Memoir Essays

From her well-remembered New Yorker essays about the financial demands of big-city ambition and the ethereal, strangely old-fashioned allure of cyber relationships to her dazzlingly hilarious riff in Harper's about musical passions that give way to middle-brow paraphernalia, Daum delves into the center of things while closely examining the detritus that spills out along the way. With precision and well-balanced irony, Daum implicates herself as readily as she does the targets that fascinate and horrify her.

This was Alan Clark’s first volume of diaries and the only one that he recorded. As such it is a unique and historical record and reminder of the man and his work. To hear Alan Clark reading the book in his marvelously rich voice adds immeasurably to the pleasure of these informative and entertaining diaries. The recording covers two Parliaments and constitutes the most outspoken and revealing account of British politics ever written.

Elegant, profound, and riveting, Mad, Bad, Dangerous to Know illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways these men surface in their work. Through these stories of fathers and sons, Tóibín recounts the resistance to English cultural domination, the birth of modern Irish cultural identity, and the extraordinary contributions of these complex and masterful authors.

Dubbed a voice of her generation, poet and writer Morgan Parker has spent much of her adulthood in therapy, trying to square the resonance of her writing with the alienation she feels in nearly every aspect of life, from her lifelong singleness to a battle with depression. She traces this loneliness to an inability to feel truly safe with others and a historic hyperawareness stemming from the effects of slavery.

When “The Fourth State of Matter”, her now famous piece about a workplace massacre at the University of Iowa, was published in The New Yorker, Jo Ann Beard immediately became one of the most influential writers in America, forging a path for a new generation of young authors willing to combine the dexterity of fiction with the rigors of memory and reportage, and in the process extending the range of possibility for the essay form. Now, with Festival Days, Beard brings us the culmination of her groundbreaking work.

A mouthwatering testament to the healing power of food, My Place at the Table is a moving coming-of-age story of how a gay man emerges from a wounding childhood, discovers himself, and finds love. Published here for the first time is Lobrano’s “little black book,” an insider’s guide to his thirty all-time-favorite Paris restaurants.

Centuries ago, sound theology and good fiction were friends and not strangers. Decades ago, authors strove not for self-expression and self-disclosure but for a mastery of craft and language and books that transformed the reader with wisdom and love. In more recent years, the old ideals have been exchanged for lesser ones. Few guides to writing, which tend to focus on mechanics, point of view, and plot, address the more important matters of meaning, depth, and heart. But it is the latter qualities that make a book a blessing and gift to both writer and reader.

'Any story that starts will also end.' As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth as she explores family, friendship, marriage, failure, success and what it all means. Ranging from the personal to the sublime, each essay transforms the particular into the universal, letting us all see our own worlds anew.

What made FDR a more successful leader during the Depression crisis than Hoover? Why was Eisenhower more effective as supreme commander during World War II than he was as president? Why was Grant one of the best presidents of his day, if not in all of American history? What drove Bobby Kennedy into the scrum of electoral politics? Find the surprising and revelatory answers to these questions and more in this collection of new essays by great historians.

Of all the essentials for survival: oxygen, water, sleep, and food, only food is a vast treasure trove of memory and of sensory experience. Food is a portal to culture, to times past, to disgust, to comfort, to love: no matter one's feelings about a particular dish, they are hardly ever neutral.

Elinor Lipman has populated her fictional universe with characters so utterly real that we feel like they're old friends. Now she shares an even more intimate world with us - her own - in essays that offer a candid, charming take on modern life. Looking back and forging ahead, she considers the subjects that matter most: childhood and condiments, long marriage and solo living, career and politics. Here you'll find the lighthearted: a celebration of four decades of All My Children, a reflection on being Jewish in heavily Irish-Catholic Lowell on St. Patrick's Day, a hilariously unflinching account of her tiptoe into online dating.

In April 1915 Dorothea Crewdson, a newly trained Red Cross nurse, and her best friend, Christie, received instructions to leave for Le Treport in Northern France. Filled with excitement at the prospect of her first paid job, Dorothea began writing a diary. 'Who knows how long we shall really be out here? Seems a good chance from all reports of the campaigns being ended before winter, but all is uncertain.'

In August 2014 Jenny Diski was diagnosed with inoperable lung cancer and given 'two or three years' to live. She didn't know how to react. All responses felt scripted, laden with cliché. Being a writer, she decided to write about it (grappling with the unoriginality even of this) and to tell a story she had not yet told: that of being taken in, aged 15, by the author Doris Lessing and the subsequent 50 years of their complex relationship.

Considered "the world's most popular cult novelist" (The Guardian), Haruki Murakami has written books that have galvanized millions around the world. Many of his fans know about his 10,000-vinyl-record collection, and his obsession with running, but few have heard about a more intimate, and perhaps more unique, passion: his T-shirt-collecting habit.

As for me, if it were not for you (Papa), never would I have been to the places I have been and done the things I have done, which have shaped me into the writer, teacher, and reader I am. One might say Fiza Pathan’s father started her on a path toward books. He wanted a boy child and got a girl, and as a result, Fiza went to live with her mother and uncle at her grandmother’s house. This book of personal essays documents the relationship Fiza Pathan has had with the many libraries, secondhand bookshops, boutique bookstores, and writing haunts that have made her into the writer, ...

An inquisitive observer, thoughtful commentator, and assiduous craftsman, Neil Gaiman has long been celebrated for the sharp intellect and startling imagination that informs his fiction. Now The View from the Cheap Seats brings together, for the first time ever, more than 60 works of his outstanding nonfiction on topics and people close to his heart.

Andrew Sean Greer can’t wait to get home to San Francisco after a writer’s residency in Kansas. But when his mother, Sandra, decides to come along for the ride, he has a new goal: get her to crack a smile at every stop, whether breathtaking or breathtakingly kitschy. He’s always known his mother to be as efficient and serious as a chemist (which she happens to be), always in gray, eyebrow cocked, and handling challenges with grace. To mix things up, Andrew develops an elaborate itinerary of planned chaos.

Life doesn’t come with a map—just scars, memories, and the occasional bad idea. In this raw and reflective collection of essays, a man looks back on the people who shaped him, the places that changed him, and the moments that wouldn’t let him go. From Bronx alleyways to Thai backstreets, through heartbreak, absurdity, and unexpected grace—these stories linger like smoke and stay like scars.

This combination of serious artistic engagement with warmth and clarity of prose revels in the experiences and pleasures of art and the body, identity, and community.

Acclaimed author of The Real Lolita and editor of Women Crime Writers: Eight Suspense Novels of the 1940s & 50s (Library of America) and Troubled Daughters, Twisted Wives (Penguin), Sarah Weinman brings together an exemplary collection of recent true-crime tales. She culls together some of the most refreshing and exciting contemporary journalists and chroniclers of crime working today.