Medieval Women

Lux has lost everything when Else finds her, alone in the woods. Her family, her lover, her home—all burned. The world is suspicious of women like her, neither maiden nor mother. But Lux is cunning; she knows how to exploit people's expectations, how to blend into the background. And she knows a lot about poisons. Else has not found Lux by accident. She needs her help to seek revenge against the man who wronged her, and together they pursue him north. But on their hunt they will uncover dark secrets that entangle them with dangerous adversaries.

Paris, 1393. A masquerade ball at the palace ends in tragedy, with four revelers burned to death. Was it an accident...or did someone deliberately hurl a flaming torch at the dancers? Convinced it was an act of murder and that the king himself was the real target, Queen Isabeau has asked Christine de Pizan to spend time at court in an attempt to uncover the identity of the would-be assassin.

In 1187 Saladin's armies besieged the holy city of Jerusalem. He had previously annihilated Jerusalem's army at the battle of Hattin, and behind the city's high walls a last-ditch defence was being led by an unlikely trio - including Sibylla, Queen of Jerusalem. They could not resist Saladin, but, if they were lucky, they could negotiate terms that would save the lives of the city's inhabitants.

In London, journalist Jo Clifford plans to debunk the belief in past lives in a hard-hitting magazine piece. But her scepticism is shaken when a hypnotist forces her to relive the experiences of Matilda, Lady of Hay, a noblewoman during the reign of King John. She learns of Matilda's unhappy marriage, her love for the handsome Richard de Clare and the brutal death threats handed out by King John, before it becomes clear that Jo’s past and present are inevitably entwined.

Praise for Alice Crowley's writing: "I LOVED THE IMAGINATION OF THIS AUTHOR!" ~Satisfied Kindle Reader "FIVE STARS!" ~Multiple Fans As the forces of the cruel Northern Emperor amass at the gates of Castle Mortimur, Princess Aloona is on the verge of pouncing on her future King. But who will Aloona's hard core King be? Perhaps a dashing Rogue named Kriel, who lures her into his yearning gaze and seems to undress the Princes with every glance of his piercing eyes. Aloona is flustered and hungry for him. She's desirous that he be the one to take her. Only now she has been kidnapped by the ...

Extraordinary women have held positions of power throughout history. But, aside from the select few, why do we not hear about them? The middle ages are seen as a bloodthirsty time of Vikings, Saints and Kings: a patriarchal society that oppressed and excluded women. But by digging a little deeper into the truth, drawing on evidence from all disciplines, we can see that the 'dark' ages were anything but. BBC historian Janina Ramirez has uncovered countless influential women's names struck out of historical records, with the word femina annotated beside them.

Was Joan of Arc accused because she was a woman? Then why did so many fierce and battle-hardened male warriors line up their troops behind her? Yet, not even one of her soldiers, be they longbowmen, cavalry riders, knights, artillerymen, and nobles, ran from the command of a woman. Instead, they marveled at her as she mounted the ladders to a heavily defended castle, right along with the men, shot arrows, thrust spears, and galloped on her great white steed along with the best of them. She was wounded twice and yet did not shirk from battle.

In 1351, many in England begin thinking that their mighty overlords - Church and Crown - have no control over their fates and a new horizon beckons. It’s a time when labor is in high demand, and nature offers immense bounty to those who have survived death and disease.

Durante el reinado de Felipe II, dos mujeres —Ana de Mendoza, princesa de Éboli, y santa Teresa de Jesús— sostienen una batalla sin cuartel y se abren paso, cada una a su manera, en un mundo que pretende aplastarlas. La primera, en busca del triunfo mundano, trata de alcanzar la supremacía entre los grandes de España; la segunda, en busca de la unión plena con Dios, planta cara al fariseísmo religioso y burla las asechanzas del poder político.

In the year of 1413, two women meet for the first time in the city of Norwich. Margery has left her fourteen children and husband behind to make her journey. Her visions of Christ – which have long alienated her from her family and neighbours, and incurred her husband’s abuse – have placed her in danger with the men of the Church, who have begun to hound her as a heretic. Julian, an anchoress, has not left Norwich, nor the cell to which she has been confined, for twenty-­three years. She has told no one of her own visions – and knows that time is running out for her to do so.

Aoife MacMurchada is just 14 years old when her father Diarmit, King of Leinster, is brutally deposed, and her family is forced to flee Southern Ireland into English exile. Diarmit seeks help from King Henry II, an alliance that leads him to the charismatic Richard de Clare, lord of Striguil, a man dissatisfied with his lot and open to new horizons. Diarmit promises Richard wealth, lands, and Aoife's hand in marriage in return for his aid, but Aoife, has her own thoughts on the matter. She may be a prize, but she is not a pawn and she will play the game to her own advantage.

