.

In To Name the Bigger Lie, Sarah Viren “has pulled off a magic trick of fantastic proportion” (The Washington Post), telling the story of an all-too-real investigation into her personal and professional life that she expands into a profound exploration of the nature of truth. The memoir begins as Viren is researching what she believes will be a book about her high school philosophy teacher, a charismatic instructor who taught her and her classmates to question everything—eventually, even the reality of historical atrocities.

With humor and self-deprecation, poignancy and bite, this audiobook presents observations on my life before the law, my forty-one years in the law, and my life after I left. If you are considering a career pivot, you will find that these essays are both funny and on point; and you will experience a sense of community—you are not alone.

With the virtuosic synthesis of memoir, criticism, and journalism for which she has become known, Leslie Jamison offers us 14 new essays that are by turns ecstatic, searching, staggering, and wise. In its kaleidoscopic sweep, Make It Scream, Make It Burn creates a profound exploration of the oceanic depths of longing and the reverberations of obsession. Among Jamison's subjects are 52 Blue, deemed "the loneliest whale in the world"; the eerie past-life memories of children; the devoted citizens of an online world called Second Life; and more...

Acclaimed essayist and bookseller Mary Laura Philpott presents a charmingly relatable and wise memoir in essays about what happened after she checked off all the boxes on her successful life’s to-do list and realized she might need to reinvent the list - and herself.

Consisting of over 20 years of letters, essays, reflections, and interviews, Frantumaglia is a unique depiction of an author who embodies a consummate passion for writing. Ferrante answers many of her listeners’ questions. She addresses her choice to stand aside and let her books live autonomous lives.

The way essayist, Jonathan Franzen writes, is like “a fire-fighter, whose job, while everyone else is fleeing the flames of shame, is to run straight into them.” For the past 25 years, even as his novels have earned him worldwide acclaim, Franzen has led a second life as a risk-taking essayist. Now, at a moment when technology has inflamed tribal hatreds, he is back with a new collection of essays that recall us to more humane ways of being in the world. Franzen’s great loves are literature and birds, and The End of the End of the Earth is a passionate argument for both.