Memoir Essays

Jerome K. Jerome is of course known for the hilarious adventures of “Three Men in a Boat”. He also wrote many short stories and essays that have all the wit, whimsy, and wisdom of his more famous work. The essays in this volume were published together with “The Diary of a Pilgrimage” in 1891. They are: “Evergreens”, “Clocks”, “Tea-Kettles”, “A Pathetic Story”, “The New Utopia”, and “Dreams”.

When Seth Kantner's Ordinary Wolves was published, it was a literary revelation of sorts. In a raw, stylized voice, it told the story of a white boy growing up with homesteading parents in Arctic Alaska and trying to reconcile his largely subsistence and Native-style upbringing with the expectations and realities tied to his race. It hit numerous bestseller lists, was critically acclaimed, and won a number of awards.

In 2020, Claire Luchette in O, The Oprah Magazine described the beloved Italian novelist Elena Ferrante as “an oracle among authors”. Here, in these four crisp essays, Ferrante offers a rare look at the origins of her literary powers.

In a heartbreaking yet hopeful collection of personal essays and prose poems, blending the confessional, political, and literary, Kai Cheng Thom dives deep into the questions that haunt social movements today. With the author's characteristic eloquence and honesty, I Hope We Choose Love proposes heartfelt solutions on the topics of violence, complicity, family, vengeance, and forgiveness.

A debut essay collection by the inimitable cultural critic Maris Kreizman—an introspective, searing account of the life experiences that have pushed this former “good Democrat” even further to the political left.

Anna Prushinskaya explores the deep life shifts of pregnancy, birth and motherhood in the United States, a world away from the author's Soviet homeland. Drawing from inspirations as various as midwife Ina May Gaskin, writer and activist Alice Walker, and frontierswoman Caroline Henderson, Prushinskaya captures the inherent togetherness of motherhood alongside its accompanying estrangement. She plumbs the deeper waters of compassion, memory and identity, as well as the humorous streams of motherhood as they run up against the realities of work and the ever-present eye of social media.

With makeup and an affected Elvis pout, Tucson’s Charlie Schmid was a crude parody of a bad-boy heartthrob. In 1964, he still had a hold on girls who’d follow him anywhere. He murdered three of them. It was the dawn of the free-love movement - perfect for a magnetic madman who’d also foreshadow its end a few years later in the malignant charisma of Charles Manson. The inspiration for a classic story by Joyce Carol Oates, Schmid, the most bizarre serial killer of any era, was the epitome of a narcissist flattered into believing he could get away with murder.

A rollicking journey through the wild world of real estate, Life Would Be Perfect If I Lived in That House is the story of "a very imperfect life lived among very imperfect houses" and one woman's obsession with the search for four walls (along with, preferably, a roof not in need of replacing) to call home. In the six houses and many states where Meghan Daum spent her suburban childhood, for the Daum family, "if there was anything that came close to a regular weekend activity it was attending open houses."

Of all the essentials for survival: oxygen, water, sleep, and food, only food is a vast treasure trove of memory and of sensory experience. Food is a portal to culture, to times past, to disgust, to comfort, to love: no matter one's feelings about a particular dish, they are hardly ever neutral.

A "Proustian minimalist on the order of Lydia Davis" ( Kirkus Reviews), Sarah Manguso is one of the finest literary artists at work today. To hear her work is to witness acrobatic acts of compression in the service of extraordinary psychological and spiritual insight. 300 Arguments, a foray into the frontier of contemporary nonfiction writing, is at first glance a group of unrelated aphorisms.

Waiting in the emergency room at Temple University Hospital in North Philadelphia where his eighteen-year-old nephew, Nasir, lay unconscious after being shot nine times, MK Asante began pouring his heart and soul into a series of letters to a beautiful, dying Black boy so full of life. As Nasir fought for survival, MK realized there was so much—too much—that he had kept from his nephew, starting with the truth about his father, MK’s brother, Uzi, whom Nasir had never met. MK could no longer remain silent because in many ways, his nephew was repeating the mistakes of the past.

Written by a marine scientist (and winner of French eloquence competitions), this work of narrative nonfiction blends Bill François’ personal story with that of sea creatures to create an original and exciting work. In poetic prose, he describes his unlikely journey from being a Parisian child, afraid of the water and crippled by self-consciousness, to an eloquent and self-assured young man with a passion for the ocean and all who inhabit it.

Life doesn’t come with a map—just scars, memories, and the occasional bad idea. In this raw and reflective collection of essays, a man looks back on the people who shaped him, the places that changed him, and the moments that wouldn’t let him go. From Bronx alleyways to Thai backstreets, through heartbreak, absurdity, and unexpected grace—these stories linger like smoke and stay like scars.

A mouthwatering testament to the healing power of food, My Place at the Table is a moving coming-of-age story of how a gay man emerges from a wounding childhood, discovers himself, and finds love. Published here for the first time is Lobrano’s “little black book,” an insider’s guide to his thirty all-time-favorite Paris restaurants.

“I am a recluse and I love books more than I love people.” – So begins Fiza Pathan, the self-proclaimed Reclusive Writer and Reader of Mumbai. In this charming collection of personal essays, Fiza recalls important phases of her life, along with the books she was reading at the time and where she read them. Revealed along the way are Fiza’s personal struggles, from the father who didn’t want a girl child to the years she believed she wanted to be a nun to the college friends who shamed her for gaining weight. Her greatest victories are found here as well, among them the publication...

Jack Kerouac’s archive is vast. Throughout his life he was constantly writing, and he meticulously saved and catalogued his material. The result is that beyond the work published in his lifetime there has been a rich stream of posthumous writing that is far from tapped. This collection of previously unpublished writing culled from the Kerouac archive, and as a companion to Paul Maher Jr.'s Becoming Kerouac, spans Kerouac’s adult life, from a journal written at age seventeen to autobiographical reflections a few years before his death.

When “The Fourth State of Matter”, her now famous piece about a workplace massacre at the University of Iowa, was published in The New Yorker, Jo Ann Beard immediately became one of the most influential writers in America, forging a path for a new generation of young authors willing to combine the dexterity of fiction with the rigors of memory and reportage, and in the process extending the range of possibility for the essay form. Now, with Festival Days, Beard brings us the culmination of her groundbreaking work.

In her debut book, Everybody Come Alive, Marcie Alvis Walker invites listeners into a deeply intimate and illuminating memoir comprising lyrical essays and remembrances of being a curious child of the seventies and eighties, raised under the critical and watchful eye of Jim Crow matriarchs who struggled to integrate their lives and remain whole. This is a coming-of-age journey touching on the bittersweet pain and joy of what it takes to become a person who embraces being Black, a woman, and holy in America.

Who is Peter Dutton, and what happened to the Liberal Party? In Bad Cop, Lech Blaine traces the making of a hardman – from Queensland detective to leader of the Opposition, from property investor to minister for Home Affairs. This is a story of ambition, race and power, and a politician with a plan.

A powerful meditation on identity and belonging, Sejal Shah explores the tension of being both invisible and hyper-visible in a country that struggles with race. The daughter of immigrants from India and Kenya, Shah wrestles with her experiences growing up in—and returning to—western New York, an area of stark racial and socioeconomic segregation. Her work illuminates how we are all marked by family and place; by the limits of our bodies; by our losses and regrets; by who and what we love; by our ambivalences and our silences.