In The Lantern: A Renaissance Mystery, a 21st century American woman searches to learn the truth about the 15th century mysterious Italian girl who dared to compete with the most famous artists of the Renaissance. Across time and space, their lives collide as they battle abuse, disease, fear and prejudice in pursuit of their dreams. Along the way, they intersect with some of the most famous figures of the Renaissance.

Three men are trapped in time. One woman could save them all. Historian Lia Carrer has finally returned to southern France, determined to rebuild her life after the death of her husband. But instead of finding solace in the region's quiet hills and medieval ruins, she falls in love with Raoul, a man whose very existence challenges everything she knows about life - and about her husband's death.

La guerra non è faccenda da donne, eppure nel sanguinoso scacchiere dell’Italia del Quattrocento può accadere di tutto, anche che una fanciulla venga addestrata a combattere come un uomo. Il suo nome è Bona Lombardi, ma fra i mercenari della Banda Rossa agli ordini del generale Francesco Sforza tutti la conoscono con il nome di Gabrio. Cuore puro e occhi verdi come pietre di fiume, nel suo sangue scorre la ribellione: contro il destino che spetta alle donne, contro i soprusi degli uomini, contro chi ti attende nell’ombra per strapparti la vita o la dignità.

Worms 1414: Sie sind die bekanntesten Medici ihrer Zeit: Madlen und Franz von Beyenburg kümmern sich hingebungsvoll um ihre Patienten und können deren Leid oft lindern, auch wenn gegen viele Krankheiten ihrer Zeit noch kein Kraut gewachsen ist. Nur mit dem Neubau ihres Hospitals geht es zu langsam voran und die beengten Verhältnisse für die Patienten und die Familie kosten Madlen viel Kraft. Da schickt der Erzbischof von Köln nach ihr. Über ein Vierteljahrhundert ist er Madlen ein kluger und warmherziger Freund gewesen, doch der alte Mann spürt, dass seine Zeit gekommen ist.

Köln 1351: Elisabeth und Stephen Hardenstein sind Zwillinge, könnten jedoch unterschiedlicher nicht sein. Während Elisabeth mit Begeisterung schon als Kind alles aufsaugt, was den Tuchhandel ihres Vaters betrifft, liegt es Stephen mehr, ein leichtes Leben zu führen. Die Händlerstochter geht ihrem Vater bei der Prüfung der Waren und bei der Buchhaltung zur Hand. Sie fühlt ihre Berufung zur Händlerin. Als der Vater einen Schlaganfall erleidet, ändert sich die Situation dramatisch. Stephen übernimmt das Ruder im elterlichen Betrieb.

The thirty-fourth mystery in Peter Tremayne's long-standing and much-loved series, Revenge of the Stormbringer features 7th-century Irish super-sleuth Sister Fidelma.

"Sa robe caresse le sol. À cet instant, nous sommes comme les pierres des voûtes, immobiles et sans souffle. Mais ce qui raidit mes frères, ce n'est pas l'indifférence, car ils sont habitués à ne pas être regardés ; ni non plus la solennité de l'entretien - tout ce qui touche à Aliénor est solennel. Non, ce qui nous fige, à cet instant-là, c'est sa voix. Car c'est d'une voix douce, pleine de menaces, que ma mère ordonne d'aller renverser notre père." Aliénor d'Aquitaine racontée par son fils Richard Cœur de Lion.

In one tragic moment, Celeste Gabriele loses all it has taken a lifetime to create. Surrounded by political upheaval and personal turmoil in 1497 Florence, she feels betrayed and utterly alone. Can she summon the courage and strength to conquer her demons and find the love she so desperately craves? Political tensions are high in Florence under the fanatical rule of Prior Girolamo Savonarola, but Celeste is content. She and her husband, Luciano, share a loving marriage, thriving art careers, and five wonderful children.

Hildegard von Bingen was never meant to be remembered by history. The 10th child of one of the Graf von Sponheim’s knights, she was given to Disibodenberg monastery partly out of gratitude to God, but also partly because her visions made her too odd to make a suitable wife. When she succeeded Jutta von Sponheim as magistra and prioress of Disibodenberg monastery, she found herself unable to keep her visions secret any longer. What happened next led her to revolutionize not only monastic life for women, but the whole world too.