Memoir Essays

Lizz Winstead, co-creator of The Daily Show and one of today's most hilarious comedians and insightful social critics, pens a brilliant account of how she discovered her comedic voice. In this collection of autobiographical essays, Winstead vividly recounts how she fought to find her own voice, both as a comedian and as a woman, and how humor became her most powerful weapon in confronting life's challenges.

A portrait of a keen social observer at the center of the last 50 years of cultural life, captured through a vivid selection of O’Brien’s own writings on music to fashion to downtown art and, just as importantly and unexpectedly, the political temperature of America. Glenn O’Brien collaborated with visual artists, writers, fashion houses, and musicians throughout his almost 50-year career. Intelligence for Dummies gathers Glenn O’Brien’s essays, aphorisms and tweets, to create a portrait of the artist as cultural bellwether.

For the September 2016 issue of GQ, Michael Chabon wrote a piece about accompanying his son Abraham Chabon, then 13, to Paris Men's Fashion Week. Possessed with a precocious sense of style, Abe was in his element chatting with designers he idolized and turning a critical eye to the freshest runway looks of the season; Chabon Sr., whose interest in clothing stops at "thrift-shopping for vintage western shirts or Hermès neckties," sat idly by, staving off yawns and fighting the impulse that the whole thing was a massive waste of time.

My Year as a Rookie: How I almost became a cop, is the entertaining, insightful, true, real-life story of how writer James J. Caterino, well, almost became a cop. James J. Caterino is the author of True Stories, My Encounter with The Partridge Family, Cool Stuff, Laura and Laurie, and much more.

Kareem Abdul-Jabbar’s deeply personal essay explores racial conflict through the prism of his childhood and the influence of his father, a police officer who walked the beat between two worlds.

Reading Backwards opens with the autobiographical "My Life in the Theater," a memoir of the younger Crowley's earliest ambitions, and closes with the moving and memorable "Practicing the Arts of Peace." In between, the author offers us more than 30 carefully crafted essays, each one notable for its insight, intelligence, and typically graceful prose.

In a heartbreaking yet hopeful collection of personal essays and prose poems, blending the confessional, political, and literary, Kai Cheng Thom dives deep into the questions that haunt social movements today. With the author's characteristic eloquence and honesty, I Hope We Choose Love proposes heartfelt solutions on the topics of violence, complicity, family, vengeance, and forgiveness.

In his books I Can't Date Jesus and I Don't Want to Die Poor, Michael Arceneaux established himself as one of the most beloved and entertaining writers of his generation, touching upon such hot-button topics as race, class, sexuality, labor, debt, and, of course, paying homage to the power and wisdom of Beyoncé. In this collection, Arceneaux takes stock of how far he has traveled—and how much ground he still has to cover in this patriarchal, heteronormative society.

Reporting from the potholes midway through life's journey, Allen addresses these and other more serious matters, like the rude awakenings of being single after 25 years, of mothering a teenager, and of living with a serious illness. She also discusses life's everyday trials, like the horrors of attempting a crafts project, the anxieties of being a houseguest, and the ever-changing rules of recycling.

On the Water is a gorgeously written collection of essays that all take place on or near the water and pay tribute to the flora and fauna associated with those ecosystems. There are essays about the finer points of tickling rainbow trout in the streams of Normandy, and of eagles and ospreys fishing for bass while barely breaking the surface of the water. There are stories of droughts and floods, of dogs and boats, of worms and rattlesnakes, and even of catching and cooking soft-shell turtles that taste like osso-bucco.

Written by a marine scientist (and winner of French eloquence competitions), this work of narrative nonfiction blends Bill François’ personal story with that of sea creatures to create an original and exciting work. In poetic prose, he describes his unlikely journey from being a Parisian child, afraid of the water and crippled by self-consciousness, to an eloquent and self-assured young man with a passion for the ocean and all who inhabit it.

In this perceptive, compelling essay, Katharine Murphy offers a profile of Anthony Albanese in motion – a piece about character, the balance of forces, and the mood of the nation. Are Albanese and his party up for change? Are Australians up for it? What does the new prime minister embody, if anything? Has the centre of the polity shifted, with the success of the Teals and the Greens? Where could – and should – the new government be ambitious?

Timbaland is indisputably one of the most innovative music producers working today. The Grammy Award–wining producer, rapper, songwriter, and composer has collaborated with the mega-superstars of pop, rap, hip-hop, and R&B, from Jay Z to 50, Madonna to Justin, Nelly to Björk. His solo album Shock Value has sales tipped in the millions, and the video for his international chart-topping single "Apologize" has been viewed more than 100 million times on YouTube.

What made FDR a more successful leader during the Depression crisis than Hoover? Why was Eisenhower more effective as supreme commander during World War II than he was as president? Why was Grant one of the best presidents of his day, if not in all of American history? What drove Bobby Kennedy into the scrum of electoral politics? Find the surprising and revelatory answers to these questions and more in this collection of new essays by great historians.

Centuries ago, sound theology and good fiction were friends and not strangers. Decades ago, authors strove not for self-expression and self-disclosure but for a mastery of craft and language and books that transformed the reader with wisdom and love. In more recent years, the old ideals have been exchanged for lesser ones. Few guides to writing, which tend to focus on mechanics, point of view, and plot, address the more important matters of meaning, depth, and heart. But it is the latter qualities that make a book a blessing and gift to both writer and reader.

When Paul Auster was asked to join NPR's Weekend All Things Considered program to tell stories, he turned the proposition on its head: he would let the stories come to him. He invited listeners to submit brief, true-life anecdotes about events that touched their lives.

When Paul Caruana Galizia was at work in London, his eldest brother called to say their mother Daphne had just been assassinated. That day, he returned to their native Malta and, with his two brothers and their father, began a quest to discover who was responsible for Daphne's murder and who stood to profit from ending the life of a journalist whose courage and determination threatened the powerful with the truth. Two years later, they did.

When Harold Ross founded The New Yorker in 1925, he described it as a “comic weekly.” And although it has become much more than that, it has remained true in its irreverent heart to the founder’s description, publishing the most illustrious literary humorists of the modern era. This anthology gathers together, for the first time, the funniest work of more than seventy New Yorker contributors.

A seventy-year history of disability is threaded throughout these essays and intertwined with writing that celebrates lesbian love, explores the slapstick moments of life, and shares the obstacles and triumphs of becoming a writer later in life.

“I don’t want to be remembered for One Hundred Years of Solitude or for the Nobel Prize, but rather for my journalism,” Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years, this is the first volume to gather a representative selection from across the first four decades of his career - years during which he worked as a full-time, often muckraking, and controversial journalist, even as he penned the fiction that would bring him the Nobel Prize in 1982.