Memoir Essays

The author writes with perfect pitch as she takes us through one woman's life - from childhood to marriage and beyond - and memorably captures the collision of youthful longing and the hard intransigencies of time and fate.

So, this is me. Lily Allen. I am a woman. I am a mother. I was a wife. I drink. I have taken drugs. I have loved and been let down. I am a success and a failure. I am a songwriter. I am a singer. I am all these things and more. When women share their stories, loudly and clearly and honestly, things begin to change - for the better. This is my story.

Jill Gutowitz’s life—for better and worse—has always been on a collision course with pop culture. There’s the time the FBI showed up at her door because of something she tweeted about Game of Thrones. The pop songs that have been the soundtrack to the worst moments of her life.

From the New York Times-best-selling author Sloane Crosley comes Look Alive Out There - a brand-new collection of essays filled with her trademark hilarity, wit, and charm. The characteristic heart and punch-packing observations are back, but with a newfound coat of maturity. A thin coat. More of a blazer, really. Fans of I Was Told There'd Be Cake and How Did You Get This Number know Sloane Crosley's life as a series of relatable but madcap misadventures.

At a remote little inn not far from the Kansas homestead of Laura Ingalls Wilder lived the Bender family. These pioneers welcomed unwary visitors with jackrabbit stew and a sledgehammer to the skull. In time, their apple orchard gave up its secrets - a burial ground for their mutilated victims, each stripped of their possessions. The devilish enterprise on “Hell’s Half-Acre” would earn the Bloody Benders an undying place in the annals of American infamy. But it was the mysterious fate of eldest daughter, Kate, that would make them the stuff of mythic campfire prairie tales.

Entwined explores the fuzzy lines between friendship, romance, and family with various essay forms, including a play, an advice column, and a love letter. Rather than wallowing in the throes of jealousy, this collection celebrates the hard work, humor, and wisdom needed to create a love life that resists conventional narratives.

Annie Liontas suffered multiple concussions in her thirties. In Sex with a Brain Injury, she writes about what it means to be one of the “walking wounded,” facing her fear, her rage, her physical suffering, and the effects of head trauma on her marriage and other relationships. Forced to reckon with her own queer mother’s battle with addiction, Liontas finds echoes in their pain. Liontas weaves history, philosophy, and personal accounts to interrogate and expand representations of mental health, ability, and disability—particularly in relation to women and the LGBT community.

In this hilarious and intimate essay collection, Alyssa navigates life as a wild-hearted woman and her thrilling career as a sex, relationship, and celebrity writer in New York City. From double-booking an interview with Sarah Jessica Parker and an abortion appointment and unsuccessfully quitting sex and men entirely to have a baby via an anonymous sperm donor, Alyssa's essays paint a deeply genuine, romantic, and uproarious portrait of a woman who craves both love and lust, and refuses to settle or sacrifice her fierce inner-spirit, sometimes to her own regret and detriment.

Calvin Trillin has reported serious pieces across America for The New Yorker, covered the civil rights movement in the South for Time, and written comic verse for The Nation. But one of his favorite subjects over the years—a superb fit for his unique combination of reportage and humor—has been his own professional environment: the American press.

In sixteen essays published over the past decade, acclaimed novelist Elisa Albert considers everything from the creative process to reproductive justice, ambition to Ani DiFranco, Judaism to the ethos of punk, all in the midst of making a home in the strange city of Albany, New York.

In this tender, funny, and sharp companion to her acclaimed memoir-in-essays Amateur Hour, Kimberly Harrington explores and confronts marriage, divorce, and the ways love, loss, and longing shape a life.

“I am fat,” begins Judith Moore’s unflinching account of her life. As she describes her obsessions with food, struggles with self image and troubled relationships, she refuses to become an object of pity. Moore is the recipient of two NEA grants and a Guggenheim fellowship. Her previous book, also a memoir, was a New York Times Notable Book of the Year.

A unique survivor memoir. Essays that range from heartwarming to brutal. Individual trigger warnings (TW) allow listeners to practice self-care. Washington State native Mary Knight, MSW, experienced various forms of child sex trafficking, sometimes in her own home. Her parents were her pimps. Knight's current life is filled with safety, love, joy, and children. Happily married, she is a child advocate, a foster parent, and a grandmother.

The crônica, a literary genre peculiar to Brazilian newspapers, allows writers, or even soccer stars, to address a wide readership on any theme they like. Chatty, mystical, intimate, flirtatious, and revelatory, Clarice Lispector’s pieces for the Saturday edition of Rio’s leading paper, the Jornal do Brasil, from 1967 to 1973, take the forms of memories, essays, aphorisms, and serialized stories. Endlessly delightful, her insights make one sit up and think, whether about children or social ills or pets or society women or the business of writing or love.

A classic of modern travel writing, An Area of Darkness is Nobel Laureate V. S. Naipaul’s profound reckoning with his ancestral homeland and an extraordinarily perceptive chronicle of his first encounter with India. Traveling from the bureaucratic morass of Bombay to the ethereal beauty of Kashmir, from a sacred ice cave in the Himalayas to an abandoned temple near Madras, Naipaul encounters a dizzying cross-section of humanity: browbeaten government workers and imperious servants, a suavely self-serving holy man, and a deluded American religious seeker.

When Seth Kantner's Ordinary Wolves was published, it was a literary revelation of sorts. In a raw, stylized voice, it told the story of a white boy growing up with homesteading parents in Arctic Alaska and trying to reconcile his largely subsistence and Native-style upbringing with the expectations and realities tied to his race. It hit numerous bestseller lists, was critically acclaimed, and won a number of awards.

A unique collection of 41 groundbreaking essays, poems, and artwork by migrants, refugees and Dreamers—including award-winning writers, artists, and activists—that illuminate what it is like living undocumented today.

Jeanna Kadlec knew what it meant to be faithful--in her marriage to a pastor’s son, in the comfortable life ahead of her, in her God--but there was no denying the truth that lived under that conviction: she was queer and, if she wanted to survive, she would need to leave behind the church and every foundational building block she knew. Heretic is a memoir of rebirth. Within, Kadlec reckons with religious trauma and Midwestern values, as a means of unveiling how evangelicalism directly impacts every American--religious or not--and has been a major force in driving our democracy towards fascism.

This collection of humorous columns for a rural parish magazine reflects life all year round in a small English village in the beautiful Cotswolds countryside where the author has lived since 1991. Easy to dip into, this light-hearted volume provides entertaining reading for anyone interested in modern rural community life and the real-life equivalent of the fictional village of Wendlebury Barrow, the parish that is the setting for Debbie Young's fiction books. It is the sequel to All Part of the Charm, a collection of nostalgic essays and parish magazine columns. Debbie Young also writes...

Growing up, Jena Friedman didn’t care about being likable. And she never wanted to be a comedian, either. She wouldn’t discover her knack for the funny business until research for her college thesis led her to take an improv class in Chicago. That anthropology paper, written on race, class, and gender in the city’s comedy scene, was, in Jena’s own words, “just as funny as it sounds.” But it did lay the groundwork for a career that has seen her write and produce for The Daily Show with Jon Stewart, the Late Show with David Letterman, and the Oscar-nominated Borat Subsequent Moviefilm.