Medieval Women

Catherine, wife of one-handed Edgar, daughter of a Jewish merchant, and mother of two small children, is a Christian convert. Agnes, her estranged sister, has returned to Paris with the news that she is to marry a German lord. She wants no part of her Jewish family, except the sizable dowry her father can provide.

Als Nachfahre der mächtigen Söhne des MacAlpin weigert sich Iain MacKinnon, sich der englischen Krone zu beugen. Doch als sein kleiner Sohn entführt wird, schwört der standhafte schottische Clanführer, nicht eher zu ruhen, bis er die Rückkehr seines Sohnes sichergestellt hat. Im Gegenzug raubt er die Tochter seines Feindes, um sich auf einen Handel mit dem Teufel einzulassen.

1589. Scottish housemaid Geillis and Danish courtier Margareta lead opposite lives, but they both know one thing: when a man cries “witch”, no woman is safe. Yet when the marriage of King James VI and Princess Anna of Denmark brings Geillis and Margareta together, everything they supposed about good, evil, men, and women, is cast in a strange and brilliant new light. For the first time in history, could black magic – or rumours of it – be a very real tool for women’s political gain?

England, 1276: Forced to leave her home village, Eleanor moves to Lincoln to work as a housemaid. She's prickly, independent and stubborn, her prospects blighted by a port-wine birthmark across her face. Unusually for a woman, she has fine skills with ink and quill, and harbours a secret ambition to work as a scribe, a profession closed to women. Eleanor discovers that Lincoln is a dangerous place, divided by religious prejudice, the Jews frequently the focus of violence and forced to wear a yellow badge.

The most eligible bachelor wants to win her back. The wealthiest woman in the ton just wants to forget him. When Anna returns to the London Season, she does so hoping to avoid Ambrose, the man who broke her heart. But he’s become one of London’s most sought after bachelors, and he’s everywhere. As she slowly learns to trust, and Ambrose proves himself worthy, the two navigate the London Season and the machinations of one Lord Featherstone, the famed matchmaker of all men. Enjoy this first novella in a new series, A Gentleman’s Match.

In The Lantern: A Renaissance Mystery, a 21st century American woman searches to learn the truth about the 15th century mysterious Italian girl who dared to compete with the most famous artists of the Renaissance. Across time and space, their lives collide as they battle abuse, disease, fear and prejudice in pursuit of their dreams. Along the way, they intersect with some of the most famous figures of the Renaissance.

Tradimenti, amori, cospirazioni nell'affascinante epoca Tudor. Due donne, due diversi destini, uniti per sempre sotto l'ombra della torre di Londra. Finché i corvi abiteranno la Torre di Londra, il Regno d’Inghilterra sopravvivrà. Joan Vaux non è come tutte le altre dame di corte. Ha la carnagione olivastra, si veste sempre con abiti scuri e i suoi capelli sono neri come le ali dei corvi che tanto ama. Li considera suoi amici e guardiani della Corona da quando è piccola. E oggi più che mai il Regno sembra in pericolo.

One marriage. Three people. Proud king. Loving wife. Infamous mistress. 1362. Philippa of Hainault selects a young orphan from a convent. Alice Perrers, a girl born with nothing but ambition. The Queen has a role waiting for her at court. ‘I have lifted you from nothing Alice. Now you repay me.' Led down the corridors of the royal palace, the young virgin is secretly delivered to King Edward III - to perform the wifely duties of which ailing Philippa is no longer capable. Power has a price, and Alice Perrers will pay it.

Hildegard von Bingen was never meant to be remembered by history. The 10th child of one of the Graf von Sponheim’s knights, she was given to Disibodenberg monastery partly out of gratitude to God, but also partly because her visions made her too odd to make a suitable wife. When she succeeded Jutta von Sponheim as magistra and prioress of Disibodenberg monastery, she found herself unable to keep her visions secret any longer. What happened next led her to revolutionize not only monastic life for women, but the whole world too.

Every day, a beloved father dies. Every day, a lover departs. Every day, a woman turns 40. All three happening together brings a moment of reckoning. Medieval historian Elizabeth Boyle made sense of these events the best way she knew how - by immersing herself in the literature that has been her first love and life's work for over two decades. Fierce Appetites is the exhilarating and deeply humane result.

If you will be a great man's mistress, you must pay the price.... The Savoy, 1372. Widow Lady Katherine Swynford presents herself for a role in the household of merciless royal prince John of Gaunt, Duke of Lancaster, hoping to end her destitution. But the Duke's scandalous proposition leaves her life of pious integrity reeling.... Seduced by the glare of royal adoration, Katherine becomes John's mistress. She will leave behind everything she has stood for to play second fiddle to his young wife and ruthless ambition.

