Memoir Essays

“During one of the texting sessions that became our habit over the period I now think of as both late and early in our relationship, my mother revealed the existence of someone named Janis Jerome.” So begins Michelle Orange’s extraordinary inquiry into the meaning of maternal legacy - in her own family and across a century of seismic change. Jerome, she learns, is one of her mother’s many alter egos: the name used in a case study about her mother’s midlife choice to leave her husband and children to pursue career opportunities in a bigger city.

In April 1915 Dorothea Crewdson, a newly trained Red Cross nurse, and her best friend, Christie, received instructions to leave for Le Treport in Northern France. Filled with excitement at the prospect of her first paid job, Dorothea began writing a diary. 'Who knows how long we shall really be out here? Seems a good chance from all reports of the campaigns being ended before winter, but all is uncertain.'

Grow Damn It! is a captivating work by Cheryl Oreglia, who uses uncommon honesty and arresting humor to draw you into her cantankerous life, forty-year marriage, and revolving empty nest. She claims the space between past and future is where our potential is created or destroyed. If you don't like where your life is going, dig deeper, and write a new story. By weeding out the things that clutter her life, she invites you into a refreshing space with some of her most popular posts from her beloved blog Living in the Gap.

Un viaggio, per quanto terribile possa essere, nel ricordo si trasforma in qualcosa di meraviglioso. La vita è un viaggio, e come tutti i viaggi si compone di ricordi. In questo audiolibro, Banana Yoshimoto raccoglie preziosi frammenti di memoria e ci porta con sé, lontano nel tempo e nel mondo. Dalle emozioni del primo amore alla scoperta della maternità, dalle piramidi egiziane alla Tokyo degli anni settanta.

Sandra Brown revisits two pivotal Christmases from her own past in this heartfelt and intimate essay. One needn't be familiar with Brown's previous works to be deeply moved by this personal reflection on the meaning of family, faith, celebration, and generosity: but fans will find it a unique and special insight into the New York Times best-selling author's life and values.

Water Views was a weekly column published in the Norwalk Hour newspaper in Connecticut for twelve years (2001-2012). The column proved to be very popular, and received three Certificates of Merit for Outstanding Submissions in the Sailing Columns Category for the John Southam Awards, one in 2005 and two in 2006. In Water Views, A Collection of Essays, Volume I, author Karen Jewell has compiled 60 of the over 500 short essays that she penned during those twelve years. From southern Connecticut to northern Maine, Jewell shares insights and experiences on topics such as beach combing, super ...

Pulling Down the Barn eloquently recalls author Anne-Marie Oomen's personal journey as she discovers herself an outsider on her family farm located in western Michigan's Oceana County, in the township of Elbridge - a couple hundred acres in the middle of rural America. Written as a series of heartfelt interlocking narratives, this collection of essays portrays the realities of farm life: haying, picking asparagus and cherries, the machinery of tractors and pickers.

In his debut essay collection, award-winning poet Jaswinder Bolina meditates on "how race," as he puts it, "becomes metaphysical": the cumulative toll of the microaggressions and macro-pressures lurking in the academic market, on the literary circuit, in the dating pool, and on the sidewalks of any given US city. Training a keenly thoughtful lens on questions that are never fully abstract, Of Color is a bold, expansive, and finally optimistic diagnosis of present-day America.

Michelle Obama is unlike any other First Lady in American History. From her first moments on the public stage, she has challenged traditional American notions about what it means to be beautiful, to be strong, to be fashion-conscious, to be healthy, to be First Mom, to be a caretaker and hostess, and to be partner to the most powerful man in the world. What is remarkable is that, at 52, she is just getting started.

In Traveling without Moving, Coleman shares intimate essays from her life: her childhood in Chicago—growing up in poverty with four siblings and a single mother—and the empowering decision to leave her first marriage. She writes about being the only Black student in a prestigious and predominantly White creative writing program, about institutional racism and implicit bias in writing instruction, about the violent legacies of racism in the US housing market, about the maternal health disparities seen across the country and their implication in her own miscarriage.

