Memoir Dysfunctional

This powerful and haunting memoir details the years Paula McLain and her two sisters spent as foster children after being abandoned by both parents in California in the early 1970s. As wards of the State, the sisters spent the next 14 years moving from foster home to foster home. The dislocations, confusions, and odd pleasures of an unrooted life form the basis of one of the most compelling memoirs in recent years - a book in the tradition of Jo Ann Beard's The Boys of My Youth and Mary Karr's The Liars' Club.

Frances Stroh's earliest memories are ones of great privilege: shopping trips to London and New York, lunches served by black-tied waiters at the Regency Hotel, and a house filled with precious antiques, which she was forbidden to touch. Established in Detroit in 1850, by 1984 the Stroh Brewing Company had become the largest private beer fortune in America and a brand emblematic of the American dream itself; while Stroh was coming of age, the Stroh family fortune was estimated to be worth $700 million.

*This book was originally released as "His Mother's Son." For additional reader reviews, please visit the book page for "His Mother's Son." In place of his mother's love, her bitter grudge. Instead of a real life, an accidental one. Forced to live a lie, Paul feels trapped behind a wall of blame. Determined to escape the past, he mounts a quest to find the truth. It brings adventures around the world and deep within his soul. In time it even takes him past the point of no return. But when this search reveals the path to what he has pursued, will he have the strength to follow it?

As the “Seeing Eye Girl” for her blind, artistic, and mentally ill mother, Beverly Armento was intimately connected with and responsible for her, even though her mother physically and emotionally abused her. Beverly’s mother regained her sight and went on to enjoy a moment of fame as an artist, but these positive turns did nothing to stop her disintegration into delusions. In this memoir, Beverly shares the coping strategies she invented to get herself through the trials of her young life, and the ways in which school and church served as refuges over the course of her journey.

In his account of the sensational life and murder of Grady Stiles Jr., also known as the legendary carnival freak Lobster Boy, author Fred Rosen explains how Stiles' death was engineered by his wife, Mary Teresa, the carny known as the Electrified Girl. Rosen describes how Mary Teresa arranged for her husband's murder after years of physical and emotional abuse. During Mary Teresa's dramatic trial, Rosen becomes a character in his own book.

At age four, Diana manages her family's banking, grocery shops alone, and befriends the town drunk. Her father is too busy chasing skirts and throwing fits to notice what she does. And her mom is too mentally absent to properly parent. While Diana's narcissistic dad terrorizes and exploits her, she works harder to please him. Estill, an award-winning humor author, shares an honest and comedic look at her dysfunctional childhood. As an adult, she struggles to reclaim her power while caring for her dementia-impaired dad.

After a tumor bursts in Mike Scalise's brain, leaving him with a hole in the head and malfunctioning hormones, he must navigate a new alien world of illness maintenance. His mother, who has a chronic heart condition and a flair for drama, becomes a complicated model as she competes with him for the status of "best sick person". The Brand New Catastrophe is a moving, funny exploration of how we define ourselves by the stories we choose to tell.

Earth to Moon is a reckoning with self-esteem, the ghosts of the past and a mother and a father who, in the process of leaving their mark upon on the world, scarred their first daughter on home soil. Brutally self-deprecating and funny as hell, it belies a rose-tinted perspective on the 70s and 80s west coast American scene, from within the belly of the beast of the rock and roll world.

In the Fall of 1970, at the start of eighth grade, Peter Selgin fell in love with the young teacher who'd arrived from Oxford wearing Frye boots, with long blond hair and a passion for his students that was as intense as it was rebellious. The son of an emotionally remote inventor, Peter was also a twin competing for the attention and affection of his parents. He had a burning need to feel special. The new teacher supplied that need.

Fugitives from a man as alluring as he is violent, Andrea Jarrell and her mother develop a powerful, unusual bond. Once grown, Jarrell thinks she's put that chapter of her life behind her - until a woman she knows is murdered, and she suddenly sees that it's her mother's choices she's been trying to escape all along. Without preaching or prescribing, I'm the One Who Got Away is a life-affirming story of having the courage to become both safe enough and vulnerable enough to love and be loved.