Sei storie esemplari di donne del Medioevo e del loro rapporto con la maternità. C’è l’esperienza di Dhuoda (vissuta nel IX secolo), il cui figlio Guglielmo fu consegnato come ostaggio a Carlo il Calvo; c’è – due secoli dopo – la vicenda di Matilde di Canossa, donna potentissima ma delusa nelle sue aspettative di maternità. C’è l’esempio di Caterina da Siena, che pur non avendo figli agisce e scrive da "grande madre" italiana. C’è Christine de Pizan, impegnata nell’ultimo scorcio di Medioevo a destreggiarsi tra i figli e la carriera.

France, 1399: the Duke of Brittany is dead, and his widow, Joanna of Navarre, has inherited control of their land - a testament to her intellect, integrity and political prowess. Then comes an unprecedented proposal from Henry IV, King of England. The price of becoming his Queen? Abandoning her homeland, leaving her children and sacrificing her independence. Henry's hold on the crown is unsteady, and war is brewing.

Seventh-century England is a hodgepodge of warring Anglo-Saxon states filled with shifting alliances and treacherous grabs for royal power. Kings rise and fall, depending on Woden's luck. Northumbria, the damp kingdom north of the river Humber, is a state riven with rivalries and kings determined to expand at any cost. Women have no obvious role in a warrior society, but by using their wits, four women - two queens and two abbesses - make monumental changes. Based on true events and people, this is the story of Northumbria through the eyes of the most important women of their time.

Lord Stephen Radcliffe is tired of society and in particular, his friend’s ability to constantly lose his heart to whichever eligible young lady catches his eye. However, this particular young lady, Miss Stanway, is rather different. She seems to care for Lord Morton also. Determined to prove to Lord Morton that his most recent love obsession is nothing more than sheer infatuation on his part, Stephen states that he is determined to make the lady fall in love with him, simply to prove to Morton that there is nothing of substance between them. However, there is more to Miss Stanway than ...

In an Ancient Rome that never was, Empress Beatriz is surrounded by loyal subjects and the emperor, who cherishes her above all else. Due to one man’s lust and greed, she must fight, alone, for her dignity—and her life. The primeval tale of the valiant empress has been adapted from Cantiga 5 of the thirteenth-century Spanish Cantigas de Santa Maria. Though this volume stands alone, it is also a companion to the ten short stories in Our Lady’s Troubadour (Encircle Publications, 2021). Between fantasy and history, this thrilling novella takes us on an imaginary tour of the ancient ...

Medeltidens historia har ofta blivit männens historia. Hur såg livet ut för Jeanne d’Arc, för »merciernas härskarinna« Ethelfled eller läkaren Trota av Salerno? Hur betraktades de av sina samtida? De senaste decennierna har forskningen gjort många upptäckter kring medeltidens gränsöverskridande kvinnor. I den här boken möter vi dels vanliga bondhustrur, dels ledare och konstnärer, läkare och predikanter, härförare, fotsoldater och andra kvinnor som valde en annorlunda väg.

Parliamo di donne velate e subito pensiamo allo hijab o agli altri tipi di copertura del capo, o del volto, o dell'intero corpo della donna che sono in uso nel mondo islamico e che, non senza originare polemiche, molte islamiche indossano anche nei paesi occidentali. Ma la prescrizione alle donne di coprirsi il capo appartiene in pieno anche alla storia dell'Occidente.

Anche nel Medioevo troviamo donne disposte a vendere il proprio corpo "pro pretio, lucro et questu": condannata e ritenuta una vergogna, la prostituzione era però considerata ineliminabile e persino necessaria. Giustificabile, perché salvava da mali peggiori come la corruzione delle vergini e delle spose e "l'abominevole vizio della sodomia". Ma qual era la posizione della Chiesa e dei pubblici poteri nel regolare questo fenomeno divenuto assai rilevante? Nel Trecento, infatti, si assiste ovunque in Europa al proliferare dei postriboli, a volte quasi piccole fortezze del piacere.

A silent princess, a captive king, four realms at war.... Princess Katherine knows her hand has been given to sinister King Philip, but when she learns he's taken the ruler of a neighboring kingdom captive, she's compelled to discover King Matthew's location and set him free before it's too late. However, with Matthew's brother King Caleb closing in on Philip's borders, Philip threatens to end Matthew. Katherine is running out of time. Saving Matthew without being able to speak proves complicated, especially when another woman assumes Katherine's identity, and the princess finds herself in ...