Uprooting ourselves and putting down roots elsewhere has become second nature. Americans are among the most mobile people on the planet, moving house an average of nine times in adulthood. Mobile Home explores one family's extreme and often international version of this common experience. Inspired by Megan Harlan's globe-wandering childhood, Mobile Home maps the emotional structures and metaphysical geographies of home.

Jiordan's family was never quite like everyone else's, with her father's mood swings, her mother's attempts at normalcy, and her two older sisters with a different last name. But on the surface, they fit in. Until the day the FBI came knocking on the door. After that, her father's mood plunged to a dangerous new low. After that, there was an investigation into his business and a sentencing in court. Soon Jiordan's father would have to leave home, and her family would change forever.

In Robyn’s 2010 track Dancing on My Own, the Swedish pop-singer chronicles a night on the dance floor in the shadow of a former lover. She is bitter, angry, and at times desperate, and yet by the time the chorus arrives her frustration has melted away. She decides to dance on her own, and in this way, she transforms her solitude into a more complex joy. Taking inspiration from Robyn’s seminal track, emerging art critic and curator Simon Wu dances through the institutions of art, capitalism, and identity in these expertly researched, beautifully rendered essays.

The stark and inhospitable high-elevation landscape of Nevada’s Great Basin Desert may not be an obvious (or easy) place to settle down, but for self-professed desert rat Michael Branch it’s home. Of course, living in such an unforgiving landscape gives one many things to rant about. Fortunately for us, Branch—humorist, environmentalist, and author of Raising Wild—is a prodigious ranter.

There are moments throughout our lives when we discover an artist, an album, a film, or a cultural artifact that leaves a lasting impression, helping inform how we understand the world, and ourselves, moving forward. In No Sense in Wishing, Lawrence Burney explores these profound interactions with incisive and energizing prose, offering us a personal and critical perspective on the people, places, music, and art that transformed him.

Rachel Bloom has felt abnormal and out of place her whole life. In this exploration of what she thinks makes her 'different', she's come to realise that a lot of people also feel this way - even people who she otherwise thought were 'normal'. In a collection of laugh-out-loud funny essays, all told in the unique voice (sometimes singing voice) that made her a star, Rachel writes about everything from her love of Disney, OCD and depression, weirdness and female friendships to the story of how she didn't poop in the toilet until she was four years old.

'I ate and ate and ate in the hopes that if I made myself big, my body would be safe. I buried the girl I was because she ran into all kinds of trouble. I tried to erase every memory of her, but she is still there, somewhere.... I was trapped in my body, one that I barely recognized or understood, but at least I was safe.'

In letters addressed to their friends, to members of their family - both biological and chosen - and to fellow storytellers, Akwaeke describes the shape of a life lived in overlapping realities. Through heartbreak, chronic pain, intimacy with death, becoming a beast, this is embodiment as a nonhuman: outside the boundaries imposed by expectations and legibility. This book is an account of the gruelling work of realignment and remaking necessary to carve out a future for oneself. The result is a black spirit memoir: a powerful, raw unfolding of identity.

A couple of quiet weeks sailing the River Severn was the intention. Somehow things got out of hand—a year later, I had reached Romania and was still going. Equipped with his cheerful optimism and a pith helmet, this Australian Odysseus in a dinghy travels from the borders of North Wales to the Black Sea—4,900 kilometres over salt and fresh water, under sail, at the oars, or at the end of a tow-rope—through 12 countries, 282 locks and numerous trials and adventures, including an encounter with Balkan pirates.

In the three decades that Nobel prize-winning author Orhan Pamuk has devoted himself to writing fiction, he has also produced scores of witty, moving, and provocative essays and articles. He engages the work of Nabokov, Kundera, Rushdie, and Vargas Llosa, among others, and he discusses his own books and writing process. We also learn how he lives, as he recounts his successful struggle to quit smoking, describes his relationship with his daughter, and reflects on the controversy he has attracted in recent years.