Meet Dan Marshall - 25, good job, great girlfriend, and living the dream life in sunny Los Angeles without a care in the world. Until his mother calls. And he ignores it, as you usually do when Mom calls. Then she calls again. And again. Dan thought things were going great at home. But it turns out his mom's cancer, which she had battled throughout his childhood with tenacity and a mouth foul enough to make a sailor blush, is back.

If Only You People Could Follow Directions is a spellbinding debut by Jessica Hendry Nelson. In linked autobiographical essays, Nelson has reimagined the memoir with her thoroughly original voice, fearless writing, and hypnotic storytelling. At its center, the book is the story of three people: Nelson’s mother Susan, her brother Eric, and Jessica herself.

On November 29, 1909, police were called to a ramshackle home in East Orange, New Jersey, where they found the emaciated body of 24-year-old Oceana "Ocey" Snead facedown in the bathtub - dead of an apparent suicide by drowning. There was even a note left behind. But it would not take authorities long to discover that Ocey's death was no suicide. And Ocey's own mother and two aunts were far from the sorrowful caretakers they appeared to be.

Kate Russell's third memoir explores the effects of child abuse. Beginning with her parent's upbringing, chronicling her life, ending in present day, Kate reveals traits, habits and mindsets that developed as the result of early childhood trauma. Long estranged from her abusers, Kate examines choices she made, masks she donned, and the outcome of her efforts through the lens of a survivor in recovery. For anyone who was physically, emotionally, spiritually, intellectually or psychologically abused. Especially those who cope by sweeping their past under the rug.

An only child, Deborah Burns grew up in prim 1950s America in the shadow of her beautiful, unconventional, rule-breaking mother Dorothy, a red-haired beauty who looked like Rita Hayworth and skirted norms with a style and flare that made her the darling of men and women alike. Married to the son of a renowned Italian family with ties to the underworld, Dorothy fervently eschewed motherhood and domesticity, turning Deborah over to her spinster aunts to raise while she was the star of a vibrant social life.

Bowing to Elephants is a travel memoir with a twist—the story of an unloved rich girl from San Francisco who becomes a travel junkie, searching for herself in the world to avoid the tragic fate of her narcissistic, alcoholic mother. Haunted by images of childhood loneliness and the need to learn about her world, Dimond journeys to far-flung places—into the perfumed chaos of India; the nostalgic, damp streets of Paris; the gray, watery world of Venice in the winter; the reverent and silent mountains of Bhutan; and the gold temples of Burma.

The fifth of eight children, Chris Forhan was born into a family of silence. He and his siblings learned, without being told, that certain thoughts and feelings were not to be shared. On the evenings his father didn't come home, the rest of the family would eat dinner without him, his whereabouts unknown, his absence pronounced but not mentioned. And on a cold night in 1973, just before Christmas, Forhan's father killed himself in the carport. Forty years later Forhan "bravely considers the way he is and is not his father's son" (Larry Watson).

When her elderly mother is hospitalized unexpectedly, Vicki Laveau-Harvie and her sister travel to their parents' ranch home in Alberta, Canada, to help their father. Estranged from their parents for many years, they are horrified by what they discover on their arrival. For years their mother has camouflaged her manic delusions and savage unpredictability, and over the decades she has managed to shut herself and her husband away from the outside world, systematically starving him and making him a virtual prisoner in his own home.

As a young girl, Alda Sigmundsdóttir yearns to be close to her beautiful, distant mother, yet is never able to win her affection. When her parents divorce, a dark symbiosis between mother and daughter is forged, with devastating consequences that threaten to derail everything—especially Alda’s chance at intimacy and love.

Don’t Let Me Down is about a brave girl trying to navigate family secrets and tragedies and escape from small-town small-mindedness. It is a searing and often funny exploration of how women first see themselves through the lens of a parent’s love and of the ties that bind us to our childhood heroes, who ultimately lead us to ask that most profound of questions: Is love really all you need?