Memoir Essays

With makeup and an affected Elvis pout, Tucson’s Charlie Schmid was a crude parody of a bad-boy heartthrob. In 1964, he still had a hold on girls who’d follow him anywhere. He murdered three of them. It was the dawn of the free-love movement - perfect for a magnetic madman who’d also foreshadow its end a few years later in the malignant charisma of Charles Manson. The inspiration for a classic story by Joyce Carol Oates, Schmid, the most bizarre serial killer of any era, was the epitome of a narcissist flattered into believing he could get away with murder.

When “The Fourth State of Matter”, her now famous piece about a workplace massacre at the University of Iowa, was published in The New Yorker, Jo Ann Beard immediately became one of the most influential writers in America, forging a path for a new generation of young authors willing to combine the dexterity of fiction with the rigors of memory and reportage, and in the process extending the range of possibility for the essay form. Now, with Festival Days, Beard brings us the culmination of her groundbreaking work.

An extraordinary collection of essays, forewords, articles, and interviews, The Written World and the Unwritten World displays the remarkable intelligence and razor-sharp wit of prolific Italian writer Italo Calvino as he explores the meaning of literature in a rapidly changing world.

In Robyn’s 2010 track Dancing on My Own, the Swedish pop-singer chronicles a night on the dance floor in the shadow of a former lover. She is bitter, angry, and at times desperate, and yet by the time the chorus arrives her frustration has melted away. She decides to dance on her own, and in this way, she transforms her solitude into a more complex joy. Taking inspiration from Robyn’s seminal track, emerging art critic and curator Simon Wu dances through the institutions of art, capitalism, and identity in these expertly researched, beautifully rendered essays.

As the 20th century was ending and the millennium approached, a new ethnic category was invented in the South. The Melungeons were born thrashing and squawling into the American consciousness. They were a tri-racial clan hidden away in the hills and hollers of Lower Appalachia with a genetic predisposition to six fingers and Mediterranean diseases and an unsavory reputation for moonshining, counterfeiting and secret cults.

A wide range of women—actors, athletes, academics, CEOs, writers, small-business owners, birth workers, physicians, and activists—share their experiences of becoming mothers in this multifaceted, moving, and revealing collection.

LeJuan James loves being Hispanic. But growing up in the US to immigrant parents, he quickly noticed their house rules and traditions didn’t always match up with his friends’. The result was a lifetime of laugh-out-loud relatable content for his videos. Definitely Hispanic is a collection of heartfelt memoiristic essays that explores the themes LeJuan touches upon in his videos and celebrates the values and traditions being kept alive by Hispanic parents raising US-born children.

Elegant, profound, and riveting, Mad, Bad, Dangerous to Know illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways these men surface in their work. Through these stories of fathers and sons, Tóibín recounts the resistance to English cultural domination, the birth of modern Irish cultural identity, and the extraordinary contributions of these complex and masterful authors.

This is the story of an unforgivable con man. Vulnerable families were his prey. His promise was an impossible dream and a lie. Peter Candlewood understood the system. That’s how he could commute prison sentences and reunite hopeless families with incarcerated loved ones. For a price. Except there was no Candlewood. No hope. Just a lowly Texas con artist who bet on the desperate - and won. And he wasn’t working alone. The multimillion-dollar deception cost the betrayed more than their savings.

I grew up in a family where we wrote one another love letters. We put them on pillows, in lunch bags, by bedsides. So it was only natural that when my niece Katie asked me to compile some family recipes for her upon the occasion of her marriage that I would place those recipes alongside all the love letters I had been wanting to write and had written in the form of essays that were published in a variety of magazines and newspaper periodicals before their decline. Eating supper hasn’t declined, however, and love letters to brides and nieces have a kind of perennial value if not to the ...

“I don’t want to be remembered for One Hundred Years of Solitude or for the Nobel Prize, but rather for my journalism,” Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years, this is the first volume to gather a representative selection from across the first four decades of his career - years during which he worked as a full-time, often muckraking, and controversial journalist, even as he penned the fiction that would bring him the Nobel Prize in 1982.

Written by a marine scientist (and winner of French eloquence competitions), this work of narrative nonfiction blends Bill François’ personal story with that of sea creatures to create an original and exciting work. In poetic prose, he describes his unlikely journey from being a Parisian child, afraid of the water and crippled by self-consciousness, to an eloquent and self-assured young man with a passion for the ocean and all who inhabit it.

You'll be wincing in recognition and scratching your head in incredulity, but like Marian herself you won't be able to stop laughing at the sheer delightful absurdity that is modern life - because each and every one of us is clearly making it up as we go along. She has wonderful and tickling words of advice for those fast approaching 50.

A portrait of a keen social observer at the center of the last 50 years of cultural life, captured through a vivid selection of O’Brien’s own writings on music to fashion to downtown art and, just as importantly and unexpectedly, the political temperature of America. Glenn O’Brien collaborated with visual artists, writers, fashion houses, and musicians throughout his almost 50-year career. Intelligence for Dummies gathers Glenn O’Brien’s essays, aphorisms and tweets, to create a portrait of the artist as cultural bellwether.

My Year as a Rookie: How I almost became a cop, is the entertaining, insightful, true, real-life story of how writer James J. Caterino, well, almost became a cop. James J. Caterino is the author of True Stories, My Encounter with The Partridge Family, Cool Stuff, Laura and Laurie, and much more.

Shenequa Golding doesn’t aim to speak for all Black women. We’re too vast, too vibrant, and too complicated. As an adult, Golding begins to own her boldness, but growing up, she found herself “kind of in the middle,” fluctuating between not being the fly kid or the overachiever. Her debut collection of essays, A Black Girl in the Middle taps into life’s wins and losses, representing the middle ground for Black girls and women.

Sex and Cupcakes is a collection of essays from writer Rachel Kramer Bussel reflecting on her years as a sex columnist and cupcake blogger, detailing her dirty and sweet sides as well as sexual adventures, politics, heartbreak, tattoos, and more.

Jonathan Franzen's Freedom was the runaway most-discussed novel of 2010, an ambitious and searching engagement with life in America in the twenty-first century. In Farther Away, which gathers together essays and speeches written mostly in the past five years, Franzen returns with renewed vigor to the themes, both human and literary, that have long preoccupied him.

From her well-remembered New Yorker essays about the financial demands of big-city ambition and the ethereal, strangely old-fashioned allure of cyber relationships to her dazzlingly hilarious riff in Harper's about musical passions that give way to middle-brow paraphernalia, Daum delves into the center of things while closely examining the detritus that spills out along the way. With precision and well-balanced irony, Daum implicates herself as readily as she does the targets that fascinate and horrify her.

Elinor Lipman has populated her fictional universe with characters so utterly real that we feel like they're old friends. Now she shares an even more intimate world with us - her own - in essays that offer a candid, charming take on modern life. Looking back and forging ahead, she considers the subjects that matter most: childhood and condiments, long marriage and solo living, career and politics. Here you'll find the lighthearted: a celebration of four decades of All My Children, a reflection on being Jewish in heavily Irish-Catholic Lowell on St. Patrick's Day, a hilariously unflinching account of her tiptoe into online dating.